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L'art et le non-art
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Year: 1970 Publisher: Paris : Editions Aimery Somogy,

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Art brut, architectures marginales : un art du bricolage
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ISBN: 9782296054516 Year: 2008 Publisher: Orléans : [Paris] : l'Ecarlate ; l'Harmattan,

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L'expressionnisme comme révolte: contribution à l'étude de la vie artistique sous la République de Weimar
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ISBN: 2228121002 9782228121002 Year: 1978 Publisher: Paris

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L'art caché : les dissidents de l'art contemporain
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ISBN: 9782212557831 2212557833 Year: 2013 Publisher: Paris Eyrolles

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Culture in another South Africa
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ISBN: 086232856X 0862328578 9780862328566 9780862328573 0940793350 9780940793354 0940793369 9780940793361 Year: 1989 Publisher: London : Zed Books ;

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Sue Williamson : selected work.
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ISBN: 1919930248 9781919930244 Year: 2003 Publisher: Bruxelles Centre d'art contemporain


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Disobedient objects
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ISBN: 9781851777976 1851777970 Year: 2014 Publisher: London V & A Publishing

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'Disobedient Objects' is about out-designing authority. It explores the material culture of radical change and protest - from objects familiar to many, such as banners or posters, to the more militant, cunning or technologically cutting-edge, including lock-ons, book-blocs and activist robots. Where previous social movement histories have focused on large-scale events, strategies or biographies, this book - and the exhibition it accompanies - shows how objects themselves can be revolutionary.


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Dissidence : the rise of Chinese contemporary art in the West
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ISBN: 9780262038522 9780262348232 0262348233 0262038528 0262348241 Year: 2018 Publisher: Cambridge, Mass. The MIT Press

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Interest in Chinese contemporary art increased dramatically in the West shortly after the 1989 Tiananmen Square protests. Sparked by political sympathy and the mediatized response to the event, Western curators, critics, and art historians were quick to view the new art as an expression of dissident resistance to the Chinese regime. In this book, Marie Leduc proposes that this attribution of political dissidence is not only the result of latent Cold War perceptions about China, but also indicative of the art world's demand for artistically and politically provocative work - a demand that mirrors the valorization of free expression in liberal democracies. Focusing on nine Chinese artists-Wang Du, Wang Keping, Huang Yong Ping, Yang Jiechang, Chen Zhen, Yan Pei-Ming, Shen Yuan, Ru Xiaofan, and Du Zhenjun-who migrated to Paris in and around 1989, Leduc explores how their work was recognized before and after the Tiananmen Square incident. Drawing on personal interviews with the artists and curators, and through an analysis of important exhibitions, events, reviews, and curatorial texts, she demonstrates how these and other Chinese artists have been celebrated both for their artistic dissidence - their formal innovations and introduction of new media and concepts - and for their political dissidence - how their work challenges political values in both China and the West.

The odyssey of China's Imperial art treasures
Authors: ---
ISBN: 0295801387 0295997559 9780295997551 9780295801384 0295985224 9780295985220 Year: 2005 Publisher: Seattle University of Washington Press

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Keywords

Art --- Art, Chinese. --- Chinese art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Political aspects --- China --- Kings and rulers --- Art collections. --- History --- Cina --- Kinë --- Cathay --- Chinese National Government --- Chung-kuo kuo min cheng fu --- Republic of China (1912-1949) --- Kuo min cheng fu (China : 1912-1949) --- Chung-hua min kuo (1912-1949) --- Kina (China) --- National Government (1912-1949) --- China (Republic : 1912-1949) --- People's Republic of China --- Chinese People's Republic --- Chung-hua jen min kung ho kuo --- Central People's Government of Communist China --- Chung yang jen min cheng fu --- Chung-hua chung yang jen min kung ho kuo --- Central Government of the People's Republic of China --- Zhonghua Renmin Gongheguo --- Zhong hua ren min gong he guo --- Kitaĭskai︠a︡ Narodnai︠a︡ Respublika --- Činská lidová republika --- RRT --- Republik Rakjat Tiongkok --- KNR --- Kytaĭsʹka Narodna Respublika --- Jumhūriyat al-Ṣīn al-Shaʻbīyah --- RRC --- Kitaĭ --- Kínai Népköztársaság --- Chūka Jinmin Kyōwakoku --- Erets Sin --- Sin --- Sāthāranarat Prachāchon Čhīn --- P.R. China --- PR China --- PRC --- P.R.C. --- Chung-kuo --- Zhongguo --- Zhonghuaminguo (1912-1949) --- Zhong guo --- Chine --- République Populaire de Chine --- República Popular China --- Catay --- VR China --- VRChina --- 中國 --- 中国 --- 中华人民共和国 --- Jhongguó --- Bu̇gu̇de Nayiramdaxu Dundadu Arad Ulus --- Bu̇gu̇de Nayiramdaqu Dumdadu Arad Ulus --- Bu̇gd Naĭramdakh Dundad Ard Uls --- BNKhAU --- БНХАУ --- Khi︠a︡tad --- Kitad --- Dumdadu Ulus --- Dumdad Uls --- Думдад Улс --- Kitajska --- China (Republic : 1949- ) --- Rois et souverains --- Aspect politique --- Collections d'art --- Art, Primitive --- Architecture --- Arts décoratifs --- Dessin --- Gravure sur bois --- Peinture --- Sculpture --- Dynastes --- Monarques --- Princes (monarques) --- Radjahs --- Rajahs --- Rajas --- Rois --- Royauté --- Souverains --- Attouchement du roi --- Châteaux royaux --- Chefs --- Couples royaux --- Cour et courtisans --- Couronnements --- Faux rois et souverains --- Insignes royaux --- Liste civile --- Maisons des rois, souverains, etc. --- Maisons royales --- Mariages royaux et nobles --- Monarchie --- Philosophes-rois --- Pouvoir royal --- Reines --- Califes --- Émirs --- Empereurs --- Pharaons --- Régents --- Rois et souverains artistes --- Rois et souverains poètes --- Sultans --- Vice-rois --- Chefs d'État --- Arts plastiques --- Arts visuels --- Beaux-arts --- Et l'art --- Oeuvres d'art --- Archéologie --- Archéologie et art --- Art-thérapie --- Art et anthropologie --- Art et camouflage --- Art et cinéma --- Art et danse --- Art et design --- Art et diplomatie --- Art et ésotérisme --- Art et exil --- Art et géographie --- Art et handicapés --- Art et histoire --- Art et industrie --- Art et mondialisation --- Art et musique --- Art et photographie --- Art et politique --- Art et publicité --- Art et sciences --- Art et technologie --- Artothèques --- Bibliothèques d'art --- Carrière --- Centres d'art --- Communication visuelle et art --- Critique d'art --- Dans l'art --- Droit et art --- Expertise --- Féminisme et art --- Homosexualité et art --- Iconographie --- Iconophagie --- Idéologie et art --- Liberté et art --- Marchands d'oeuvres d'art --- Matériel d'artistes --- Médias et art --- Mode et art --- Modèles --- Philosophie et art --- Photographie d'oeuvres d'art --- Psychanalyse et art --- Psychologie de l'art --- Reproduction --- Rôle selon le sexe dans l'art --- Sémiotique et art --- Sociologie de l'art --- Transidentité et art --- Vie artistique --- Allégorie (art) --- Appropriation (art) --- Art animalier --- Art anonyme --- Art brut --- Art colonial --- Art d'amateurs --- Art dans la rue --- Art dissident --- Art en décoration intérieure --- Art enfantin --- Art érotique --- Art fantastique --- Art figuratif --- Art monumental --- Art naïf --- Art narratif --- Art olfactif --- Art pariétal --- Art populaire --- Art primitif --- Art public --- Art religieux --- Arts graphiques --- Caprices (art) --- Chefs-d'oeuvre (art) --- Création collective (art) --- Détails (art) --- Empreinte (art) --- Esquisses (art) --- Fantasy (art) --- Formalisme (art) --- Fragments (art) --- Imitation (art) --- Influence littéraire, artistique, etc. --- Ligne (art) --- Mouvements artistiques --- Multiples (art) --- Oeuvres d'art disparues --- Oeuvres d'art inachevées --- Orientalisme (art) --- Paléoart --- Parodie (art) --- Personnification (art) --- Photographie --- Point (art) --- Primitivisme (art) --- Reflets (art) --- Séries (art) --- Sublime (art) --- Titres d'oeuvres d'art --- Transparence (art) --- Abdication --- Collections d'armes --- Exil --- Mort --- Statut juridique --- Tombes --- Aspect social --- Assurance --- Attribution --- Catalogage --- Conservation et restauration --- Édition --- Étude et enseignement --- Faux --- Histoire --- Location et prêt --- Matériaux --- Mutilation, dégradation, etc. --- Philosophie --- Politique publique --- Provenance --- Publics --- Technique --- Thèmes, motifs --- Vol (droit) --- art --- [Localisations géographiques] --- Remakes --- Styles --- Accession au trône --- Collections d'armes royales --- Art et société --- Religion --- Prêt et location entre musées --- Réitérations (art) --- Style

National imaginaries, American identities : the cultural work of American iconography
Authors: ---
ISBN: 0691009953 0691227721 Year: 2001 Publisher: Princeton (N.J.): Princeton university press

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From the American Revolution to the present, the United States has enjoyed a rich and persuasive visual culture. These images have constructed, sustained, and disseminated social values and identities, but this unwieldy, sometimes untidy form of cultural expression has received less systematic attention than other modes of depicting American life. Recently, scholars in the humanities have developed a new critical approach to reading images and the cultural work they perform. This practice, American cultural iconography, is generating sophisticated analyses of how images organize our public life. The contributions to this volume exhibit the extraordinary scope and interpretive power of this interdisciplinary study while illuminating the dark corners of the nation's psyche. Drawing on such varied texts and visual media as daguerreotypes, political cartoons, tourist posters, and religious artifacts, these essays explore how pictures and words combine to teach us who we are and who we are not. They examine mimesis in elegant portraits of black Freemasons, industrial-age representations of national parks, and postwar photographs of atomic destruction. They consider how visual culture has described and disclosed the politics of racialized sexuality, whether subconsciously affirming it in the shadows of film noir or deliberately contesting it through the interethnic incest of John Sayles's Lone Star. Students of literature, film, and history will find that these essays extend the frontier of American studies. The contributors are Maurice Wallace, Dennis Berthold, Alan Trachtenberg, Shirley Samuels, Jenny Franchot, Cecelia Tichi, Eric Lott, Bryan C. Taylor, and José E. Limón.

Keywords

National characteristics [American ] --- Group identity --- United States --- History --- Civilization --- Symbolism --- Social aspects --- Arts and society --- Identite collective --- Art --- Caractere national americain. --- National characteristics, American. --- Group identity. --- Civilization. --- Arts and society. --- Arts et societe --- Americains. --- Symbolisme --- Aspect social --- Histoire. --- Social aspects. --- History. --- Etats -Unis --- United States. --- États-Unis --- Civilisation. --- American Ground Zero. --- American Opinion. --- Angel Face. --- Anglo-African Magazine. --- Art and Illusion. --- Atomic Spaces. --- Autobiography. --- Billy Budd. --- Democratic Review. --- Double Indemnity. --- Encyclopedia. --- Enola. --- Film noir. --- Grandissimes. --- Gunsmoke. --- Harper's Weekly. --- Hiroshima in America. --- Little Lone Star. --- Mildred Pierce. --- Nation. --- Othello. --- Our Lives, Our Children. --- Our National Parks. --- Photography. --- Picture Theory. --- Politics. --- Studies in Iconology. --- Symbolism. --- Touch of Evil. --- Tribune. --- Uncle Tom's Cabin. --- ambivalence. --- clergyman. --- cultural iconography. --- discursive processes. --- effects. --- fabulously textual. --- her own. --- hibakusha. --- immemorial personage. --- insomnia. --- metapictures. --- nautical Murats. --- organization. --- oversight. --- patriarch. --- phallic. --- relationships. --- seclusion. --- vaquero. --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Signs and symbols --- American national characteristics --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Social psychology --- Collective memory --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Barbarism --- Civilisation --- Auxiliary sciences of history --- Culture --- World Decade for Cultural Development, 1988-1997 --- Art, Occidental --- Art, Primitive --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Aesthetics --- ABŞ --- ABSh --- Ameerika Ühendriigid --- America (Republic) --- Amerika Birlăshmish Shtatlary --- Amerika Birlăşmi Ştatları --- Amerika Birlăşmiş Ştatları --- Amerika ka Kelenyalen Jamanaw --- Amerika Qūrama Shtattary --- Amerika Qŭshma Shtatlari --- Amerika Qushma Shtattary --- Amerika (Republic) --- Amerikai Egyesült Államok --- Amerikanʹ Veĭtʹsėndi︠a︡vks Shtattnė --- Amerikări Pĕrleshu̇llĕ Shtatsem --- Amerikas Forenede Stater --- Amerikayi Miatsʻyal Nahangner --- Ameriketako Estatu Batuak --- Amirika Carékat --- AQSh --- Ar. ha-B. --- Arhab --- Artsot ha-Berit --- Artzois Ha'bris --- Bí-kok --- Ē.P.A. --- EE.UU. --- Egyesült Államok --- ĒPA --- Estados Unidos --- Estados Unidos da América do Norte --- Estados Unidos de América --- Estaos Xuníos --- Estaos Xuníos d'América --- Estatos Unitos --- Estatos Unitos d'America --- Estats Units d'Amèrica --- Ètats-Unis d'Amèrica --- États-Unis d'Amérique --- Fareyniḳṭe Shṭaṭn --- Feriene Steaten --- Feriene Steaten fan Amearika --- Forente stater --- FS --- Hēnomenai Politeiai Amerikēs --- Hēnōmenes Politeies tēs Amerikēs --- Hiwsisayin Amerikayi Miatsʻeal Tērutʻiwnkʻ --- Istadus Unidus --- Jungtinės Amerikos valstybės --- Mei guo --- Mei-kuo --- Meiguo --- Mî-koet --- Miatsʻyal Nahangner --- Miguk --- Na Stàitean Aonaichte --- NSA --- S.U.A. --- SAD --- Saharat ʻAmērikā --- SASht --- Severo-Amerikanskie Shtaty --- Severo-Amerikanskie Soedinennye Shtaty --- Si︠e︡vero-Amerikanskīe Soedinennye Shtaty --- Sjedinjene Američke Države --- Soedinennye Shtaty Ameriki --- Soedinennye Shtaty Severnoĭ Ameriki --- Soedinennye Shtaty Si︠e︡vernoĭ Ameriki --- Spojené obce severoamerické --- Spojené staty americké --- SShA --- Stadoù-Unanet Amerika --- Stáit Aontaithe Mheiriceá --- Stany Zjednoczone --- Stati Uniti --- Stati Uniti d'America --- Stâts Unîts --- Stâts Unîts di Americhe --- Steatyn Unnaneysit --- Steatyn Unnaneysit America --- SUA (Stati Uniti d'America) --- Sŭedineni amerikanski shtati --- Sŭedinenite shtati --- Tetã peteĩ reko Amérikagua --- U.S. --- U.S.A. --- United States of America --- Unol Daleithiau --- Unol Daleithiau America --- Unuiĝintaj Ŝtatoj de Ameriko --- US --- USA --- Usono --- Vaeinigte Staatn --- Vaeinigte Staatn vo Amerika --- Vereinigte Staaten --- Vereinigte Staaten von Amerika --- Verenigde State van Amerika --- Verenigde Staten --- VS --- VSA --- Wááshindoon Bikéyah Ałhidadiidzooígíí --- Wilāyāt al-Muttaḥidah --- Wilāyāt al-Muttaḥidah al-Amirīkīyah --- Wilāyāt al-Muttaḥidah al-Amrīkīyah --- Yhdysvallat --- Yunaeted Stet --- Yunaeted Stet blong Amerika --- ZDA --- Združene države Amerike --- Zʹi︠e︡dnani Derz︠h︡avy Ameryky --- Zjadnośone staty Ameriki --- Zluchanyi︠a︡ Shtaty Ameryki --- Zlucheni Derz︠h︡avy --- ZSA --- Η.Π.Α. --- Ηνωμένες Πολιτείες της Αμερικής --- Америка (Republic) --- Американь Вейтьсэндявкс Штаттнэ --- Америкӑри Пӗрлешӳллӗ Штатсем --- САЩ --- Съединените щати --- Злучаныя Штаты Амерыкі --- ولايات المتحدة --- ولايات المتّحدة الأمريكيّة --- ولايات المتحدة الامريكية --- 미국 --- É.-U. --- ÉU --- Américains --- Humour américain --- Arts plastiques --- Arts visuels --- Beaux-arts --- Et l'art --- Oeuvres d'art --- Archéologie --- Archéologie et art --- Art-thérapie --- Art et anthropologie --- Art et camouflage --- Art et cinéma --- Art et danse --- Art et design --- Art et diplomatie --- Art et ésotérisme --- Art et exil --- Art et société --- Art et géographie --- Art et handicapés --- Art et histoire --- Art et industrie --- Art et mondialisation --- Art et musique --- Art et photographie --- Art et politique --- Art et publicité --- Art et sciences --- Art et technologie --- Artothèques --- Bibliothèques d'art --- Carrière --- Centres d'art --- Collections d'art --- Communication visuelle et art --- Critique d'art --- Dans l'art --- Droit et art --- Expertise --- Féminisme et art --- Homosexualité et art --- Iconographie --- Iconophagie --- Idéologie et art --- Liberté et art --- Marchands d'oeuvres d'art --- Matériel d'artistes --- Médias et art --- Mode et art --- Modèles --- Philosophie et art --- Photographie d'oeuvres d'art --- Psychanalyse et art --- Psychologie de l'art --- Reproduction --- Rôle selon le sexe dans l'art --- Sémiotique et art --- Sociologie de l'art --- Transidentité et art --- Vie artistique --- Allégorie (art) --- Art colonial --- Art d'amateurs --- Art dans la rue --- Art dissident --- Art en décoration intérieure --- Art enfantin --- Art érotique --- Art fantastique --- Art figuratif --- Art monumental --- Appropriation (art) --- Art naïf --- Art narratif --- Art olfactif --- Art pariétal --- Art populaire --- Art primitif --- Art public --- Art religieux --- Arts décoratifs --- Arts graphiques --- Architecture --- Caprices (art) --- Chefs-d'oeuvre (art) --- Création collective (art) --- Détails (art) --- Empreinte (art) --- Esquisses (art) --- Fantasy (art) --- Formalisme (art) --- Fragments (art) --- Imitation (art) --- Influence littéraire, artistique, etc. --- Ligne (art) --- Mouvements artistiques --- Multiples (art) --- Oeuvres d'art disparues --- Oeuvres d'art inachevées --- Orientalisme (art) --- Paléoart --- Parodie (art) --- Peinture --- Personnification (art) --- Point (art) --- Primitivisme (art) --- Reflets (art) --- Sculpture --- Séries (art) --- Sublime (art) --- Titres d'oeuvres d'art --- Transparence (art) --- Art animalier --- Art anonyme --- Art brut --- Conscience collective --- Différence (sociologie) --- Identités collectives --- Identification sociale --- Identité communautaire --- Identité culturelle --- Identité de groupe --- Identité ethnique --- Identité politique --- Identité raciale --- Identité sociale --- Berbérisme --- Conscience historique --- Différenciation sociale --- Dynamique des groupes --- Mémoire collective --- Passing --- Socialisation politique --- Caractère national --- Conscience de classe --- Conscience de race --- Ethnicité --- Francité --- Icônes culturelles --- Identité collective --- Identité professionnelle --- Nationalisme --- Patriotisme --- Identité (psychologie) --- Psychologie sociale --- Faux --- Histoire --- Location et prêt --- Matériaux --- Mutilation, dégradation, etc. --- Philosophie --- Politique publique --- Provenance --- Publics --- Technique --- Thèmes, motifs --- Vol (droit) --- Assurance --- Attribution --- Catalogage --- art --- Conservation et restauration --- Édition --- Étude et enseignement --- [Localisations géographiques] --- Remakes --- Styles --- identité --- Aspect politique --- Amerikanʹ Veĭtʹsėndi͡avks Shtattnė --- Si͡evero-Amerikanskīe Soedinennye Shtaty --- Soedinennye Shtaty Si͡evernoĭ Ameriki --- SUA --- Zʹi͡ednani Derz͡havy Ameryky --- Zluchanyi͡a Shtaty Ameryki --- Zlucheni Derz͡havy --- États-Unis --- Vin de Californie --- Cuisine américaine --- Arts noirs américains --- Musique populaire --- Musique traditionnelle --- Américanisation --- France --- Civilisation -- Influence américaine --- Prêt et location entre musées --- Réitérations (art) --- Style

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