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Begun in 1951 by monks at the abbey of La Pierre-qui-Vire in Burgundy, the Zodiaque publications consisted of a triennial journal and multiple series of books, including the most famous: La Nuit des temps. The editors’ goal was to renew sacred art for twentieth-century viewers by making connections between the direct, “primitive” character of pre-Gothic religious art and an emerging modernist aesthetic. Focusing almost exclusively on Romanesque architecture and sculptural decoration, Zodiaque revived the style’s richness and variety, bringing to light monuments lost to popular currency and visually shaping their reception with a new eye to graphic forms. What captured the public imagination and brought the Zodiaque books to international attention was their primary feature: striking black-and-white photogravures. These powerful images went beyond documentary photography to become collectible graphic prints, shaping the plastic form seen by the camera into a fresh two-dimensional artwork. In Zodiaque, Janet Marquardt explores the motivations, philosophies, and workshop practices of Éditions Zodiaque and how they affected the scholarly discourse on medieval art and architecture. "Examines the twentieth-century French publishing project on Romanesque art and architecture by Éditions Zodiaque from the abbey of La Pierre-qui-Vire."--Provided by publisher
Art publishing --- Art, Romanesque --- Photography of art --- History --- Éditions Zodiaque --- Photography of art. --- History. --- Art publishing - France - History - 20th century --- Art, Romanesque - Europe --- Zodiaque (Collection)
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Art publishing --- World War, 1939-1945 --- Art --- 2ème guerre mondiale --- Underground literature --- Literature and the war --- Edition --- Littérature clandestine --- Littérature et guerre --- Editions des trois collines --- History --- Literature publishing --- Éditions des trois collines --- 017.42 <494> EDITIONS DES TROIS COLLINES --- 655.41 <494> EDITIONS DES TROIS COLLINES --- 098.1 --- 351.751 <44> --- 655.4 <44 PARIS> --- -World War, 1939-1945 --- -Literature publishing --- -Literary publishing --- Literature --- Publishers and publishing --- European War, 1939-1945 --- Second World War, 1939-1945 --- World War 2, 1939-1945 --- World War II, 1939-1945 --- World War Two, 1939-1945 --- WW II (World War, 1939-1945) --- WWII (World War, 1939-1945) --- History, Modern --- Fondscatalogi. Catalogi van uitgevers en boekhandelaren--Zwitserland--EDITIONS DES TROIS COLLINES --- Uitgeverij--algemeen--Zwitserland--EDITIONS DES TROIS COLLINES --- Verboden boeken --- Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Frankrijk --- Uitgeverij. Boekhandel--algemeen--Frankrijk--PARIS --- -Literature and the war --- -History --- -Publishing --- Publishing --- -Fondscatalogi. Catalogi van uitgevers en boekhandelaren--Zwitserland--EDITIONS DES TROIS COLLINES --- -Editions des trois collines --- 351.751 <44> Mediarecht. Vrijwaren van de vrijheid van denken, van de persvrijheid. Censuur. Filmcensuur. Reclamerecht--(Fundamentele vrijheden in de grondwet zie {342.732})--Frankrijk --- 098.1 Verboden boeken --- 017.42 <494> EDITIONS DES TROIS COLLINES Fondscatalogi. Catalogi van uitgevers en boekhandelaren--Zwitserland--EDITIONS DES TROIS COLLINES --- -098.1 Verboden boeken --- Literary publishing --- private presses --- Publishers. Printers --- anno 1940-1949 --- France --- 2ème guerre mondiale --- Littérature clandestine --- Littérature et guerre --- World War, 1939-1945, in literature --- History. --- Literature publishing - France - History - 20th century --- Art publishing - France - History - 20th century --- World War, 1939-1945 - Underground literature - France --- World War, 1939-1945 - Literature and the war --- Editions des Trois Collines (Genève) --- Éditeurs --- Idéologie et littérature --- Politique et littérature --- Paris (France) --- 20e siècle --- Suisse --- Genève (Suisse)
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