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Art, Black --- Artists, Black --- Art, British --- History

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Stephanie Dinkins is renowned for her critical investigations into artificial intelligence and machine learning systems as they intersect race, gender, and our future histories. By using her training in documentary practices as a photo-based artist, she creates inclusive platforms for dialogue and action toward building technological ecosystems and datasets that are equitable, accessible, and transparent. Her immersive installations, community-based workshops, and public talks seek audience participation and engagement in a way that pushes the boundaries of new media and socially engaged art practices in the 21st century. Stephanie Dinkins: On Love & Data brings together nationally renowned curators and theorists who draw from methodologies of art criticism, social practice, new media theory, and critical studies to offer an in-depth analysis of key installations in Dinkins's survey exhibition. The book also includes an important essay by Stephanie Dinkins on her concept of Afro-now-ism in which she expands on her theoretical framework and positionality as a Black new media artist in the 21st century. Dinkins's artistic research transcends the boundaries of visual art to challenge and expose the bias and inequities of caste, race, and gender, which are encoded within digital systems on which governance, healthcare, and security infrastructures in the United States are based.

New media art. --- Artists, Black --- Dinkins, Stephanie.

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What is Black art and why don't we know more about it? Museums, galleries and publications are overflowing with art from white and predominantly male artists. This has been the case for centuries. The summer of 2020 brought British history and its presentation in these public spaces, and in educational contexts under scrutiny, but it can be difficult to locate voices that have been overlooked for so long. What Is Black Art? presents the histories, methodologies and socio-political perspectives of a generation of artists and writers who operated with and against the mainstream British art systems during the 1980s. Featuring work from artists such as Lubaina Himid, Sonia Boyce, Eddie Chambers and Rasheed Araeen, this book will provide access to a diverse and multifaceted set of voices that have been locked away in archives until now and resonate profoundly today.

Art, Black --- Artists, Black --- Art, British --- History

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Baker, Josephine --- Artists [Black ] --- Baker, Joséphine

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Stephanie Dinkins is renowned for her critical investigations into artificial intelligence and machine learning systems as they intersect race, gender, and our future histories. By using her training in documentary practices as a photo-based artist, she creates inclusive platforms for dialogue and action toward building technological ecosystems and datasets that are equitable, accessible, and transparent. Her immersive installations, community-based workshops, and public talks seek audience participation and engagement in a way that pushes the boundaries of new media and socially engaged art practices in the 21st century. Stephanie Dinkins: On Love & Data brings together nationally renowned curators and theorists who draw from methodologies of art criticism, social practice, new media theory, and critical studies to offer an in-depth analysis of key installations in Dinkins's survey exhibition. The book also includes an important essay by Stephanie Dinkins on her concept of Afro-now-ism in which she expands on her theoretical framework and positionality as a Black new media artist in the 21st century. Dinkins's artistic research transcends the boundaries of visual art to challenge and expose the bias and inequities of caste, race, and gender, which are encoded within digital systems on which governance, healthcare, and security infrastructures in the United States are based.

New media art. --- Artists, Black --- Dinkins, Stephanie.