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Art abstrait --- Pop'art --- Art dissident
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Art brut --- Bricolage --- Art dissident. --- Dissident art --- Art brut --- Architecture. --- Dans l'art. --- Architecture.
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German literature --- Art styles --- History of Germany and Austria --- anno 1920-1929 --- Arts, Modern --- Dissident art --- Expressionism (Art) --- Arts modernes --- Art dissident --- Expressionnisme (Art) --- Arts, German --- Arts allemands --- EXPRESSIONNISME (ART) --- ALLEMAGNE
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Art --- Liberté et art. --- Art dissident. --- Artistes dissidents. --- Médias --- Appréciation de l'art. --- Art contemporain. --- Philosophie. --- Censure. --- Appréciation --- Philosophie --- Art, Modern --- Freedom and art. --- Dissident art. --- Dissenters, Artistic. --- Mass media --- Censorship. --- Censorship
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Arts, South African. --- Arts, Modern --- Dissident art --- Arts, Modern. --- Arts sud-africains. --- Arts --- Art dissident --- Dissident art. --- Kunst. --- Aufsatzsammlung. --- Letterkunde. --- Negers. --- Arts, South African --- Dissident arts --- 1900-1999. --- South Africa. --- Südafrika. --- Südafrika (Staat).
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assemblages [sculpture] --- installations [visual works] --- laser printing --- digital prints --- apartheid --- Iconography --- Art --- aids (kunst) --- violence --- Williamson, Sue --- South Africa --- Capetown --- Women artists --- Dissident art --- Art, South African --- Political aspects --- kunst --- Zuid-Afrika --- Williamson Sue --- aprtheid --- Aids --- video --- installaties --- twintigste eeuw --- kunst en politiek --- 7.071 WILLIAMSON --- Exhibitions --- Artists, Women --- Women as artists --- Artists --- Art, Dissident --- Art, Nonconformist --- Art, Unofficial --- Nonconformist art --- Unofficial art --- Dissenters, Artistic --- Freedom and art --- South African art --- Williamson, Susan Mary --- Art dissident --- Art sud-africain --- Dissident art. --- Femmes artistes --- Women artists. --- Aspect politique --- Political aspects. --- Williamson, Sue. --- 1900-1999. --- South Africa. --- Women artists - South Africa - Exhibitions --- Dissident art - South Africa - Exhibitions --- Art, South African - 20th century - Political aspects - Exhibitions --- Williamson, Sue - Exhibitions --- kunstsociologie --- onderdrukking (kunst)
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'Disobedient Objects' is about out-designing authority. It explores the material culture of radical change and protest - from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Where previous social movement histories have focused on large-scale events, strategies or biographies, this book - and the exhibition it accompanies - shows how objects themselves can be revolutionary.
Dissident art --- Product design --- Protest movements --- 749.04 --- Commercial products --- New products --- Art, Dissident --- Art, Nonconformist --- Art, Unofficial --- Nonconformist art --- Unofficial art --- Meubelkunst en design ; iconografie, thema's --- Design and construction --- 7.039 --- Kunst en maatschappij; subversieve kunst --- Protest, protestbewegingen, opstand, activisme --- Eclectic Electric Collective --- Center for Tactical Magic --- Molleindustria --- Bordamos por la Paz --- Guerrilla Girls --- Grupo de Arte Callejero (GAC) --- Greenpeace --- Cat Mazza (°1977, Washington DC, USA) --- Piero Gilardi (°1942, Turijn, Italië) --- Bread and Puppet Theater --- Book Bloc --- #occupygezi architecture --- Herkes İçin Mimarlık Derneği --- Laboratory of Poetic Actionism --- Kunstgeschiedenis ; 2000 - 2050 --- Social movements --- Industrial design --- Art --- Dissenters, Artistic --- Freedom and art
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Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work - a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence - their formal innovations and introduction of new media and concepts - and for their political dissidence - how their work challenges political values in both China and the West.
Art, Chinese --- Dissident art --- Art and society --- S02/0300 --- S17/1950 --- Art --- Art and sociology --- Society and art --- Sociology and art --- Art, Dissident --- Art, Nonconformist --- Art, Unofficial --- Nonconformist art --- Unofficial art --- Dissenters, Artistic --- Freedom and art --- Chinese art --- Appreciation --- Collectors and collecting --- China: General works--Chinese culture and the World and vice-versa --- China: Art and archaeology--Post-modern and contemporary art --- Social aspects --- dissident art --- political art --- Chen, Zhen --- Huang, Yong Ping --- Shen Yuan --- Wang Du --- Wang Keping --- Yan Pei-Ming --- Yang Jiechang --- Zhenjun, Du --- Fan, Ru Xiao --- Western world --- China
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Art --- Art, Chinese. --- Chinese art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects --- China --- Kings and rulers --- Art collections. --- History --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Rois et souverains --- Aspect politique --- Collections d'art --- Art, Primitive --- Architecture --- Arts décoratifs --- Dessin --- Gravure sur bois --- Peinture --- Sculpture --- Dynastes --- Monarques --- Princes (monarques) --- Radjahs --- Rajahs --- Rajas --- Rois --- Royauté --- Souverains --- Attouchement du roi --- Châteaux royaux --- Chefs --- Couples royaux --- Cour et courtisans --- Couronnements --- Faux rois et souverains --- Insignes royaux --- Liste civile --- Maisons des rois, souverains, etc. --- Maisons royales --- Mariages royaux et nobles --- Monarchie --- Philosophes-rois --- Pouvoir royal --- Reines --- Califes --- Émirs --- Empereurs --- Pharaons --- Régents --- Rois et souverains artistes --- Rois et souverains poètes --- Sultans --- Vice-rois --- Chefs d'État --- Arts plastiques --- Arts visuels --- Beaux-arts --- Et l'art --- Oeuvres d'art --- Archéologie --- Archéologie et art --- Art-thérapie --- Art et anthropologie --- Art et camouflage --- Art et cinéma --- Art et danse --- Art et design --- Art et diplomatie --- Art et ésotérisme --- Art et exil --- Art et géographie --- Art et handicapés --- Art et histoire --- Art et industrie --- Art et mondialisation --- Art et musique --- Art et photographie --- Art et politique --- Art et publicité --- Art et sciences --- Art et technologie --- Artothèques --- Bibliothèques d'art --- Carrière --- Centres d'art --- Communication visuelle et art --- Critique d'art --- Dans l'art --- Droit et art --- Expertise --- Féminisme et art --- Homosexualité et art --- Iconographie --- Iconophagie --- Idéologie et art --- Liberté et art --- Marchands d'oeuvres d'art --- Matériel d'artistes --- Médias et art --- Mode et art --- Modèles --- Philosophie et art --- Photographie d'oeuvres d'art --- Psychanalyse et art --- Psychologie de l'art --- Reproduction --- Rôle selon le sexe dans l'art --- Sémiotique et art --- Sociologie de l'art --- Transidentité et art --- Vie artistique --- Allégorie (art) --- Appropriation (art) --- Art animalier --- Art anonyme --- Art brut --- Art colonial --- Art d'amateurs --- Art dans la rue --- Art dissident --- Art en décoration intérieure --- Art enfantin --- Art érotique --- Art fantastique --- Art figuratif --- Art monumental --- Art naïf --- Art narratif --- Art olfactif --- Art pariétal --- Art populaire --- Art primitif --- Art public --- Art religieux --- Arts graphiques --- Caprices (art) --- Chefs-d'oeuvre (art) --- Création collective (art) --- Détails (art) --- Empreinte (art) --- Esquisses (art) --- Fantasy (art) --- Formalisme (art) --- Fragments (art) --- Imitation (art) --- Influence littéraire, artistique, etc. --- Ligne (art) --- Mouvements artistiques --- Multiples (art) --- Oeuvres d'art disparues --- Oeuvres d'art inachevées --- Orientalisme (art) --- Paléoart --- Parodie (art) --- Personnification (art) --- Photographie --- Point (art) --- Primitivisme (art) --- Reflets (art) --- Séries (art) --- Sublime (art) --- Titres d'oeuvres d'art --- Transparence (art) --- Abdication --- Collections d'armes --- Exil --- Mort --- Statut juridique --- Tombes --- Aspect social --- Assurance --- Attribution --- Catalogage --- Conservation et restauration --- Édition --- Étude et enseignement --- Faux --- Histoire --- Location et prêt --- Matériaux --- Mutilation, dégradation, etc. --- Philosophie --- Politique publique --- Provenance --- Publics --- Technique --- Thèmes, motifs --- Vol (droit) --- art --- [Localisations géographiques] --- Remakes --- Styles --- Accession au trône --- Collections d'armes royales --- Art et société --- Religion --- Prêt et location entre musées --- Réitérations (art) --- Style
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From the American Revolution to the present, the United States has enjoyed a rich and persuasive visual culture. These images have constructed, sustained, and disseminated social values and identities, but this unwieldy, sometimes untidy form of cultural expression has received less systematic attention than other modes of depicting American life. Recently, scholars in the humanities have developed a new critical approach to reading images and the cultural work they perform. This practice, American cultural iconography, is generating sophisticated analyses of how images organize our public life. The contributions to this volume exhibit the extraordinary scope and interpretive power of this interdisciplinary study while illuminating the dark corners of the nation's psyche. Drawing on such varied texts and visual media as daguerreotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to teach us who we are and who we are not. They examine mimesis in elegant portraits of black Freemasons, industrial-age representations of national parks, and postwar photographs of atomic destruction. They consider how visual culture has described and disclosed the politics of racialized sexuality, whether subconsciously affirming it in the shadows of film noir or deliberately contesting it through the interethnic incest of John Sayles's Lone Star. Students of literature, film, and history will find that these essays extend the frontier of American studies. The contributors are Maurice Wallace, Dennis Berthold, Alan Trachtenberg, Shirley Samuels, Jenny Franchot, Cecelia Tichi, Eric Lott, Bryan C. Taylor, and José E. Limón.
National characteristics [American ] --- Group identity --- United States --- History --- Civilization --- Symbolism --- Social aspects --- Arts and society --- Identite collective --- Art --- Caractere national americain. --- National characteristics, American. --- Group identity. --- Civilization. --- Arts and society. --- Arts et societe --- Americains. --- Symbolisme --- Aspect social --- Histoire. --- Social aspects. --- History. --- Etats -Unis --- United States. --- États-Unis --- Civilisation. --- American Ground Zero. --- American Opinion. --- Angel Face. --- Anglo-African Magazine. --- Art and Illusion. --- Atomic Spaces. --- Autobiography. --- Billy Budd. --- Democratic Review. --- Double Indemnity. --- Encyclopedia. --- Enola. --- Film noir. --- Grandissimes. --- Gunsmoke. --- Harper's Weekly. --- Hiroshima in America. --- Little Lone Star. --- Mildred Pierce. --- Nation. --- Othello. --- Our Lives, Our Children. --- Our National Parks. --- Photography. --- Picture Theory. --- Politics. --- Studies in Iconology. --- Symbolism. --- Touch of Evil. --- Tribune. --- Uncle Tom's Cabin. --- ambivalence. --- clergyman. --- cultural iconography. --- discursive processes. --- effects. --- fabulously textual. --- her own. --- hibakusha. --- immemorial personage. --- insomnia. --- metapictures. --- nautical Murats. --- organization. --- oversight. --- patriarch. --- phallic. --- relationships. --- seclusion. --- vaquero. --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Signs and symbols --- American national characteristics --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- É.-U. --- ÉU --- Américains --- Humour américain --- Arts plastiques --- Arts visuels --- Beaux-arts --- Et l'art --- Oeuvres d'art --- Archéologie --- Archéologie et art --- Art-thérapie --- Art et anthropologie --- Art et camouflage --- Art et cinéma --- Art et danse --- Art et design --- Art et diplomatie --- Art et ésotérisme --- Art et exil --- Art et société --- Art et géographie --- Art et handicapés --- Art et histoire --- Art et industrie --- Art et mondialisation --- Art et musique --- Art et photographie --- Art et politique --- Art et publicité --- Art et sciences --- Art et technologie --- Artothèques --- Bibliothèques d'art --- Carrière --- Centres d'art --- Collections d'art --- Communication visuelle et art --- Critique d'art --- Dans l'art --- Droit et art --- Expertise --- Féminisme et art --- Homosexualité et art --- Iconographie --- Iconophagie --- Idéologie et art --- Liberté et art --- Marchands d'oeuvres d'art --- Matériel d'artistes --- Médias et art --- Mode et art --- Modèles --- Philosophie et art --- Photographie d'oeuvres d'art --- Psychanalyse et art --- Psychologie de l'art --- Reproduction --- Rôle selon le sexe dans l'art --- Sémiotique et art --- Sociologie de l'art --- Transidentité et art --- Vie artistique --- Allégorie (art) --- Art colonial --- Art d'amateurs --- Art dans la rue --- Art dissident --- Art en décoration intérieure --- Art enfantin --- Art érotique --- Art fantastique --- Art figuratif --- Art monumental --- Appropriation (art) --- Art naïf --- Art narratif --- Art olfactif --- Art pariétal --- Art populaire --- Art primitif --- Art public --- Art religieux --- Arts décoratifs --- Arts graphiques --- Architecture --- Caprices (art) --- Chefs-d'oeuvre (art) --- Création collective (art) --- Détails (art) --- Empreinte (art) --- Esquisses (art) --- Fantasy (art) --- Formalisme (art) --- Fragments (art) --- Imitation (art) --- Influence littéraire, artistique, etc. --- Ligne (art) --- Mouvements artistiques --- Multiples (art) --- Oeuvres d'art disparues --- Oeuvres d'art inachevées --- Orientalisme (art) --- Paléoart --- Parodie (art) --- Peinture --- Personnification (art) --- Point (art) --- Primitivisme (art) --- Reflets (art) --- Sculpture --- Séries (art) --- Sublime (art) --- Titres d'oeuvres d'art --- Transparence (art) --- Art animalier --- Art anonyme --- Art brut --- Conscience collective --- Différence (sociologie) --- Identités collectives --- Identification sociale --- Identité communautaire --- Identité culturelle --- Identité de groupe --- Identité ethnique --- Identité politique --- Identité raciale --- Identité sociale --- Berbérisme --- Conscience historique --- Différenciation sociale --- Dynamique des groupes --- Mémoire collective --- Passing --- Socialisation politique --- Caractère national --- Conscience de classe --- Conscience de race --- Ethnicité --- Francité --- Icônes culturelles --- Identité collective --- Identité professionnelle --- Nationalisme --- Patriotisme --- Identité (psychologie) --- Psychologie sociale --- Faux --- Histoire --- Location et prêt --- Matériaux --- Mutilation, dégradation, etc. --- Philosophie --- Politique publique --- Provenance --- Publics --- Technique --- Thèmes, motifs --- Vol (droit) --- Assurance --- Attribution --- Catalogage --- art --- Conservation et restauration --- Édition --- Étude et enseignement --- [Localisations géographiques] --- Remakes --- Styles --- identité --- Aspect politique --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- SUA --- Zʹi͡ednani Derz͡havy Ameryky --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- États-Unis --- Vin de Californie --- Cuisine américaine --- Arts noirs américains --- Musique populaire --- Musique traditionnelle --- Américanisation --- France --- Civilisation -- Influence américaine --- Prêt et location entre musées --- Réitérations (art) --- Style
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