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Art - Philosophy. --- Art criticism - History - 20th century.

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Ce que nous voyons ne vaut -ne vit- que par ce qui nous regarde. Si cela est vrai, comment penser les conditions esthétiques, épistémiques, voire éthiques, d'une telle proposition? C'est ce que tente de développer ce livre, tissé comme une fable philosophique de l'expérience visuelle.

Aesthetics --- Semiotics --- Art criticism --- Critique d'art --- History --- Histoire --- Philosophie de l'art --- Theorie de la perception --- Théorie de l'art --- Esthétique --- Ecrit théorique --- Analyse de l'art --- Art criticism - History - 20th century --- -History --- -Philosophie de l'art --- -History -

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Hal Foster --- kunst --- kunsttheorie --- esthetica --- kunstkritiek --- design --- architectuur --- kunst en architectuur --- kunstgeschiedenis --- cultuurfilosofie --- 7.01 --- 72.01 --- 745.01 --- Architecture and society --- Art criticism --- Design --- #SBIB:39A5 --- History --- Kunst, habitat, materiële cultuur en ontspanning --- Architecture and society - History - 20th century --- Design - History - 20th century --- Art criticism - History - 20th century

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Compte-rendu polémique des rapports incestueux qu’entretiennent la culture et le capitalisme contemporains, cet ouvrage s’intéresse plus particulièrement aux évolutions récentes du statut culturel du design et de l’architecture, de l’art et de la critique. Avec l’avènement de l’économie post-fordiste, de ses produits ciblés et de ses marchés de niche, nous vivons dans un circuit sans fin de production et de consommation, où le display (l’étalage ou l’exposition) joue un rôle essentiel, ainsi que le design et l’architecture. S’attacher à montrer le lien entre les formes culturelles et discursives et les forces sociales et technologiques, et les périodiser afin de souligner les singularités politiques du monde d’aujourd’hui, telle est la principale ambition de ce livre. Mais au-delà des possibilités critiques du temps présent, c’est bien « une insatiable prédilection pour l’alternative » qu’il s’agit de promouvoir. Deux chapitres s'intéressent particulièrement aux architectes : le premier à Frank Gehry et son oeuvre "spectaculaire", le deuxième à Rem Koolhaas et à ses ambiguités. Autres articles de Foster sur le site de la London.

Architecture and society --- Architecture --- Architectural criticism --- Design --- Art criticism --- Architecture et société --- Critique d'architecture --- Critique d'art --- History --- Philosophy --- Histoire --- Philosophie --- Architecture et société --- Théorie de l'art --- Modernisme --- Critique architecturale --- Sociologie de l'art --- Art contemporain --- Rapport art-architecture --- Mouvement moderne --- Média --- Koolhaas, Rem --- Gehry, Frank Owen --- Koolhaas, Rem, --- Architecture and society - History - 20th century --- Design - History - 20th century --- Art criticism - History - 20th century --- Koolhaas, Rem, 1944 --- -Gehry, Frank Owen --- 20th century.

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This book is the third of a series of five volumes that exhaustively brings together the writings of Jean-François Lyotard (1924-1998) on contemporary art and artists. This collection of essays, written between 1974 and 1977 in the middle of the time of Duchamp's rediscovery in France, was published by Editions Galilée (Paris) in 1977 and in English translation by The Lapis Press (Los Angeles) in 1990. This volume republishes the two versions face to face, including the drawings, diagrams and images of the original edition. Herman Parret presents the text in a substantial introduction and Dalia Judovitz situates it in the more general framework of Lyotardian philosophical reflection. Duchamp's 'TRANS/formers' reconstructs the 'Large glass and given', Duchamp's two major works that glorify the body in its topological conceptuality.

7.01 "19" --- Academic collection --- 7.01 "19" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--20e eeuw. Periode 1900-1999 --- Appel, Karel --- Lyotard, Jean-François --- Color in art --- Appel, Karel, --- Art, Modern --- Art --- Philosophy --- Philosophie --- Francis, Sam --- Criticism and interpretation --- Duchamp, Marcel --- Philosophy [French ] --- 20th century --- Art [Modern ] --- Monory, Jacques --- Painters --- France --- Art and philosophy --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Criticism and interpretation. --- Buren, Daniel --- Adami, Valerio --- Arakawa, Shusaku --- 1 LYOTARD, JEAN-FRANCOIS --- 1 LYOTARD, JEAN-FRANCOIS Filosofie. Psychologie--LYOTARD, JEAN-FRANCOIS --- Filosofie. Psychologie--LYOTARD, JEAN-FRANCOIS --- Aesthetics, Modern --- Art criticism --- History --- Lyotard, Jean-François, --- Painting, Modern --- Themes, motives --- Adami, Valerio, --- Arakawa, Shūsaku, --- Francis, Sam, --- Colors in art --- Monochrome art --- Modern painting --- Paintings, Modern --- Arakawa, --- 荒川修作, --- Adami, Ṿaleryo, --- Romani Adami, Valerio, --- Artistes --- Philosophie. --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- Art and philosophy - History - 20th century --- Aesthetics, Modern - 20th century --- Art criticism - History - 20th century --- Art, Modern - 20th century --- Lyotard, Jean-François, - 1924-1998 --- Duchamp, Marcel, - 1887-1968 - Criticism and interpretation --- Appel, Karel, - 1921-2006 --- Painting, Modern - 20th century - Themes, motives --- Adami, Valerio, - 1935- - Criticism and interpretation --- Arakawa, Shūsaku, - 1936-2010 - Criticism and interpretation --- Buren, Daniel - Criticism and interpretation --- Francis, Sam, - 1923-1994 - Criticism and interpretation --- Francis, Sam, - 1923-1994 --- Duchamp, Marcel, - 1887-1968 --- Adami, Valerio, - 1935 --- -Arakawa, Shūsaku, - 1936-2010 --- Color in art.