Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"The play's the thing wherein I'll catch the conscience of the king..." Shakespeare was repeating what the ancient Greeks had pioneered--if you want to tell a moral lesson and have it remembered, then make it entertaining. Chad Painter and Lee Wilkins explore how popular culture explains media ethics and the philosophy that is key to solid ethical thinking. Each chapter focuses on a key ethical concept, anchors the discussion of that concept in a contemporary or classic accessible film, analyzes decisions made in that film with other popular culture artifacts, and grounds the analysis in appropriate philosophical thought. The book focuses on core philosophical concepts of media ethics--truth telling, loyalty, privacy, public service, media economics, social justice, advocacy, and accountability--as they are examined through the lens of narrative film, television, and music. Discussion questions and online instructor materials further course applicability while the popular culture examples make ethical theory accessible and exciting for students and professors from a variety of academic backgrounds.

Arts and morals

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Arts and morals --- Literature and morals

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

This issue comprises various outlooks on "perspective." This might be taken to mean something as specific as a particular opinion or as general as an axonometric projection; in short, different ways and means of looking at the world. And so we find Vincenzo Latronico attempting to get in touch with E.T., a collection of Lucy McKenzie's illusory quodlibets, a conversation between Jumana Manna and Robert Wyatt on art and ethics, a timely analysis of "Lifestyles of the Rich and Famous" by Sarah Demeuse, along with other points of view from Mark de Silva, Jocelyn Penny Small, Abigail Reynolds, James Langdon & Mathew Kneebone, Johan Hjerpe, and the inimitable 9mother9horse9eyes9.

Art --- Arts and morals. --- Perspective. --- Anamorphosis (Visual perception) --- Artists' books. --- Anamorphosis (Visual perception) --- Art --- Artists' books. --- Arts and morals. --- Perspective. --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

In The Marriage of Aesthetics and Ethics , fifteen authors reflect on the nature of friendship and love and on the complex relation between art and morality. Karl Verstrynge, Vincent Caudron, Anne Christine Habbard, and Walter Jaeschke draw from authors from Aristotle to Derrida, Montaigne to Kierkegaard, and Hegel to Blanchot to discuss friendship and love. Andreas Arndt, Paul Cobben, Paul Cruysberghs, Gerbert Faure, Simon Truwant, and Margherita Tonon focus on the connection between aesthetics and ethics in the works of Kant, Schiller, Hegel, Schleiermacher, Kierkegaard, Cassirer, and Adorno. Baldine Saint Girons, Stéphane Symons, Marlies De Munck, Stijn De Cauwer, and Willem Styfhals explore the connection between ethical and aesthetic issues in photography, film, music, literature, and the visual arts.

Ethics. --- Aesthetics. --- Arts and morals. --- Art --- Idealism, German. --- Marriage. --- Friendship. --- Moral and ethical aspects.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Artist, Audience, Accomplice complicates traditional notions of artists' authorship by introducing the role of the accomplice. Accomplices, particularly in the art of the 1970s and 1980s, are the unseen figures essential to creation-the studio assistants, documentarians, romantic partners, and institutional staff-who act as practice audiences, witnesses, and semi-creators. Sydney Stutterheim centers her argument in four case studies devoted to Chris Burden, Hannah Wilke, Martin Kippenberger, and Lorraine O'Grady. These studies draw on archival research, original interviews, and secondary literature to demonstrate how each artist deliberately used accomplices to engage contemporary issues in their work. The use of accomplices distributes ethical responsibility among figures other than the individual artist, raising questions related to the ethics of participation and the responsibility of the artist-questions which are particularly visible in legislation and court cases of the period regarding "accomplice liability," the legal definition of the abettor, and lawsuits involving artists. Arguing that the author's authority is not sovereign, total, and exclusive, but instead fluid and relational, Stutterheim employs issues of labor and ethics to reimagine artistic agency, aesthetic property, and authorship"--

Arts and morals --- Arts and society --- Authorship --- Audiences in art --- Burden, Chris, --- Wilke, Hannah. --- Kippenberger, Martin, --- O'Grady, Lorraine.