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Surrealism --- Art and revolutions. --- Painting, Modern --- Surréalisme --- Art et révolutions --- Peinture

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Des historiens, des historiens de l'art et des anthropologues présentent une histoire des gestes iconoclastes, de la Révolution française à la chute du mur de Berlin, en passant par les révolutions bolchevique, hongroise et chinoise. Ils évoquent la destruction des symboles du pouvoir, visant à l'effacement de la mémoire, au renouveau culturel, à l'expression publique ou au défoulement. ©Electre 2015

Iconoclasm --- Art and revolutions. --- Art --- Iconoclasme --- Art et révolutions --- Mutilation, defacement, etc. --- Political aspects --- History --- Mutilation --- Aspect politique --- Histoire --- Révolutions --- Iconoclasm. --- History. --- Art et révolutions --- Iconoclasme. --- Histoire.

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Art and revolutions --- Art, Soviet --- Socialist realism in art --- Art et révolutions --- Art soviétique --- Réalisme socialiste dans l'art

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Art --- anno 1700-1799 --- Art and revolutions --- Art et révolutions --- Néoclassicisme (Art) --- Revolutions and art --- Arts and revolutions --- Politics in art --- Art and revolutions. --- -Art and revolutions --- Neoclassicism (Art). --- Art et révolutions --- Néoclassicisme (Art) --- Neoclassicism (Art) --- Art, Modern --- -Revolutions and art --- Modern art --- Classicism in art --- Revival movements (Art)

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History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past.

History as a science --- Photography --- photography [process] --- Philosophy and psychology of culture --- anno 2000-2099 --- anno 1990-1999 --- Europe --- Art and history --- Art and revolutions --- Art et histoire --- Art et revolutions --- Documentaire fotografie --- Documentary photography --- Fotografie [Documentaire ] --- Fotografie in de geschiedschrijving --- Geschiedenis en kunst --- Geschiedenis in de kunst --- Geschiedenis in de massamedia --- Geschiedenis in de media --- Histoire dans l'art --- Histoire dans les mass media --- Histoire dans les media --- Histoire et art --- Historical painting --- Historieschilderkunst --- History and art --- History in art --- History in mass media --- History in the media --- History painting --- Installaties (Kunst) --- Installations (Art) --- Kunst en geschiedenis --- Kunst en revoluties --- Peinture d'histoire --- Photographie dans l'historiographie --- Photographie documentaire --- Photography [Documentary ] --- Photography in historiography --- Revoluties en kunst --- Revolutions and art --- Revolutions et art --- Histoire dans les médias --- Photographie en historiographie --- Art et révolutions --- Medienwissenschaft --- Kunst --- Geschichte 1989-2015 --- Europa --- Academic collection --- Art and history. --- Art and photography --- Art and photography. --- 1900-2099. --- Europe. --- Histoire dans les médias --- Art et révolutions --- Medienwissenschaft. --- Kunst. --- Europa. --- kunst --- 77.01 --- 7.01 --- 77.038/039 --- 7.038/039 --- Schmidt Dierk --- Tuymans Luc --- Ujic Andrej --- Farocki Harun --- Bartana Yael --- Kulik Zofia --- eenentwintigste eeuw --- twintigste eeuw --- kunsttheorie --- kunst en geschiedenis --- fotografie en geschiedenis --- fotografietheorie --- fotografie --- cultuurgeschiedenis --- cultuurfilosofie