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Death in art --- Arts, Greek --- Mort dans l'art --- Arts grecs --- Greek arts --- Arts, Greek. --- Poetry --- Classical Greek literature --- Iconography --- Thematology --- Antiquity --- Greece --- Death --- Death in art.
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"This is the first modern attempt to put aesthetics back on the map in classical studies. James Porter traces the origins of aesthetic thought and inquiry in their broadest manifestations as they evolved from before Homer down to the fourth century and then into later antiquity, with an emphasis on Greece in its earlier phases. Greek aesthetics, he argues, originated in an attention to the senses and to matter as opposed to the formalism and idealism that were enshrined by Plato and Aristotle and through whose lens most subsequent views of ancient art and aesthetics have typically been filtered. Treating aesthetics in this way can help us reveal the commonly shared basis of the diverse arts of antiquity. Reorienting our view of the ancient vocabularies of art and experience around matter and sensation, this book dramatically changes how we look upon the ancient achievements in these same areas"--Provided by publisher.
History of ancient Greece --- Aesthetics --- Aesthetics, Classical --- Matter --- Senses and sensation --- Experience --- Arts, Greek --- Esthétique antique --- Matière --- Sens et sensation --- Expérience --- Arts grecs --- Philosophy --- History --- Philosophie --- Histoire --- Greece --- Grèce --- Intellectual life --- Vie intellectuelle --- History. --- Esthétique antique --- Matière --- Expérience --- Grèce --- Sensation --- Sensory biology --- Sensory systems --- Knowledge, Theory of --- Neurophysiology --- Psychophysiology --- Perception --- Atoms --- Dynamics --- Gravitation --- Physics --- Substance (Philosophy) --- Psychology --- Reality --- Pragmatism --- Greek arts --- Classical aesthetics --- Philosophy&delete& --- Esthétique hellénistique --- Jusqu'à 146 av. J.-C.
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Democracy --- Arts, Greek --- Démocratie --- Arts grecs --- Political aspects --- Aspect politique --- Athens (Greece) --- Greece --- Athènes (Grèce) --- Grèce --- Civilization. --- History --- Politics and government --- Civilisation --- Histoire --- Politique et gouvernement --- Civilization --- Démocratie --- Athènes (Grèce) --- Grèce --- Athenian Supremacy, 479-431 B.C. --- Arts [Greek ] --- Democracy - Greece - Athens. --- Arts, Greek - Greece - Athens - Political aspects. --- History of ancient Greece --- Athens --- Democracy - Greece - Athens - History - To 1500 --- Arts, Greek - Political aspects - Greece - Athens --- Athens (Greece) - Civilization
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Greek mythology in art --- Greek mythology in literature --- Griekse mythologie in de kunst --- Griekse mythologie in de literatuur --- Mythologie [Griekse ] in de kunst --- Mythologie [Griekse ] in de literatuur --- Mythologie grecque dans l'art --- Mythologie grecque dans la littérature --- Mythology [Greek ] in art --- Mythology [Greek ] in literature --- Personificatie in de kunst --- Personificatie in de literatuur --- Personification in art --- Personification in literature --- Personnification dans l'art --- Personnification dans la littérature --- Personification in art. --- Arts, Greek. --- Cults --- Arts grecs --- Cultes --- History --- Histoire --- Arts, Greek --- Alternative religious movements --- Cult --- Cultus --- Marginal religious movements --- New religions --- New religious movements --- NRMs (Religion) --- Religious movements, Alternative --- Religious movements, Marginal --- Religious movements, New --- Religions --- Sects --- Greek arts --- Greece --- Religious life and customs --- Greek literature --- Themes, motives
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This book explores the persona of the artist in Archaic and Classical Greek art and literature. Guy Hedreen argues that artistic subjectivity, first expressed in Athenian vase-painting of the sixth century BCE and intensively explored by Euphronios, developed alongside a self-consciously constructed persona of the poet. He explains how poets like Archilochos and Hipponax identified with the wily Homeric character of Odysseus as a prototype of the successful narrator, and how the lame yet resourceful artist-god Hephaistos is emulated by Archaic vase-painters such as Kleitias. In lyric poetry and pictorial art, Hedreen traces a widespread conception of the artist or poet as socially marginal, sometimes physically imperfect, but rhetorically clever, technically peerless, and a master of fiction. Bringing together in a sustained analysis the roots of subjectivity across media, this book offers a new way of studying the relationship between poetry and art in ancient Greece.
Vase-painting, Greek --- Greek poetry --- Art and literature --- Subjectivity in art. --- Subjectivity in literature. --- Arts, Greek --- Peinture de vases grecque --- Poésie grecque --- Art et littérature --- Subjectivité dans l'art --- Subjectivité dans la littérature --- Arts grecs --- Themes, motives. --- History and criticism. --- History --- Thèmes, motifs --- Histoire et critique --- Histoire --- Greece --- Grèce --- Intellectual life --- Vie intellectuelle --- Art and literature. --- Arts, Greek. --- Greek poetry. --- Intellectual life. --- Vase-painting, Greek. --- History. --- To 1500 --- Greece. --- To 1500. --- Poésie grecque --- Art et littérature --- Subjectivité dans l'art --- Subjectivité dans la littérature --- Thèmes, motifs --- Grèce --- Greek literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Greek vase-painting --- Greek arts
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