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From 1969 until 2009, Max Protetch's gallery, first in Washington, DC, and then later in New York City was a vibrant gathering place for art, architecture, politics and ideas. Richly illustrated with previously unpublished materials from the gallery's archive, this volume provides insight into the early careers of some of contemporary art's most enduring figures. Protetch was an advocate for Minimalism and Conceptual and Pop art in the 1970s; architecture in the late '70s and 1980s; and beginning in the 1990s, a broad range of contemporary art, including from China. Protetch advocated for artists such as Vito Acconci, Jo Baer, Robert Barry, Donald Judd, Dan Flavin, On Kawara, Robert Mangold, Sol LeWitt, Dan Graham and Lawrence Weiner; and architects such as Michael Graves, Tadao Ando, Peter Eisenmann, Frank Gehry, Zaha Hadid, Rem Koolhaas, Daniel Libeskind, Samuel Mockbee, Aldo Rossi and Robert Venturi.
Artist-run galleries --- Galerie d'art --- New York (N.Y.) --- Washington (D.C.)
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"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--
Needleworkers --- Businesswomen --- Women artists --- Embroidery --- Pictures --- Artist-run galleries --- Nationalism and art --- Art and society --- History --- Copying --- Linwood, Mary,
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L'autobiographie illustrée de Lily Van der Stokker, qui raconte sa vie à New York dans les années 1980, époque à laquelle elle ouvre une galerie dans le East Village. Née en 1954 à Hertogenbosch, Pays-Bas, Lily Van der Stokker vit et travaille à Amsterdam et à New York. A partir de 1983, depuis sa Hollande natale, elle a parcouru le monde de l'art en gribouillant les murs des musées et des institutions les plus prestigieuses de ses peintures acides. Tour à tour mettant en scène le bonheur naïf et les apostrophes amoureuses puis graduellement trouvant dans des citations, annotations autobiographiques ou fictionnelles un langage plus acerbe et grinçant, ces investigations murales se déploient en des compositions formelles parfaitement maîtrisées dont les couleurs acidulées ont su garder toute la fraîcheur adolescente.
Women artists --- Artist-run galleries --- Public art --- Installations (Art) --- Biography --- Travel. --- Stokker, Lily van der, --- van der Stokker, Lily --- Art --- galleries [upper level spaces] --- art [fine art] --- Stokker, van der, Lily --- New York City --- art [discipline] --- New York City [New York]
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