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Women artists - United States - Bibliography. --- Women artists - United States - Information services - Bibliography.

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Minorities as artists - United States. --- Intercultural communication - United States. --- Ethnic art - United States.

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Warhol, Andy, --- Diaries --- Journaux intimes --- Artists --- Diaries. --- Artists - United States - Diaries --- Warhol, Andy, - 1928-1987 - Diaries --- Warhol, Andy, - 1928-1987

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"In 1970, photography curator Peter C. Bunnell organized the exhibition Photography into Sculpture for the Museum of Modern Art in New York, bringing together twenty-three photographers and artists from across the United States as well as Vancouver, British Columbia, whose work challenged accepted practices and categories. The Photographic Object 1970 serves as an exhibition catalogue after the fact, an oral history, and critical reading of exhibitions and experimental photography during the 1960s and 70s. It proposes precedents for contemporary artists who continue to blur the boundaries between photography and other art mediums."--Provided by publisher.

Art and photography --- Photography --- Artists --- Photographers --- History --- Photography into sculpture (Exhibition) --- Persons --- Art --- artistieke fotografie --- Art and photography - Exhibitions --- Photography - History - 20th century. --- Artists - United States - Interviews. --- Photographers - United States - Interviews --- Photographers - Canada - Interviews

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Born Chaïm Moshe Palestine in Brooklyn, 1947, Charlemagne Palestine joined as a child the Stanley Sapir Jewish choir to lower the effects of his stuttering through singing. Raised in a family from Odessa, he was torn between a traditional spiritual education and his interest for all artistic experimental forms. His practice of singing, carillon bells, organ and piano allowed him to develop, as early as the 1970s, a physical and vibratory relation to space. His performative experiments function through an activation of locations, machines or organisms with which he enters into a dialogue. This state of putting into a trance his body and that of others (stuffed animals, machines, audience) participates in the creation of a performative community. “Meshugga” is a Yiddish term used by Charlemagne Palestine to define his approach and his work's aesthetics. He refers to his recent exhibitions (at the Kunsthalle in Vienna, 2015, and at the Witte de With, 2016) whose titles, GesammttkkunnsttMeshuggahhLaandtttt, Judaise the Wagnerian idea of a total work of art. The repetition of letters, which renders the already complex articulation of the title even more difficult, is a strumming in itself, a beat of the tongue.

Avant-garde (Music) --- Jewish artists --- Jewish musicians --- Multimedia (Art) --- Performance art --- Palestine, Charlemagne --- Avant-garde (Music) - United States --- Jewish artists - United States --- Jewish musicians - United States --- Multimedia (Art) - United States --- Performance art - United States