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Art --- Literature --- Arts --- Psychological aspects --- Arts - Psychological aspects
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Unfinished works of art --- Arts - Psychological aspects --- Arts
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Clowns in art. --- Artists and models in art. --- Arts --- Psychological aspects. --- Arts - Psychological aspects.
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Aesthetics has long been the preserve of philosophy, art history, and the creative arts but, more recently, the fields of psychology and neuroscience have entered the discussion, and the field of neuroaesthetics has been born.In Brain, Beauty, and Art, leading scholars in this nascent field reflect on the promise of neuroaesthetics to enrich our understanding of this universal yet diverse facet of human experience. The volume consists of essays from foundational researchers whose empirical work launched the field. Each essay is anchored to an original, peer-reviewed paper from the short history of this new and burgeoning subdiscipline of cognitive neuroscience. Authors of each essay were asked three questions: 1) What motivated the original paper? 2) What were the main findings or theoretical claims made? and, 3) How do those findings or claims fit with the current state and anticipated near future of neuroaesthetics? Together, these essays establish the territory and current boundaries of neuroaesthetics and identify its most promising future directions. Topics include models of neuroaesthetics, and discussions of beauty, art, dance, music, literature, and architecture. Brain, Beauty, and Art will inform and stimulate anyone with an abiding interest in why it is that, across time and culture, we respond to beauty, engage with art, and are affected by music and architecture.
Aesthetics - Psychological aspects --- Arts - Psychological aspects --- Aesthetics --- Arts --- Radio broadcasting Aesthetics --- Psychological aspects. --- Psychological aspects
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Art --- Psychology --- Arts --- Psychological aspects --- -Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Psychological aspects. --- -Psychological aspects --- Arts - Psychological aspects
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Art --- Philosophy and psychology of culture --- Aesthetics --- Arts --- Esthétique --- Psychological aspects --- Aspect psychologique --- Aesthetics. --- Psychological aspects. --- Esthétique --- Arts - Psychological aspects
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Arts --- Psychological aspects. --- Psychological aspects --- Arts - Psychological aspects. --- Littérature --- Folie --- Guerre --- Philosophie --- Musique --- Psychanalyse --- Enfant --- Ortega y Gasset, José --- Valéry, Paul
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Ouvrez un dictionnaire à Vaché Jacques (1895-1919). Vous y apprendrez qu'il s'agit d'un écrivain. Vous n'y apprendrez pas qu'en fait d'oeuvre, la sienne n'exista pas. Jacques Vaché, artiste sans oeuvre, n'en eut pas moins une influence majeure sur le surréalisme. Nombre de créateurs ont opté pour la non-création. Refusant la logique industrielle et mortifère du musée comme de la bibliothèque, peu séduits par l'idée d'avoir à donner des preuves de leur statut d'artiste, ils se sont contenter de créer pour eux-mêmes, soit dans le pur éther conceptuel, soit dans l'esthétique vécue du quotidien, laquelle esthétique rassemble le geste dandy, la dérive situationniste, l'infini éventail des poésies non écrites ou encore l'activisme d'Antisthène, le silence de Duchamp, les romans inédits de Félicien Marbeuf.
Arts --- Creation (Literary, artistic, etc.) --- Artists --- Création (Arts) --- Artistes --- Psychological aspects. --- Psychology. --- Aspect psychologique --- Psychologie --- Surréalisme --- Statut de l'artiste --- Psychology --- Psychological aspects --- Création (Arts) --- Artists - Psychology --- Arts - Psychological aspects
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Arts --- Art and mythology --- Psychological aspects --- -Art and mythology --- #SBIB:316.331H580 --- Mythology and art --- Mythology in art --- Mythology --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Godsdienstige verandering: algemeen --- Art and mythology. --- Psychological aspects. --- Arts - Psychological aspects
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""Mediated Environments"" addresses the problem that society interprets our environment through conditioned and constructed representations of mainstream media and not in a transdisciplinary way with the help of artists, architects, filmmakers, cultural theorists and scientists. The writers who come from these various backgrounds all wish to give media artists, designers and writers a new role in relation to the pressing issues of urban and rural life: ones that can address the challenges of human psychology, recycling, agricultural production, climate chaos and energy conservation. The main a
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