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Ce livre offre une étude exhaustive de la notion de vie et de ses implications dans la philosophie d'Arthur Schopenhauer. L'objectif consiste à jeter les bases d'une interprétation inédite de l'affirmation de la vie. Dans ses différents ouvrages, Schopenhauer propose des définitions de la vie variées, polymorphes et plurielles. Néanmoins, il est possible de reconduire toutes ces définitions à un principe métaphysique fondamental : la volonté de vivre. Dès lors, il s'agit de comprendre la vie en tant que telle et non pas uniquement les modes et degrés d'affirmation de la volonté de vivre dans le monde. Qu'est-ce qu'une vie comme volonté? C'est une vie qui se veut elle-même et qui appelle toujours déjà en soi son affirmation. De ce point de vue, les raisons de vivre encore trouvent leur justification au sein même du principe qu'incarne tout vivant : cette volonté qui ne veut que la vie. Même si la souffrance apparaît chez Schopenhauer comme le problème tragique et inévitable de toute vie face auquel seule la négation de la volonté apporte une solution efficace, du point de vue de la vie, une telle négation apparaît discutable, sinon impossible. *** Das Werk bietet eine ausführliche Studie über den Begriff des Lebens und seine Wirkung in der Philosophie Schopenhauers. Es zielt darauf ab, die bislang nicht breit diskutierte Auslegung der Bejahung des Willens bei Schopenhauer auf ein solides Fundament zu stellen. Wenngleich Schopenhauer in seiner Philosophie verschiedene Definitionen des Lebens vorstellt, besteht stets die Möglichkeit, sie alle unter einem einzigen metaphysischen Prinzip zu subsumieren: dem Willen zum Leben. Infolgedessen darf das Leben nicht nur unter dem Aspekt seiner Modalitäten oder den Stufen der Objektivation des Willens verstanden werden, sondern als ein Leben an sich. Was ist das Leben als Wille? Es ist ein Leben, das sich selbst will, das immer wieder selbst nach seiner Bejahung ruft. Unter diesem Aspekt gründen die Ursachen des Weiter-Lebens auf einem alles Lebendige verkörpernden Prinzip, ausgedrückt als der Wille, der das Leben will. Und wenn in Schopenhauers Philosophie das Leiden eine tragende Rolle als das bestimmende Problem des Lebens einnimmt und als Ausweg daraus nur die Verneinung des Lebens gelten darf, scheint aber aus der Perspektive des Lebens diese Lösung fraglich, wenn nicht gar unmöglich.
Arthur Schopenhauer --- Die Welt als Wille und Vorstellung --- Leben --- Parerga und Paralipomena --- Philosoph --- Philosophische Vorlesungen --- vivre
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Im alltäglichen Denken und in den Medien ist Macht meist negativ besetzt. Dass Macht auch produktiv wirkt, wird dabei oftmals vergessen.Der historische Wandel von der traditionellen Souveränitätsmacht zu den subtilen Mechanismen moderner Disziplinargesellschaften ist ein Beispiel für die produktive Seite von Macht. Im Zentrum dieses Wandels stehen der Beginn der modernen Leistungsgesellschaft und die wachsende Ungleichheit der Vermögensverteilung. Um die Produktivität von Macht zu verstehen, spürt das vorliegende Buch die stilistischen und ästhetischen Mittel der genealogischen Erzählungen von Foucault und Nietzsche auf. Die Genealogie ist eine Blickschule des Denkens, die von berühmten Denkern wie Rousseau, Schopenhauer, Nietzsche, Freud, Wittgenstein und Foucault in ihren Gesellschaftsdiagnosen auf je unterschiedliche Weisen angewandt wurde. Der hierfür typische Blick auf den Menschen in seiner Gesellschaft und Kultur ist sichtverändernd und erfordert bestimmte Techniken ästhetischer Vorstellungskraft.
Arthur Schopenhauer --- Friedrich Nietzsche --- Politik --- Politikwissenschaft --- politische Philosophie --- Wissenschaft --- Soziale --- Foucault, Michel, --- Nietzsche, Friedrich Wilhelm, --- Wittgenstein, Ludwig,
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German-language thinkers such as Kant, Marx, Nietzsche, and Freud are central to modernity. Yet their reception in the English-speaking world has largely depended on translations, a situation that has often hampered full engagement with the rhetorical and philosophical complexity of the German history of ideas. The present volume, the first of its kind, is a response to this situation. After an introduction charting the remarkable flowering of German-language thought since the eighteenth century, it offers extracts -- in the original German -- from sixteen major philosophical texts, with extensive introductions and annotations in English. All extracts are carefully chosen to introduce the individual thinkers while allowing the reader to pursue broader themes such as the fate of reason or the history of modern selfhood. The book offers students and scholars of German a complement to linguistic, historical, and literary study by giving them access to the wealth of German-language philosophy. It represents a new way into the work of a succession of thinkers who have defined modern philosophy and thus remain of crucial relevance today. The philosophers: Immanuel Kant, G. W. F. Hegel, Ludwig Feuerbach, Karl Marx, Arthur Schopenhauer, Friedrich Nietzsche, Sigmund Freud, Martin Heidegger, Walter Benjamin, Georg Lukács, Max Horkheimer and Theodor Adorno, Jürgen Habermas. Henk de Berg is Professor of German at the University of Sheffield. Duncan Large is Professor of German at Swansea University.
Philosophy, German --- German philosophy --- German language --- Philosophy. --- Ashkenazic German language --- Hochdeutsch --- Judaeo-German language (German) --- Judendeutsch language --- Judeo-German language (German) --- Jüdisch-Deutsch language --- Jüdischdeutsch language --- Germanic languages --- Arthur Schopenhauer. --- Duncan Large. --- Freud. --- Friedrich Nietzsche. --- G. W. F. Hegel. --- Georg Lukács. --- German History of Ideas. --- German-Language Thinkers. --- Henk de Berg. --- Immanuel Kant. --- Jürgen Habermas. --- Kant. --- Karl Marx. --- Ludwig Feuerbach. --- Martin Heidegger. --- Marx. --- Max Horkheimer. --- Modern German Thought. --- Nietzsche. --- Sigmund Freud. --- Theodor Adorno. --- Walter Benjamin.
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The most extensive English-language study of Schopenhauer's metaphysics of the will yet published, this book represents a major contribution to Schopenhauer scholarship. Here, John E. Atwell critically but sympathetically examines the philosopher's main work, The World as Will and Representation, demonstrating that the philosophical system it puts forth does constitute a consistent whole. The author holds that this system is centered on a single thought, "The world is self-knowledge of the will." He then traces this unifying concept through the four books of The World as Will and Representation, and, in the process, dissolves the work's alleged inconsistencies.
Will. --- Will --- Philosophy --- Philosophy & Religion --- Cetanā --- Conation --- Volition --- Ethics --- Psychology --- Self --- Schopenhauer, Arthur, --- Shūpinhawar, Artūr, --- Шопенгауэр, Артур, --- Shopengauėr, Artur, --- Shu-pen-hua, --- Sopenaouer, --- Schopenhauer, Arturo, --- Schopenhauer, A. --- Schopenhauer, Artur, --- Шопенгауер, Артур, --- Shūpinhāvir, Ārtūr, --- Suʼu-pun-her, --- שאפענהויער, ארטור --- שאפענהויער, ארטור, --- שופנהאואר, ארתור, --- שופנהאואר, --- שופנהואר, ארתור --- شوپنهاور، آرتور --- شوپنهاور، أرثر --- شوپنهور، أرثر --- 叔本华, --- 叔本華, --- 19th century german philosophy. --- abstract concepts. --- aesthetics. --- alleged inconsistencies. --- arthur schopenhauer. --- asceticism. --- atheistic metaphysical system. --- being. --- eastern thought. --- epistemology. --- ethical system. --- ethics. --- existence. --- german philosopher. --- identity. --- knowing. --- metaphysical will. --- ontology. --- phenomenal world. --- philosophical pessimism. --- philosophy. --- principle of things. --- representation. --- self knowledge. --- space. --- the world as will and representation. --- time. --- transcendental idealism. --- translated work. --- world as appearance.
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philosophy --- Paganism --- the Havamal --- druids --- Irish wisdom-texts --- the Pelagian heresy --- the pre-Socratics --- Pythagoras of Samos --- Heraclitus of Ephesus --- Plato --- Diotima of Mantinea --- Aristotle --- Pagan philosophy --- the Stoics --- the Epicureans --- the neo-Platonists --- Marcus Tillius Cicero --- Plotinus --- Hypathia of Alexandria --- John Scuttus Eriugena --- Al Ghazali --- the Renaissance --- Pantheism --- the Age of Reason --- Robert Boyle --- Baruch Spinoza --- John Toland --- Edward Williams --- Iolo Morganwyg --- Jean Jacques Rousseau --- Thomas Taylor --- Ralph Waldo Emerson --- Henry David Thoreau --- John Muir --- Walt Whitman --- Pantheism and science --- Arthur Schopenhauer --- Friedrich Nietzsche --- Helena Blavatsky --- James George Frazer --- Robert Graves --- the Book of Shadows --- Aleister Crowley --- George William Russell --- American feminist witchcraft --- eco-spirituality --- the Gaia hypothesis --- Arne Naess --- deep ecology --- Stewart Farrar --- Isaac Bonewits --- Pagan ethics --- Starhawk --- Miriam Simos --- Emma Restall-Orr --- Monotheism --- John Michael Greeg --- Michael York --- Vivianne Crowley --- Janet Farrar --- Gavin Bone --- Gus di Zerega
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Philosophical wisdom and practical advice for overcoming the problems of middle ageHow can you reconcile yourself with the lives you will never lead, with possibilities foreclosed, and with nostalgia for lost youth? How can you accept the failings of the past, the sense of futility in the tasks that consume the present, and the prospect of death that blights the future? In this self-help book with a difference, Kieran Setiya confronts the inevitable challenges of adulthood and middle age, showing how philosophy can help you thrive.You will learn why missing out might be a good thing, how options are overrated, and when you should be glad you made a mistake. You will be introduced to philosophical consolations for mortality. And you will learn what it would mean to live in the present, how it could solve your midlife crisis, and why meditation helps.Ranging from Aristotle, Schopenhauer, and John Stuart Mill to Virginia Woolf and Simone de Beauvoir, as well as drawing on Setiya's own experience, Midlife combines imaginative ideas, surprising insights, and practical advice. Writing with wisdom and wit, Setiya makes a wry but passionate case for philosophy as a guide to life.
Middle age --- Midlife crisis. --- Psychological aspects. --- A Book Of. --- Accountant. --- Adoption. --- Affair. --- Altruism. --- Anatta. --- Aphorism. --- Aristotle. --- Arthur Schopenhauer. --- Awareness. --- Bernard Williams. --- Boredom. --- Buddhism. --- Cambridge University Press. --- Career. --- Cognitive therapy. --- Consciousness. --- Death anxiety (psychology). --- Derek Parfit. --- Elliott Jaques. --- Emptiness. --- Epicurus. --- Equanimity. --- Ethics. --- Existence. --- Existential crisis. --- Explanation. --- Felicific calculus. --- Four Noble Truths. --- Generosity. --- Grief. --- Hedonism. --- I Wish (manhwa). --- Immanuel Kant. --- Injunction. --- Irony. --- James Mill. --- Jean-Paul Sartre. --- Jeremy Bentham. --- John Stuart Mill. --- Lecture. --- Literature. --- Lucretius. --- Meaningful life. --- Middle age. --- Midlife crisis. --- Narrative. --- Neglect. --- Nicomachean Ethics. --- Oppression. --- Optimism. --- Parenting. --- Parerga and Paralipomena. --- Personal History. --- Phenomenon. --- Philip Larkin. --- Philosopher. --- Philosophy. --- Physician. --- Pleasure. --- Poetry. --- Polemic. --- Precedent. --- Princeton University Press. --- Prose. --- Protest. --- Psychologist. --- Psychology. --- Quantity. --- Rationality. --- Reason. --- Retrograde amnesia. --- Risk aversion. --- Sadness. --- Satisficing. --- Self-consciousness. --- Self-help book. --- Self-interest. --- Shame. --- Simone de Beauvoir. --- Skepticism. --- Suffering. --- Suggestion. --- Symptom. --- The Myth of Sisyphus. --- The Other Hand. --- The Power of Now. --- Theory. --- Thought experiment. --- Thought. --- Toothache. --- Uncertainty. --- Understanding. --- Utilitarianism. --- Virginia Woolf. --- Wealth. --- Well-being. --- Wishful thinking. --- Writing. --- Year.
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Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death. Drawing on psychoanalysis, philosophy, and the intellectual history of the history of art, The Melancholy Art explores the unique connections between melancholy and the art historian's craft. Though the objects art historians study are materially present in our world, the worlds from which they come are forever lost to time. In this eloquent and inspiring book, Michael Ann Holly traces how this disjunction courses through the history of art and shows how it can give rise to melancholic sentiments in historians who write about art. She confronts pivotal and vexing questions in her discipline: Why do art historians write in the first place? What kinds of psychic exchanges occur between art objects and those who write about them? What institutional and personal needs does art history serve? What is lost in historical writing about art? The Melancholy Art looks at how melancholy suffuses the work of some of the twentieth century's most powerful and poetic writers on the history of art, including Alois Riegl, Franz Wickhoff, Adrian Stokes, Michael Baxandall, Meyer Schapiro, and Jacques Derrida. A disarmingly personal meditation by one of our most distinguished art historians, this book explains why to write about art is to share in a kind of intertwined pleasure and loss that is the very essence of melancholy. Some images inside the book are unavailable due to digital copyright restrictions.
Art --- History as a science --- Affective and dynamic functions --- Melancholy. --- Mélancolie --- Historiography. --- Historiographie --- Melancholy --- Historiography --- Art - Historiography. --- Visual Arts --- Art, Architecture & Applied Arts --- Visual Arts - General --- Mélancolie --- Dejection --- Emotions --- Depression, Mental --- Sadness --- Art - Historiography --- Aby Warburg. --- Aestheticism. --- Aesthetics. --- Allegory. --- Alois Riegl. --- Anachronism. --- Analytic confidence. --- Ancient art. --- Aphorism. --- Art criticism. --- Art history. --- Arthur Schopenhauer. --- Artistic merit. --- Ben Nicholson. --- Bernard Berenson. --- Bernard Bosanquet (philosopher). --- Beyond the Pleasure Principle. --- Caspar David Friedrich. --- Christopher Bollas. --- Classicism. --- Connoisseur. --- Consciousness. --- Contemporary art. --- Criticism. --- Critique of Judgment. --- Death drive. --- Deconstruction. --- Ernst Gombrich. --- Erwin Panofsky. --- Explanation. --- Fra Angelico. --- Friedrich Nietzsche. --- Fritz Saxl. --- Garry Wills. --- Georg Wilhelm Friedrich Hegel. --- George Steiner. --- Giovanni Morelli. --- Hannah Arendt. --- Hans Ulrich Gumbrecht. --- Hayden White. --- Iconography. --- Illusionism (art). --- Isabella Stewart Gardner Museum. --- Jacques Derrida. --- Jacques Lacan. --- Jacques-Alain Miller. --- James Strachey. --- Jan van Eyck. --- Johann Joachim Winckelmann. --- Josef Strzygowski. --- Julia Kristeva. --- Linguistic turn. --- Literary theory. --- Marion Milner. --- Marsilio Ficino. --- Martin Heidegger. --- Maurice Blanchot. --- Melanie Klein. --- Metahistory. --- Metonymy. --- Meyer Schapiro. --- Michael Baxandall. --- Minima Moralia. --- Modernism. --- Modernity. --- Museum. --- Oceanic feeling. --- Oskar Kokoschka. --- Overpainting. --- Paul de Man. --- Petrarch. --- Philosopher. --- Philosophy. --- Positivism. --- Post-structuralism. --- Postmodernism. --- Psychoanalysis. --- Putto. --- Rainer Maria Rilke. --- Renaissance art. --- Rhetoric. --- Richard Wollheim. --- Romanticism. --- Saint Francis Receiving the Stigmata (van Eyck). --- Sandro Botticelli. --- Simone Martini. --- Svetlana Alpers. --- The Art of Memory. --- The Gaze of Orpheus. --- The Origin of German Tragic Drama. --- The Philosopher. --- Theses on the Philosophy of History. --- Thought. --- Tintoretto. --- Unthought known. --- W. G. Sebald. --- Walter Benjamin. --- Walter Pater. --- Work of art. --- Writing.
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Building on recent transformative theories of influence, John Foster explores the many ways Nietzsche's intellectual and artistic example helped shape an interconnected series of major literary projects from 1900 to the 1940s. He portrays Nietzsche as a stimulating but disturbing force who left a well-defined legacy of concerns that modernists appropriated for their fiction. The author focuses particularly on Gide, D. H. Lawrence, Malraux, and Mann, analyzing their strategies of acceptance, revision, and subversion.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Comparative literature --- Nietzsche, Friedrich W. --- anno 1900-1999 --- Literature, Modern --- Modernism (Literature) --- Philosophy in literature. --- History and criticism. --- Nietzsche, Friedrich Wilhelm, --- Influence. --- Modernism (Literature). --- Nietzsche, Friedrich --- Crepuscolarismo --- Literary movements --- History and criticism&delete& --- History and criticism --- Aestheticism. --- Allusion. --- Anguish. --- Antithesis. --- Apathy. --- Aphorism. --- Apollonian and Dionysian. --- Art for art's sake. --- Arthur Schopenhauer. --- Beyond Good and Evil. --- Black rage (law). --- Career. --- Catharsis. --- Consciousness. --- Criticism. --- Critique. --- Cultural Bolshevism. --- D. H. Lawrence. --- Death in Venice. --- Decadence. --- Dionysus. --- Disenchantment. --- Disgust. --- Distrust. --- Doctor Faustus (novel). --- Doctor Faustus (play). --- E. M. Forster. --- Epigram. --- Existence. --- Existentialism. --- Faust. --- Friedrich Nietzsche. --- Geoffrey Hartman. --- Gesta Romanorum. --- God is dead. --- Good and evil. --- Hans Vaihinger. --- Henri Bergson. --- Iconoclasm. --- Imagery. --- Irony. --- Jacques Derrida. --- Jude the Obscure. --- Karl Jaspers. --- Last man. --- Literary modernism. --- Literature. --- Man's Fate. --- Master–slave morality. --- Mephistopheles. --- Modernism. --- Morality. --- Necessitarianism. --- New Thought. --- Nietzschean affirmation. --- Nihilism. --- On the Aesthetic Education of Man. --- On the Genealogy of Morality. --- Out of Revolution. --- Paradox. --- Parody. --- Philosopher. --- Philosophy of Friedrich Nietzsche. --- Philosophy. --- Picaresque novel. --- Pity. --- Polemic. --- Posthumanism. --- Psychoanalysis. --- Psychology. --- Rainer Maria Rilke. --- Religion. --- Ressentiment. --- Result. --- Robert Musil. --- Romanticism. --- Scientism. --- Self-denial. --- Self-fulfillment. --- Superiority (short story). --- Søren Kierkegaard. --- The Birth of Tragedy. --- The Case of Wagner. --- The Counterfeiters (novel). --- The Cult of the Self. --- The Four Great Errors. --- The Goths. --- The Philosopher. --- The Work of Art in the Age of Mechanical Reproduction. --- Theodor W. Adorno. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Twilight of the Idols. --- Utilitarianism. --- Will to power. --- Women in Love. --- Word and Object. --- Writer. --- Writing.
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This collection introduces readers to some of the most respected Pre-Socratic scholarship of the twentieth century. It includes translations of important works from European scholars that were previously unavailable in English and incorporates the major topics and approaches of contemporary scholarship. Here is an essential book for students and scholars alike. "Students of the Pre-Socratics must be grateful to Mourelatos and his publishers for making these essays available to a wider public."--T. H. Irwin, American Journal of Philology "Mourelatos is a superb editor, and teaching Pre-Socratics in the future with this collection on the reading list will not only be easier but also better."--Jorgen Mejer, The Classical World "The editor has done his work judiciously. It would be difficult to devise a better balance between different parts of the subject."--Edward Hussey, Archives internationales d'histoire des sciences "[This book] will undoubtedly become an indispensable aid for beginning and advanced students of the Pre-Socratics."--David E. Hahm, IsisOriginally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Philosophy, Ancient --- Ancient philosophy --- Greek philosophy --- Philosophy, Greek --- Philosophy, Roman --- Roman philosophy --- History of philosophy --- Antiquity --- Philosophy, Ancient. --- Academic skepticism. --- Ad hoc hypothesis. --- Agnosticism. --- Ambiguity. --- Anaxagoras. --- Anaximander. --- Anaximenes. --- Anthropomorphism. --- Antinomy. --- Aphorism. --- Apologue. --- Aristotle. --- Arthur Schopenhauer. --- Astral body. --- Atomism. --- Callicles. --- Classical element. --- Concept. --- Consciousness. --- Contradiction. --- Conventionalism. --- Critique. --- Democritus. --- Deprecation. --- Dialectician. --- Divine law. --- Dualism (philosophy of mind). --- Dualism. --- Empedocles. --- Empiricism. --- Eristic. --- Etymology. --- Existence. --- Explanation. --- Family resemblance. --- First principle. --- Form of life (philosophy). --- Formal fallacy. --- Good and evil. --- Heraclitus of Ephesus. --- Hippasus. --- Historicism. --- Idealism. --- Identity of indiscernibles. --- Infinite regress. --- Leucippus. --- Leveling (philosophy). --- Logical extreme. --- Logical reasoning. --- Logos. --- Lucretius. --- Magna Moralia. --- Materialism. --- Middle term. --- Modern physics. --- Moral relativism. --- Multitude. --- Mutatis mutandis. --- Mythopoeic thought. --- Naturalness (physics). --- Neoplatonism. --- Noema. --- Nous. --- Ontology. --- Paradox. --- Parmenides. --- Perspectivism. --- Philolaus. --- Philosopher. --- Philosophy. --- Physics (Aristotle). --- Plato. --- Positivism. --- Pre-Socratic philosophy. --- Principle of sufficient reason. --- Pseudoscience. --- Pyrrhonism. --- Pythagoreanism. --- Reality. --- Reason. --- Relativism. --- Religion. --- Sophistication. --- Subjectivism. --- Superiority (short story). --- The Concept of Mind. --- The Philosopher. --- The Soul of the World. --- Themistius. --- Theory of Forms. --- Theory. --- Thought. --- Truism. --- Unconscious inference. --- Unity of opposites. --- Verisimilitude. --- Wesley C. Salmon. --- Xenophanes. --- Zeno of Elea. --- Zeno's paradoxes.
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Arguing that the comic is a quality of literary works of art in other forms as well as comedy, George McFadden finds its essence in the maintenance of some literary feature--a situation, a character--as itself despite threats to alter it.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Comique. --- Comic, The. --- Ludicrous, The --- Ridiculous, The --- Comedy --- Wit and humor --- Absalom and Achitophel. --- Absurdity. --- Aeschylus. --- Ancient Greek comedy. --- Anguish. --- Antinomianism. --- Antithesis. --- Aphorism. --- Apollonian and Dionysian. --- Archetype. --- Aristophanes. --- Aristotle. --- Arthur Schopenhauer. --- Bildungsroman. --- Blaise Cendrars. --- Busybody. --- Classicism. --- Comedy. --- Comic book. --- Consciousness. --- Criticism. --- Cynthia's Revels. --- Donald Barthelme. --- Edmund Husserl. --- Envy. --- Erudition. --- Essay. --- Ethos. --- Existentialism. --- Fabliau. --- Farce. --- Fiction. --- Franz Kafka. --- François Rabelais. --- Gallows humor. --- Genre. --- Good and evil. --- Henri Bergson. --- Hubris. --- Humour. --- Hyperbole. --- Irony. --- Jacques Derrida. --- John Hawkes (novelist). --- Joke. --- Last man. --- Laughter. --- Leveling (philosophy). --- Libido. --- Literary theory. --- Literature. --- Malapropism. --- Max Brod. --- Meanness. --- Melange (fictional drug). --- Metonymy. --- Miasma (Greek mythology). --- Modernity. --- Monomania. --- Narcissism. --- Obscenity. --- Occam's razor. --- Old Comedy. --- Parody. --- Philosophical language. --- Pity. --- Plautus. --- Poetaster. --- Political satire. --- Reality principle. --- Reality. --- Ridicule. --- Roland Barthes. --- Romanticism. --- Satire. --- Schadenfreude. --- Self-Reliance. --- Self-deception. --- Self-interest. --- Sentimentality. --- Seriousness. --- Sexual Desire (book). --- Sick comedy. --- Superiority (short story). --- Søren Kierkegaard. --- Terence. --- The Birth of Tragedy. --- The Man of Mode. --- The Praise of Folly. --- The Realist. --- Thomas Kuhn. --- Thought. --- Thus Spoke Zarathustra. --- Tragedy. --- Tragic hero. --- Tragicomedy. --- Uriah Heep. --- Utilitarianism. --- William Shakespeare. --- Writing.
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