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Arts, Southeast Asian --- Southeast Asian arts --- Arts --- art d'Asie du sud-est --- culture --- Asie du Sud-Est --- Moeurs et coutumes. --- Southeast Asia
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The concept of 'cultural heritage' has acquired increasing currency in culture, politics and societies in East Asia. However, in spite of a number of research projects in this field, our understanding of how the past and its material expressions have been perceived, conceptualised and experienced in this part of the world, and how these views affect contemporary local practices and notions of identity, particularly in a period of rapid economic development and increasing globalisation, is still very unclear. Preoccupation with cultural heritage - expressed in the rapid growth of national and private museums, the expansion of the antiquities' market, revitalisation of local traditions, focus on 'intangible cultural heritage' and the development of cultural tourism - is something that directly or indirectly affects national policies and international relations. An investigation of how the concept of 'cultural heritage' has been and continues to be constructed in East Asia, drawing on several case studies taken from China, Japan and Korea, is thus timely and worthwhile.
Arts, East Asian. --- Cultural property. --- China --- Japan --- Korea --- Cultural policy. --- Cultural property --- Korea (South) --- East Asian arts --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Property --- World Heritage areas
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"In Probing Arts and Emergent Forms of Life Michael M. J. Fischer calls for a new anthropology of the arts that attends to the materialities and technologies of the world as it exists today. Fischer examines the work of key Southeast and East Asian artists within the crucibles of unequal access, geopolitics, the reverberations of past traumas, and emergent new socialities. He outlines how artist-theorists including Entang Wiharso, Sally Smart, Charles Lim, Zai Kuning, and Kiran Kumar speculate on how the world is changing in ways that are attuned to cultivating, repairing, and rethinking the world in the Anthropocene. Their artistic vocabulary not only undoes Western art models and categories; it probes the unfolding future, addresses past trauma, and creates contested, vibrant, and flourishing spaces. Throughout Indonesia, Korea, Singapore, Thailand, and Vietnam, and from Kumar's experimental dance to Kuning's rattan and beeswax ghost ships to Lim's videography of Singapore from the sea, Fischer argues that these artists' theoretical discourses should be privileged over those of the curators, historians, critics, and other gatekeepers who protect and claim art worlds for themselves"--
Anthropology and the arts. --- Arts and society --- Arts, Asian. --- Ethnocentrism in art. --- SOCIAL SCIENCE / Anthropology / Cultural & Social --- ART / Asian / General --- Asian arts --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Arts and anthropology --- Social aspects
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J6600 --- J6000 --- K9840 --- K9800 --- S01/0800 --- Japan: Art and antiquities -- industrial art, craft and design --- Japan: Art and antiquities --- Korea: Art and antiquities -- arts, crafts and design --- Korea: Art and antiquities --- China: Bibliography and reference--"Festschrifte" and other works of a miscellaneous nature --- Festschrift - Libri Amicorum --- Arts, East Asian --- East Asian arts
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Arts, Asian. --- Musée Guimet (Paris, France). --- Arts, Asian --- S17/2111 --- China: Art and archaeology--Musea and exhibitions: France --- Musée Guimet (Paris, France) --- Asya Sanatları Ulusal Müzesi-Guimet --- Faguo guo li Jimei Ya Zhou yi shu bo wu guan (Paris, France) --- France. --- Guimet Museum (Paris, France) --- Jimei guo li Ya Zhou yi shu bo wu guan (Paris, France) --- Kokuritsu Gime Tōyō Bijutsukan (Paris, France) --- Musée des arts asiatiques-Guimet (Paris, France) --- Musée Guimet (Lyon, France : 1878-1888) --- Musée national des arts asiatiques, Guimet (Paris, France) --- Musée national des arts asiatiques (Paris, France) --- Paris. --- Mnaag (Paris, France) --- Musée Guimet (Lyon, France) --- Asian arts --- Parisian museum --- Collections
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Issues de deux colloques tenus en 2012 et 2013, ces contributions livrent une réflexion sur les liens qui unissent l'Orient et l'Occident à travers le prisme de la création artistique, et plus particulièrement sur les mécanismes de transferts et d'influences entre les cultures. ©Electre 2015
Art --- Influence (Literary, artistic, etc.) --- East and West --- Influence littéraire, artistique, etc. --- Orient et Occident --- History --- Histoire --- Arts --- Arts, Asian --- Literature --- Oriental literature --- Orientalism in art --- Asian influences --- Western influences --- Influence littéraire, artistique, etc. --- Exchange of persons programs --- Eurasia --- 17th-21st centuries --- Orient et Occident. --- Art moderne. --- Arts - Asian influences --- Arts, Asian - Western influences --- Literature - Asian influences --- Oriental literature - Western influences --- Orientalism in art - History --- Artistic impact --- Artistic influence --- Impact (Literary, artistic, etc.) --- Literary impact --- Literary influence --- Literary tradition --- Tradition (Literature) --- Influence (Psychology) --- Intermediality --- Intertextuality --- Originality in literature --- Civilization, Western --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Asian arts --- Arts, Fine --- Arts, Occidental --- Arts, Primitive --- Arts, Western --- Fine arts --- Humanities --- Occidental influences --- S02/0300 --- S02/0310 --- S17/0300 --- China: General works--Chinese culture and the World and vice-versa --- China: General works--Intercultural dialogue --- China: Art and archaeology--Oriental art: general
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