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"Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of "whitewashing" in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories"--
Asian Americans in motion pictures. --- Ethnicity in motion pictures. --- Motion pictures --- Motion pictures --- Whites in motion pictures. --- History --- History
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Asian Americans in motion pictures. --- Motion pictures --- Motion picture industry --- Motion pictures --- History. --- History. --- California --- East Asia.
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Considers questions of Asian American Identity and issues of homeland and home in Asian American film.
Asian Americans in motion pictures --- Asian Americans in the motion picture industry --- S17/2000 --- S11/1120 --- Motion picture industry --- Motion pictures --- China: Art and archaeology--Film --- China: Social sciences--Migration and emigration: U.S.A. and Canada (incl. Hawaï) (whatever timeperiod) --- Asian Americans in motion pictures. --- Asian Americans in the motion picture industry.
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Anderson explores the cultural and political exchanges between African Americans, Asian Americans, and Asians over the last four decades. To do so, she examines various cultural productions including novels, films, and Japanese animation all of which feature cross-cultural conversations. In exploring the ways in which writers and artists use this transferral, the author traces and tests the limits of how Afro-Asian cultural production interrogates conceptions of race, ethnic identity, politics, and transnational exchange.
Asian Americans in literature. --- Asian Americans in motion pictures. --- Asian Americans in popular culture. --- African Americans in literature. --- African Americans in motion pictures. --- African Americans in popular culture. --- Asians in mass media. --- African Americans --- Relations with Asian Americans.
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Minorities in motion pictures --- African Americans in motion pictures --- Hispanic Americans in motion pictures --- Asian Americans in motion pictures --- Violence in motion pictures --- #SBIB:309H1320 --- #SBIB:309H521 --- #SBIB:033.AANKOOP --- Violence in moving-pictures --- Motion pictures --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Race films --- Minorities in films --- De filmische boodschap: algemene werken (met inbegrip van algemeen filmhistorische werken en filmhistorische werken per land) --- Audiovisuele communicatie: inhoudsanalyse: onderzoekingen --- African Americans in motion pictures. --- Asian Americans in motion pictures. --- Hispanic Americans in motion pictures. --- Minorities in motion pictures. --- Violence in motion pictures.
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Film --- Asia: persons --- United States --- Asian Americans in motion pictures --- Asian Americans in the motion picture industry --- S17/2000 --- S11/1120 --- Motion picture industry --- Motion pictures --- China: Art and archaeology--Film --- China: Social sciences--Migration and emigration: U.S.A. and Canada (incl. Hawaï) (whatever timeperiod) --- United States of America
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Norman Denzin argues that the cinema, like society, treats all persons as equals but struggles to define and implement diversity, pluralism and multiculturalism. This is manifested in American cinema by its treatment of racial issues in films.
Sociology of culture --- Sociology of minorities --- Film --- United States --- Violence in motion pictures. --- Minorities in motion pictures. --- African Americans in motion pictures. --- Asian Americans in motion pictures. --- Hispanic Americans in motion pictures. --- Motion pictures --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Race films --- Minorities in films --- Violence in moving-pictures --- Race relations in motion pictures. --- Social aspects --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- United States of America
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Whitewashing the Movies addresses the popular practice of excluding Asian actors from playing Asian characters in film. Media activists and critics have denounced contemporary decisions to cast White actors to play Asians and Asian Americans in movies such as Ghost in the Shell and Aloha. The purpose of this book is to apply the concept of “whitewashing” in stories that privilege White identities at the expense of Asian/American stories and characters. To understand whitewashing across various contexts, the book analyzes films produced in Hollywood, Asian American independent production, and US-China co-productions. Through the analysis, the book examines the ways in which whitewashing matters in the project of Whiteness and White racial hegemony. The book contributes to contemporary understanding of mediated representations of race by theorizing whitewashing, contributing to studies of Whiteness in media studies, and producing a counter-imagination of Asian/American representation in Asian-centered stories.
Asian Americans in motion pictures. --- White people in motion pictures. --- film, films, movies, movie, white, whitewashing, Asian actors, asian, asian characters, asian actresses, media, activist, activism, white actors, Asian Americans, Ghost in the Shell, Aloha, privilege, White identities, AsianAmerican stories, China, US-China co-productions, Whiteness, media studies, White racial hegemony, AsianAmerican representation, Hawai’i, White China, Kim Jong Un, Whitewashing anime, Transnational, White masculine heroism, The Great Wall, Outcast, Enter the Warrior’s Gate, 47 Ronin, The Interview, The Impossible.
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Examining nine Asian Canadian and Asian American narratives, Eleanor Ty explores how authors empower themselves, represent differences, and re-script their identities as 'visible minorities' within the ideological, imaginative, and discursive space given to them by dominant culture. In various ways, Asian North Americans negotiate daily with 'birthmarks, ' their shared physical features marking them legally, socially, and culturally as visible outsiders, and paradoxically, as invisible to mainstream history and culture. Ty argues that writers such as Denise Chong, Shirley Geok-lin Lim, and Wayson Choy recast the marks of their bodies and challenge common perceptions of difference based on the sights, smells, dress, and other characteristics of their hyphenated lives. Others, like filmmaker Mina Shum and writers Bienvenido Santos and Hiromi Goto, challenge the means by which Asian North American subjects are represented and constructed in the media and in everyday language. Through close readings grounded in the socio-historical context of each work, Ty studies the techniques of various authors and filmmakers in their meeting of the gaze of dominant culture and their response to the assumptions and meanings commonly associated with Orientalized, visible bodies.
Ethnology. Cultural anthropology --- Anthropology --- Anthropology. --- Methodology. --- Philosophy. --- Canadian prose literature --- American prose literature --- Politics and literature --- Asians --- Asian Americans --- Asian Americans in literature. --- Asian Americans in motion pictures. --- Asians in motion pictures. --- Asians in literature. --- Narration (Rhetoric) --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Motion pictures --- Ethnology --- Orientals --- Literature --- Literature and politics --- American literature --- Canadian prose literature (English) --- Canadian literature --- Asian authors --- History and criticism. --- Asian American authors --- Intellectual life. --- Political aspects --- Ethnicity in literature. --- Philosophy --- Methodology --- Centro para la Promoción de la Conservación del Suelo y del Agua --- Asiaten. --- USA. --- Kanada --- Canada. --- PROSA --- Buenos Aires --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canad --- Dominion of Canada --- Jianada --- Kʻaenada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanak --- Province of Canada --- Republica de Canad --- Yn Chanadey --- Canada --- Puissance du Canada --- Kanadier --- Provinz Kanada --- 01.07.1867 --- -Canadian prose literature --- Dominio del Canadá --- Kaineḍā --- Kanakā --- Republica de Canadá --- -Ethnology. Cultural anthropology
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