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American literature --- Ashbery, John --- Ashbery, John Lawrence --- Criticism and interpretation --- Ashbery, John, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Criticism and interpretation.
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Ashbery, John, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Criticism and interpretation. --- Ashbery, John Lawrence --- Criticism and interpretation --- Ashbery, John - Criticism and interpretation.
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Hoe vindt een dichter zijn eigen stem? Bernlef (1937-2012) heeft gedurende meer dan vijftig jaar niet alleen poëzie van veel dichters gelezen, maar ook vertaald en becommentarieerd. Zodoende verruimde hij zijn ambachtelijke vaardigheden, taalbeheersing en literair-culturele horizon. Aan zijn poëzie, vertalingen en essays valt goed af te lezen hoe zijn transnationale ontwikkeling zich heeft kunnen voltrekken. Dat gegeven bracht Johan Reijmerink ertoe in dit onderzoek de vraag te stellen, in hoeverre en op welke wijze het vertalen begrepen kan worden als een nadere articulatie van zijn dichterschap. Zij krijgt een nieuwe impuls in de begin jaren tachtig door zijn kennismaking met de andere stem van zowel de Amerikaanse dichter John Ashbery en als van de Zweedse dichter Tomas Tranströmer.
Marsman, H. J. --- Ashbery, John, --- Tranströmer, Tomas, --- Telangsiteluomo, Tuomasi, --- 特朗斯特羅默, 托馬斯, --- Ashberi, G'on, --- Ashberry, John, --- Ashbery, John --- Asshuberī, Jon, --- Berry, Jonas, --- Criticism and interpretation. --- アッシュベリー, ジョン, --- Bernlef, J. --- Bernlef --- Tranströmer, Tomas --- Critique et interprétation. --- Influence.
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The poems of John Ashbery, Lyn Hejinian and Ron Silliman may seem to offer endless small details of expression, observation, thought and narrative which fail to hang together even from one line to the next. But as Elina Siltanen shows here, this extraordinary flow of uncoordinated detail can stimulate readers to join the poets in a delightful exploration of ordinary language. When readers take a poem in this spirit, they actually begin to read as members of a community: the community not only of themselves and other readers, but also including the poet and other poets, plus all the speakers of the language in which the poem is written. For all these different parties, that language is indeed a shared resource, and the way for readers to get started is simply by recalling or imagining some of the numerous kinds of context in which the given poem's words-phrases-sentences could, or could not, be successfully used. The rewards for such proactive readers are on the one hand a heightened sense of the subtle interweavings of language and life, and on the other hand a freshly empowered self-confidence. 0The point being that, within the community of contemporary experimental poetry, poets have no more authority than readers. Rejecting older cultural hierarchies, they present themselves as teasing out the idiomatic serendipities of their own poems together with their readers.
American poetry --- Experimental poetry, American --- Poetics. --- Poetry --- History and criticism. --- Technique --- Ashbery, John, --- Hejinian, Lyn --- Silliman, Ron, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Criticism and interpretation. --- Communities in literature. --- Authors and readers --- American poetry. --- Authors and readers. --- Experimental poetry, American. --- History and criticism --- History --- Silliman, Ronald, --- Hejinian, Lyn. --- 1900-1999. --- United States.
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""Poetry was declining/ Painting advancing/ we were complaining/ it was '50,"" recalled poet Frank O'Hara in 1957. Criminal Ingenuity traces a series of linked moments in the history of this transfer of cultural power from the sphere of the word to that of the image. Ellen Levy explores the New York literary and art worlds in the years that bracket O'Hara's lament through close readings of the works and careers of poets Marianne Moore and John Ashbery and assemblage artist Joseph Cornell. In the course of these readings, Levy discusses such topics as the American debates around surrealism, the
Art and society --- Literature and society --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Art --- Art and sociology --- Society and art --- Sociology and art --- History --- Social aspects --- Moore, Marianne, --- Ashbery, John, --- Cornell, Joseph --- Brainard, Joe, --- Kōneru, Jozefu, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Moore, Marianne Craig, --- Criticism and interpretation.
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'Changing Subjects' contends that major American poets-such as Walt Whitman, Wallace Stevens, John Ashbery, and Lyn Hejinian-transformed verse and even changed conceptions of modern subjectivity by exploiting an ordinary rhetorical device ubiquitous in spoken language: the digression.
American poetry --- Digression (Rhetoric) in literature. --- Poetics. --- History and criticism. --- Moore, Marianne, --- Hejinian, Lyn --- Ashbery, John, --- Whitman, Walt, --- Criticism and interpretation. --- Influence. --- Poetry --- Technique --- Moore, Marianne Craig, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- 20th century --- History and criticism --- Moore, Marianne --- Criticism and interpretation --- Ashbery, John Lawrence --- Whitman, Walt --- Influence --- Digression (Rhetoric) in literature --- Poetics
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This book is the winner of the Truman Capote Award for Literary Criticism. Amid gloomy forecasts of the decline of the humanities and the death of poetry, Angus Fletcher, a wise and dedicated literary voice, sounds a note of powerful, tempered optimism. He lays out a fresh approach to American poetry at large, the first in several decades, expounding a defence of the art that will resonate well into the new century.
American poetry --- Environmental protection in literature. --- Democracy in literature. --- Ecology in literature. --- Nature in literature. --- Imagination. --- Imagery, Mental --- Images, Mental --- Mental imagery --- Mental images --- Educational psychology --- Intellect --- Psychology --- Reproduction (Psychology) --- Nature in poetry --- History and criticism --- Theory, etc. --- Whitman, Walt, --- Clare, John, --- Ashbery, John, --- Ouïtman, Ouōlt, --- Uitman, Uolʹt, --- Uitmen, Uot, --- Uitmen, Uolt, --- Viṭman̲, Vālṭ, --- Vālṭ Viṭman̲, --- Witʻŭmŏn, --- Ṿiṭman, Ṿolṭ, --- Vālṭviṭman̲, --- Waltvitmen, --- Whitman, Walter, --- Huiteman, --- Veeitman, --- Уитмен, Уолт, --- ויטמן, וולט, --- װיטמאן, װאלט, --- ويتمن، والت، --- Vitmen, Volt, --- Uitman, Uollt, --- Huiteman, Huate, --- 華特·惠特曼, --- Influence. --- Poésie américaine --- Environnement --- Démocratie dans la littérature --- Ecologie dans la littérature --- Nature dans la littérature --- Histoire et critique --- Protection, dans la littérature --- Ashbery, John --- Ashberi, G'on, --- Ashberry, John, --- Asshuberī, Jon, --- アッシュベリー, ジョン, --- Berry, Jonas, --- Whitman, Walt (1819-1892) --- Clare, John (1793-1864) --- Ashbery, John (1927-....) --- Poésie américaine --- Démocratie --- Ecologie --- Nature --- Imagination --- Influence --- Théorie, etc. --- Protection --- Dans la littérature
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Graphic arts --- artists' books [books] --- kunstenaarsboeken --- kunstenaarsgeschriften --- postkaarten --- Postcards --- Hayward Tony --- Higgins Dick --- Higgs Matthew --- Hiller Susan --- Hinde John --- Hockney David --- Hopton Georgie --- Hybert Fabrice --- Image bank --- Joffe Jasper --- Johnson Ray --- Jones Allan --- Kane Alan --- Katz Alex --- Kauffer Edward McKnight --- Kawara On --- Kelly Elsworth --- Kelly Robert --- Kennard Peter --- Kiarostami Abbas --- King Scott --- Kippenberger Martin --- Kirchner Raphael --- Kivland Sharon --- Krieder Kirsten --- kunst --- Landy Michael --- Langenstein Michael --- Lees postcards --- Lemaître Maurice --- LeWitt Sol --- Liversidge Peer --- Long Richard --- MacKillop Sara --- Maggi Rugio --- Magill Elizabeth --- Magritte René --- Mahood Kenneth --- mail art --- 7.038/039 --- Malevich Kazimir --- Mancusi Tim --- Marc Franz --- Martin Angela --- Matta-Clark Gordon --- Maxey Sarah --- McAlpine Elizabeth --- McGill Donald --- Mir Aleksandra --- Monk Jonathan --- Adamson Jonathan --- Morley Malcolm --- Morris Jo --- Nannucci Maurizio --- Nauman Bruce --- Noble Anne --- Noble Tim --- Oleson Muriel --- Ono Yoko --- Opie Julian --- Paez Angelica --- Albers Josef --- Parker Andy --- Pawson Mark --- Peace news --- Phillips Cat --- Phillips Tom --- Pippin Steven --- Potier Georgina --- Powell Anthony --- Pye Henry --- Alÿs Francis --- Reimer Karen --- Richardson Robert --- Richter Gerhard --- Roach Damien --- Roth Dieter --- Ruppersberg Allen --- Sackett Colin --- Schneider Gregor --- Schwitters Kurt --- Second wrap --- Andre Carl --- Shelton Anne --- Shrigley David --- Simpson Jane --- Singer Roman --- Sowersby Kris --- Spada Silvio --- Staeck Karl --- Starr Georgina --- Sterling Linder --- Stezaker John --- Antin Eleanor --- Stuart Matt --- Stylorouge --- Sylveire Peter --- Tillmans Wolfgang --- Tloupas Yorgo --- Trant Carolyn --- Trigg Sarah --- Turk Gavin --- twintigste eeuw --- van der Egten Henriëtte --- Armleder John --- van Horn Erica --- Vaughan Oliver --- Voss Jan --- Wald Carl --- Wearing Gillian --- Wegman William --- Weiner Lawrence --- West Franz --- Whiteread Rachel --- Wilke Hannah --- artists' books --- Williams Gerrard --- Williams Jonathan --- Wilson Bill --- Wilson May --- Wooldridge Duncan --- 7.05 --- Ansichtkaarten ; prentbriefkaarten ; van kunstenaars --- Artists Books ; artists postcards --- Kunstenaarsboeken ; 20ste en 21ste eeuw --- Mail-Art --- Art & Language --- Postkaarten ; gemaakt door kunstenaars ; 20ste en 21ste eeuw --- Art rat --- Ashberry John --- Banana Anna --- Banks Johnson --- Banner Fiona --- Barnbrook Jonathan --- Barney Matthew --- Baroni Vittore --- Barry Robert --- Bates Keith --- Baxter Glenn --- Bents Nigel --- Beuys Joseph --- Bevis John --- Biernoff Eisheva --- Bismuth Pierre --- Bloom Barbara --- Bowery Leigh --- Brainard Joe --- Brecht George --- Broodthaers Marcel --- Brooks James --- Bukowski Christian --- Burroughs William --- cage John --- Caramazza Filippo --- Claxton Ruth --- Cockburn Julie --- Coleman Les --- collages --- Conroy David --- Crozier Robin --- Cummins Kevin --- Cutts Simon --- Dali Salvador --- Dant Adam --- Darke Andrew --- Davenport Philip --- Davies Tim --- Dibbets Jan --- Doig Peter --- Donagh Rita --- Drummond Bill --- Duchamp Marcel --- Dumas Marlene --- Dunbar P.J --- Eatock Daniel --- eenentwintigste eeuw --- Elmgreen & Dragset --- Esser Elgar --- Evans David --- Fairhurst Angus --- Fidler Marti --- Filliou Robert --- Fine Albert --- Fischli & Weiss --- Fleming Jacky --- Fletcher Alan --- Fluxus --- fotografie --- Francis Mary Anne --- Gaillard Cyprien --- Garrido Cristina --- Gathered images --- General idea --- Gilbert & George --- Gilonis Harry --- Goldfinger Ernö --- Gordon Douglas --- grafiek --- Graham Martha --- Greenleaf Paul --- Gussin Graham --- Hall John --- Hamilton Finlay Ian --- Hamilton Richard --- Cards, Postal --- Picture postcards --- Post cards --- Postal cards --- Postal stationery --- Kunst ; het boek als kunstobject ; Kunstenaarsboeken, geïllustreerde boeken, boekbanden
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