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Through her co-founding of the magazine Parkett in 1984 and her curatorial work, Bice Curiger has been one of the central protagonists of the international art world since the 1980s. The work biography illuminates the various stations and diverse activities of the Swiss curator, editor and author. All of Curiger's exhibitions, from "Frauen sehen Frauen" (Zurich, 1975) to the 2011 Venice Biennale to her current work at the Fondation Vincent van Gogh in Arles, are documented, explained in depth, and commented on by contemporary witnesses. Curiger's career is situated in the development of contemporary art, the history of curating, and the internationalization, globalization, and institutionalization of the art world.
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The book 'From a History of Exhibitions Towards a Future of Exhibition-Making: China and Southeast Asia' is the result of various ongoing assembly platforms linked together under the same name, all organized and initiated by Biljana Ciric and hosted by St Paul St Gallery AUT (2013), Rockbund Art Museum (2018), and Guangdong Times Museum (2019). The texts presented in this book are the result of research undertaken by different writers, curators, and art practitioners in Southeast Asia, revisiting the importance of exhibitions as a form and medium presented at assemblies. The book's contributions explore how exhibitions can be read and understood across different social and cultural contexts, highlighting differences within the region, whilst also inviting new approaches and methodologies to pinpoint areas for comparative forms of research. The book draws further awareness towards the specificity and diversity of practices found within Asia--thereby looking to contribute decisively towards a (re)mapping of exhibition practices and histories using the different perspectives and local contexts found in this region.
Art museum curators --- Art museum curators --- Art museum curators. --- Art --- Ausstellung. --- Geschichtsschreibung. --- Kunst. --- Museumskunde. --- Exhibitions --- Philosophy. --- China. --- China. --- Southeast Asia. --- Südostasien.
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Artists as art museum curators. --- Curatorship. --- Art --- Exhibition techniques.
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Art museum curators --- Artists --- Museums --- Attitudes. --- Attitudes. --- Curatorship. --- Documenta.
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"Moving Pictures is the story of the awkward and dangerous relationship between curator Ila Gardner and officer Rolf Hauptmann, as they are forced by circumstances to play out their private lives in a public power struggle. The narrative unfolds along two time lines which collide with the revelation of a terrible secret, an enigmatic decision that not many would make, and the realization that sometimes the only choice left is the refusal to choose"--Publisher's website.
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"Curating Dramaturgies investigates the transformation of art and performance and its impact on dramaturgy and curatorship. Addressing contexts and processes of the performing arts as interconnecting with visual arts, the volume features interviews with leading curators, dramaturgs and programmers who are at the forefront of working in, with, and negotiating the daily practice of interdisciplinary live arts. The book offers a view of praxis that combines perspectives on theory and practice and looks at the way that various arts institutions, practitioners and cultural agents have been working to change the way that art and performance have developed, are displayed, and experienced by spectators and audiences in the last decade. Curating Dramaturgies argues that cultural producers and scholars are becoming more cognizant of this overlapping and transforming field. An essay by the editors explores the rise of interdisciplinary live arts and its ramifications in cultural and political terms. This is further elaborated in the interviews with 15 diversely placed arts professionals who are at the forefront of rethinking and consolidating a new field of the visual arts and performance"--
Art museum curators --- Art museum curators. --- Arts, Modern --- Arts, Modern. --- Curatorship. --- Drama --- Dramaturges --- Dramaturges. --- Technique. --- 2000-2099.
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"Better Read Than Dead" was the title Seth Siegelaub had chosen for an anthology of his own writing-one of the projects for which he never found the time, busy as he was running his global one-man operation. The selected writings, interviews, extended bibliography and chronology in this source book fill historical gaps in the sprawling network of exhibitions, publications, projects, and collections that constitute Siegelaub's life's work. "Siegelaubian paperwork" comprises Siegelaub's writings, which are reproduced as scans in order to convey the variety of the documents and to give a sense of archival immersion. Interspersed with these "writings" are interviews and talks, several newly transcribed. The majority of interviews from 1969-1972 are reprinted here.
Artists and art museum curators --- Art museum curators --- Art --- Conceptual art. --- Interviews. --- Biography. --- Political aspects --- Siegelaub, Seth, --- texts [documents] --- Conceptual --- Siegelaub, Seth
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Art --- Exhibition techniques --- Techniques d'exposition --- Szeemann, Harald --- Art critics --- Art museum curators --- Szeemann, Harald,
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Art museum curators --- Art appreciation. --- Art --- Art criticism. --- Aesthetics. --- Exhibition techniques --- Martin, Jean-Hubert,
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