Listing 1 - 9 of 9 |
Sort by
|
Choose an application
By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text. In re-reading his own writings, Preziosi opens up alternatives to contemporary discourses on art history and visual culture. A critical commentary by critic, historian, and theorist Johanne Lamoureux complements the author's own introduction, mirroring the multiple interpretations within the essays themselves.
Art --- Art museums --- Historiography. --- Philosophy. --- Art museums - Philosophy. --- Art - Historiography.
Choose an application
Museums --- Musées --- Philosophy --- Philosophie --- Art museums --- Art --- Philosophy. --- Museums - Philosophy. --- Art museums - Philosophy. --- Art - Exhibitions
Choose an application
Le musée est aujourd'hui traversé de logiques parfois contradictoires, qui sont le résultat de la sédimentation de l'histoire de cette institution éminemment moderne. Parcourant les cinq temps du musée, qui correspondent à autant d'idéaux-types, l'auteur dévoile les rapports qui se nouent à chaque époque entre le musée et la création artistique contemporaine, d'abord sous l'égide de l'Etat, puis du marché. Une confusion des rôles s'ensuit pour l'époque contemporaine qui voit apparaître des musées d'artistes dans le même temps où des commissaires d'exposition se prennent au jeu de l'artiste, où les musées redoublent le monde à mesure que le monde se muséalise.
Art museums --- Art, Modern --- Art --- Philosophy. --- Musées --- Philosophie --- Philosophy --- Musées --- Art museums - Philosophy --- Art, Modern - 20th century --- Art, Modern - 21st century --- Musée --- Muséologie
Choose an application
Art museums --- Art --- Social aspects --- Philosophy --- Exhibition techniques --- Philosophy. --- Social aspects. --- Exhibition techniques. --- Art museums - Social aspects --- Art museums - Philosophy --- Art - Exhibition techniques
Choose an application
La réflexion sur les expositions s'est étendue à de multiples champs disciplinaires au cours des dernières années : muséologie, esthétique, sciences politiques, histoire culturelle, sociologie, économie... Une première journée d'étude sur des questions de définition et de descriptions possibles de l'exposition avait permis de montrer une grande diversité d'approches. Le colloque " Histoire(s) d'exposition(s) " de février 2014, dont nous publions ici les actes, a mis en évidence plusieurs types de lecture, sous les angles historique, économique, politique, esthétique avec des approches comparatives à l'échelle internationale
Art --- Art fairs --- Exhibitions --- Art / Exhibitions / Congresses --- Art fairs / Congresses --- Art / Exhibition techniques / Congresses --- Art museums / Philosophy / Congresses --- Art / Exhibitions --- Foires d'art --- Expositions
Choose an application
Museums of contemporary art are expanding and in crisis. They attract ever-larger audiences, architects constantly redesign them, and the growing number of artists is producing more massively than ever; at the same time museum funds are dwindling in the economic crisis and an overheated art market. The question of which art is to be collected is also becoming a more openly discussed topic in a globalized art world. How do curators meet these challenges ? What opinion do the artists have of their relationship to the museum ? How do practitioners navigate between ideas, ideals, and realities ?This publication gathers together interviews with international artists, architects, and curators of the contemporary art world, such as John Baldessari, Ute Meta Bauer, Suzanne Cotter, Bice Curiger, Chris Dercon, Charles Esche, Liam Gillick, Michael Govan, Katharina Grosse, Yuko Hasegawa, Jacques Herzog, Thomas Hirschhorn, Philipp Kaiser, Rem Koolhaas, Lars Nittve, Hans Ulrich Obrist, Thierry Raspail, Tobias Rehberger, Beatrix Ruf, among others. Their different answers bring visibility to the complexity of the topic, but also to the deep pleasure and intellectual stimulation museums provide, as well as to their relevance to culture today.
museology --- Museology --- philosophy of art --- Art museums --- Collection management. --- Art --- Museum architecture --- Art, Modern --- Philosophy --- Exhibition techniques --- Collection management --- Muséologie --- Rapport art-architecture --- Interview --- Art museums - Philosophy --- Art - Exhibition techniques --- Art museums - Collection management --- Art, Modern - 21st century --- toekomst (kunst)
Choose an application
Etude consacrée au musée en tant que créateur de la critique esthétique, de l'histoire de l'art, de l'art même qui accède à lui-même. Le musée est considéré comme le "site" de l'art, lieu qui rend le monde de l'homme absent pour l'art puisque exposant et destination y sont séparés.
Art museums --- Art --- Aesthetics. --- Esthétique --- Philosophy --- Philosophy. --- Musées --- Philosophie --- Collection --- Musee archeologique --- Muséologie --- Philosophie de l'art --- Rapport du spectateur à l'objet créé --- Temporalité --- Esthétique --- Musées --- Musée --- Art museums - Philosophy. --- Art - Philosophy.
Choose an application
Stop curating! And think what curating is all about. This book starts from this simple premise: thinking the activity of curating. To do that, it distinguishes between 'curating' and 'the curatorial'. If 'curating' is a gamut of professional practices for setting up exhibitions, then 'the curatorial' explores what takes place on the stage set up, both intentionally and unintentionally, by the curator. It therefore refers not to the staging of an event, but to the event of knowledge itself. In order to start thinking about curating, this book takes a new approach to the topic. Instead of relying on conventional art historical narratives (for example, identifying the moments when artistic and curatorial practices merged or when the global curator-author was first identified), this book puts forward a multiplicity of perspectives that go from the anecdotal to the theoretical and from the personal to the philosophical. These perspectives allow for a fresh reflection on curating, one in which, suddenly, curating becomes an activity that implicates us all (artists, curators, and viewers), not just as passive recipients, but as active members. As such, the Curatorial is a book without compromise: it asks us to think again, fight against sweeping art historical generalizations, the sedimentation of ideas and the draw of the sound bite. Curating will not stop, but at least with this book it can begin to allow itself to be challenged by some of the most complex and ethics-driven thought of our times.
Art museums --- Curatorship --- Philosophy. --- Philosophy --- Museology --- Art --- art [fine art] --- museology --- art theory --- philosophy of art --- exhibition curators --- kunstfilosofie --- anno 2000-2099 --- Art museums - Philosophy. --- Curatorship - Philosophy --- art [discipline]
Choose an application
Telle est désormais la puissance et l'universalité de l'institution muséale, et si forte l'emprise qu'exerce l'espace qui est celui de l'exposition sur les pratiques qui ont rapport à un titre ou à un autre, avec ce qui a nom " art ", que seules des interventions locales et ponctuelles puissent déranger l'idéologie régnante. Ce livre retrace une tentative de ce genre, qui prit place en 1998 au musée Boijmans Van Beuningen, à Rotterdam. A travers ce qui se présente comme le compte rendu, dans les termes les plus précis, d'une expérience systématiquement conduite, l'auteur vise à substituer à la critique pour une part hypocrite et confusionniste de l'institution, le mot d'ordre d'une utilisation ludique de sa machine qui correspondrait, en fait, à la pratique réelle et la plus constante de l'art moderne et contemporain.
Art --- Art museums --- Chess in art --- Exhibitions --- Philosophy. --- Exhibitions. --- Musées --- Philosophie --- Philosophy --- tentoonstellingen --- kunsttheorie --- Museum Boijmans van Beuningen Rotterdam --- 069 --- Musées --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Exhibitions&delete& --- Art, Primitive --- Art - Exhibitions - Philosophy --- Art museums - Philosophy. --- Chess in art - Exhibitions.
Listing 1 - 9 of 9 |
Sort by
|