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Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.

Art --- Time and art --- Time in art --- Art and time --- Historiography --- E-books --- Time and art. --- Time in art. --- Historiography.

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Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorization-demonstrating how each work influences the next as part of a linear sequence-which he sees as tied to Western notions of modernity. In contrast, he emphasizes how the experience of viewing art creates its own aesthetic time, where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art, and writing about the art, of modern and contemporary artists, such as Gerard Sekoto, Thomas Demand, Hiroshi Sugimoto, and Cindy Sherman, as well as the sixteenth-century figures Pieter Bruegel the Elder, Albrecht Durer, Matthias Grunewald, and Hans Holbein. In the process, he addresses the phenomenological turn in the study of the image, its application to the understanding of particular artists, the ways verisimilitude eludes time in both the past and the present, and the role of time in nationalist accounts of the past.

Art --- History as a science --- Time and art --- 7.01 --- Kunsttheorie ; over tijd en kunst --- Historiografie --- Art and time --- Historiography --- Kunst ; theorie, filosofie, esthetica --- Art - Historiography

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Considers how photographic images of buildings reflect the passage of time through an exhibition held at the Princeton University Art Museum in 2011.

kunst --- fotografie --- architectuurfotografie --- tijd --- tijdelijkheid --- stadsfotografie --- fotografietheorie --- 77.01 --- 77.046 --- Architectural photography --- Time and art --- Art and history --- Buildings --- Edifices --- Halls --- Structures --- Architecture --- History and art --- History --- History in art --- Art and time --- Art --- Exhibitions --- Built environment

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The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.

Law in art. --- Law and art. --- Time in art. --- Time and art. --- Time (Law) --- Civil procedure --- Notice (Law) --- Limitation of actions --- Art and time --- Art --- Art and law --- Social aspects. --- Collectors and collecting --- Law and legislation

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Using continental philosophy and critical theory, Homay King returns to the original meaning of the virtual - which denotes a potential on the cusp of becoming - to offer a new way to understand how contemporary digital art transcends distinctions between digital and analog, abstract and tangible, disembodiment and lived experience.

Art and motion pictures --- Time and art --- Computer art --- Art, Computer --- Computer craft --- Digital art --- New media art --- Art and time --- Art --- Art and moving-pictures --- Motion pictures and art --- Motion pictures --- Art and motion pictures. --- Computer art. --- Digital teknik. --- Film. --- Filmen och konsten. --- Kunst. --- Performing Arts. --- Philosophie. --- Time and art. --- Video. --- Zeit.