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"Collection of essays that cuts across multiple research disciplines including the Angie Keefer's own biography all of which runs parallel to Keefer's artistic practice. "-- provided by publisher.

Artists' writings --- kunst --- 7.071 KEEFER --- Keefer Angie --- kunsttheorie --- installaties --- Verenigde Staten --- eenentwintigste eeuw --- Artists' literary writings --- Writings of artists --- Literature --- Keefer, Angie

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The modernist avant-garde used manifestos to outline their ideas, cultural programs and political agendas. Yet the manifesto, as a document of revolutionary change and a formative genre of modernism, has heretofore received little critical attention. This 2007 study reappraises the central role of manifestos in shaping the modernist movement by investigating twentieth-century manifestos from Europe and the Black Atlantic. Manifestos by writers from the imperial metropolis and the colonial 'periphery' drew very different emphases in their recasting of histories and experiences of modernity. Laura Winkiel examines archival materials as well as canonical texts to analyse how Sylvia Pankhurst, Virginia Woolf, Mina Loy, Wyndham Lewis, Nancy Cunard, C. L. R. James, W. E. B. Du Bois, Zora Neale Hurston, Aimé Césaire and others presented their modernist projects. This focus on manifestos in their geographical and historical context allows for a revision of modernism that emphasizes its cross-cultural aspects.

Literary manifestos. --- Literature --- Literature, Modern --- Modernism (Literature) --- Black authors --- History and criticism. --- Modernism (Literature). --- Artists' writings --- Historical criticism (Literature) --- Literary manifestos --- Modernism (Art) --- Polemics. --- Propaganda --- Public opinion --- Crepuscolarismo --- Literary movements --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Art, Modern --- Literary manifestoes --- Manifestoes, Literary --- Manifestos, Literary --- Criticism --- Literature and history --- Artists' literary writings --- Writings of artists --- Arts and Humanities

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Art and writings by Surrealist painters and poets from a wide range of countries.In 1951 Robert Motherwell published a collection of writings called The Dada Painters and Poets: An Anthology. Conceived as a sequel to that volume, Surrealist Painters and Poets: An Anthology does for Surrealism what Motherwell's book did for Dadaism. The concept and contents were discussed with Robert Motherwell and met with his enthusiastic approval.The essays, manifestos, poems, and texts in this anthology offer a composite picture of the Surrealists--their convictions, styles, and spirit--from the movement's beginnings in France just after World War I to its second flowering in America after World War II. The book includes writers and artists from Belgium, Chile, Czechoslovakia, Cuba, Egypt, England, France, Germany, Guyana, Italy, Martinique, Mauritius, Mexico, Spain, Switzerland, Senegal, Uruguay, and the United States. Caws's main criterion for inclusion was that the works be the best and most representative of the different forms of Surrealism. Among others, the artists and writers include Andre Breton, Marcel Duchamp and Rrose Selavy, Max Ernst, Mina Loy, Francis Picabia, and Tristan Tzara.

Surrealism. --- Arts, French --- French poetry --- Painting, Modern --- Artists' writings. --- Surrealism --- Artists' writings, French --- French Literature --- Romance Literatures --- Languages & Literatures --- Translations into English. --- French artists' writings --- Superrealism --- Surrealism in art --- Artists' literary writings --- Writings of artists --- French literature --- Arts, Modern --- Literature --- Groupe Mémoires (Group of artists) --- Groupe DDP (Group of artists) --- Pou qui grimpe (Group of artists) --- ARTS/General

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Franz West has been writing texts, notes, remarks and aphorisms non-stop since 1977. He attaches these texts to his sculptures, continuing the sculptural expression linguistically without illustrating or explaining. In places the titles, epithets and texts can raise awareness of the sculpture's form, in others they can drive the viewer mad or fascinate like the cryptograms of a lingual alchemist. Texts accompany Franz West's complete oeuvre. Thus far more than 200 have been created and they are published here in their entirety for the first time in a newly edited form.

writings [documents] --- Art --- art [fine art] --- West, Franz --- Artists' writings. --- West, Franz, --- Artists' writings --- 73.07 --- Kunstenaars ; geschriften --- Artists' literary writings --- Writings of artists --- Literature --- Beeldhouwkunst ; beeldhouwers A - Z --- West, Franz °1947 (°Wenen, Oostenrijk) --- kunst --- 7.071 WEST --- Oostenrijk --- beeldhouwkunst --- installaties --- eenentwintigste eeuw --- twintigste eeuw --- art [discipline]

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"Writings is the first collection to widely survey this singular polymath’s prolific activity as a writer. Edited by artists Constance DeJong and Andrew Lampert, the book spans the years 1961 – 2012 and includes fifty-seven pieces: essays originally published in small press magazines, exhibition catalogs, anthologies, and album liner notes, along with other previously unpublished texts. Conrad writes about his own work, with substantial contributions on The Flicker, Loose Connection, Four Violins, Articulation of Boolean Algebra for Film Opticals, Early Minimalism, Yellow Movies, Slapping Pythagoras, and Music and the Mind of the World, as well as that of his peers: Tony Oursler, Jack Smith, Rhys Chatham, and Henry Flynt, among others. He devotes critical essays both to grand subjects—horology, neurolinguistics, and the historical development of Western music—and more quotidian topics, such as television advertising and camouflage. He also writes on media activism, network communications, censorship, and the political and cultural implications of corporate and global media. No matter the topic or theme, Conrad always approaches his subjects with erudition, precision, and a healthy twist of humor. -- Tony Conrad (1940–2016) was a multidisciplinary artist known for his groundbreaking art, music, films, and videos, although his work doesn’t fit comfortably within any of these disciplines. He eschewed categorization and actively sought to challenge the constraints of media forms, their modes of production, and the relationships of power embedded within them"--Publisher's website.

Artists' writings --- Art criticism --- kunst --- video-installaties --- 7.071 CONRAD --- installaties --- videokunst --- video --- film --- kunst en muziek --- kunst en politiek --- activisme --- Verenigde Staten --- Art --- Arts --- Criticism --- Artists' literary writings --- Writings of artists --- Literature --- Analysis, interpretation, appreciation --- Conrad, Tony. --- Conrad, Anthony Schmaltz --- Ecrit d'artiste --- Conrad, Tony