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Cette étude se propose de traiter des rapports entre Chateaubriand et la peinture qui n’ont été que très peu abordés alors même que l’auteur cite de nombreux peintres et parle très souvent de ses descriptions en termes picturaux. La première partie est consacrée aux diverses sources picturales qui ont inspiré le génie de l’auteur et qui constituent son musée imaginaire. Au-delà de ce dialogue entre les arts qui donne un premier aperçu de la relation étroite entre peinture et religion dans son œuvre, il s’agissait, dans un deuxième temps, de montrer comment les conceptions métaphysiques de l’auteur, à différents moments de sa vie, ont pu conditionner des esthétiques picturales particulières : Chateaubriand peintre religieux a lui aussi connu des saisons picturales. Dans une troisième partie, ce travail se propose de donner une définition du sublime religieux de l’auteur, un sublime de synthèse entre des traditions anglaise et française qui s’incarne dans des formes picturales renouvelées.
Chateaubriand, de, François-René --- Art chrétien --- Dans la littérature --- Chateaubriand, François René de --- Critique et interprétation --- Esthétique --- Christianisme et arts --- Aspect religieux --- Chateaubriand, François René de, --- Christian art and symbolism in literature. --- Art et symbolisme chrétiens dans la littérature --- Chateaubriand, François-René, --- Art et symbolisme chrétiens dans la littérature --- Chateaubriand, François-René, --- Christian art and symbolism in literature --- Painting in literature --- Criticism and interpretation --- Aesthetics --- Religion --- Christianisme et arts. --- Aspect religieux. --- Chateaubriand, François-René de --- Critique et interprétation. --- Chateaubriand, François-René, - vicomte de, - 1768-1848 - Criticism and interpretation --- Chateaubriand, François-René, - vicomte de, - 1768-1848 - Aesthetics --- Chateaubriand, François-René, - vicomte de, - 1768-1848 - Religion --- Sublime (littérature) --- Esthétique et religion. --- Peinture. --- Chateaubriand, François-René, - vicomte de, - 1768-1848
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History of civilization --- anno 500-1199 --- Animals in literature --- Animals in poetry --- Animaux dans la littérature --- Animaux dans la poésie --- Beast epic --- Beestenboeken --- Bestiaires --- Bestiaria --- Bestiaries --- Dieren in de literatuur --- Dieren in de poëzie --- Dierenepiek --- Dierenepos --- Dierenfabels --- Dierenromans --- Dierensprookjes --- Dierenverhalen --- Epopées animales --- Fables ésopiques --- Literature [Medieval ] --- Literatuur [Middeleeuwse ] --- Littérature médiévale --- Medieval literature --- Middeleeuwse literatuur --- Literature, Medieval --- Human-animal relationships --- Animals --- Christian art and symbolism in literature --- Relations homme-animal --- Animaux --- Art et symbolisme chrétiens dans la littérature --- History and criticism --- History --- Religious aspects --- Christianity --- Folklore --- Histoire et critique --- Histoire --- Aspect religieux --- Christianisme --- Animaux dans la litterature --- Litterature medievale --- Animaux dans la littérature --- Littérature médiévale --- Art et symbolisme chrétiens dans la littérature --- Christianity. --- Animals in literature. --- Animals and civilization. --- Animal Population Groups --- In folklore, mythology, & religion. --- Bestiaires - Histoire et critique --- Animaux - Aspect religieux - Christianisme --- Litterature medievale - Histoire et critique --- Symbolisme des animaux --- Civilisation medievale --- Moyen age
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Entre le ve et xie siècle, la vision du monde animal que donne la littérature occidentale est la résultante de bien des héritages : gréco-romain, judéo-chrétien, mais aussi celtique ou germanique... Jacques Voisenet en détermine ici la nature et le poids. Il montre aussi que le bestiaire du Haut Moyen Âge n'est pas dénué d'une certaine nouveauté : les clercs ont su adapter les acquis du passé au système symbolique du christianisme et faire de la faune un véritable instrument au service de la foi.
Christian religion --- Art --- Semiotics --- anno 500-1199 --- Animals in literature --- Animals in poetry --- Animaux dans la littérature --- Animaux dans la poésie --- Beast epic --- Beestenboeken --- Bestiaires --- Bestiaria --- Bestiaries --- Dieren in de literatuur --- Dieren in de poëzie --- Dierenepiek --- Dierenepos --- Dierenfabels --- Dierenromans --- Dierensprookjes --- Dierenverhalen --- Epopées animales --- Fables ésopiques --- Animals --- Christian art and symbolism in literature --- Literature, Medieval --- Animaux --- Art et symbolisme chrétiens dans la littérature --- Littérature médiévale --- Folklore --- Religious aspects --- Christianity --- History and criticism --- Aspect religieux --- Christianisme --- Histoire et critique --- -Animals --- -Animals in literature --- -European literature --- Medieval literature --- Illustrated books --- Animal kingdom --- Beasts --- Fauna --- Native animals --- Native fauna --- Wild animals --- Wildlife --- Organisms --- Human-animal relationships --- Zoology --- -Christianity --- -Folklore --- Animaux dans la littérature --- Art et symbolisme chrétiens dans la littérature --- Littérature médiévale --- Animal lore --- Animals, Legends and stories of --- Ethnozoology --- Religious aspects&delete& --- Christianity. --- Animals in literature. --- Bestiaries. --- History and criticism. --- Folklore. --- Literature, Medieval - History and criticism --- Animals - Folklore --- Animals - Religious aspects - Christianity --- Haut Moyen Âge --- littérature --- christianisme --- bestiaire
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Little remains of the rich visual culture of late medieval English piety. The century and a half leading up to the Reformation had seen an unparalleled growth of devotional arts, as chapels, parish churches, and cathedrals came to be filled with images in stone, wood, alabaster, glass, embroidery, and paint of newly personalized saints, angels, and the Holy Family. But much of this fell victim to the Royal Injunctions of September 1538, when parish officials were ordered to remove images from their churches.In this highly insightful book Sarah Stanbury explores the lost traffic in images in late medieval England and its impact on contemporary authors and artists. For Chaucer, Nicholas Love, and Margery Kempe, the image debate provides an urgent language for exploring the demands of a material devotional culture-though these writers by no means agree on the ethics of those demands. The chronicler Henry Knighton invoked a statue of St. Katherine to illustrate a lurid story about image-breaking Lollards. Later John Capgrave wrote a long Katherine legend that comments, through the drama of a saint in action, on the powers and uses of religious images. As Stanbury contends, England in the late Middle Ages was keenly attuned to and troubled by its "culture of the spectacle," whether this spectacle took the form of a newly made queen in Chaucer's Clerk's Tale or of the animate Christ in Norwich Cathedral's Despenser Retable. In picturing images and icons, these texts were responding to reformist controversies as well as to the social and economic demands of things themselves, the provocative objects that made up the fabric of ritual life.
Iconoclasm in literature. --- Idols and images in literature. --- Christian art and symbolism in literature. --- Art and literature --- Civilization, Medieval, in literature --- Iconoclasme dans la littérature --- Idoles et images dans la littérature --- Art et symbolisme chrétiens dans la littérature --- Art et littérature --- Civilisation médiévale dans la littérature --- Iconoclasme dans la littérature --- Idoles et images dans la littérature --- Art et symbolisme chrétiens dans la littérature --- Art et littérature --- Civilisation médiévale dans la littérature --- Iconography --- anno 1200-1499 --- Great Britain --- English literature --- Iconoclasm --- Christian art and symbolism --- Littérature anglaise --- Iconoclasme --- Art et symbolisme chrétiens --- History and criticism. --- History --- Histoire et critique --- Histoire --- History. --- Civilization, Medieval, in literature. --- Idols and images --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Symbolism in art --- Church decoration and ornament --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Worship --- Cultural Studies. --- Literature. --- Medieval and Renaissance Studies.
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