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Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."

Christian church history --- Art --- Counter-Reformation --- Council of Trent --- anno 1500-1599 --- anno 1600-1699 --- Art, Late Renaissance. --- Counter-Reformation and art. --- Art and society --- History --- Art, Late Renaissance --- Counter-Reformation and art --- Influence. --- Contre-Réforme et art --- Aspect social --- Art and society - Europe - History - 16th century --- Art and society - Europe - History - 17th century --- Contre-Réforme et art. --- Christelijke kunst

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Exploring the rich variety of pictorial rhetoric in early modern northern European genre images, this volume deepens our understanding of genre's place in early modern visual culture. From 1500 to 1700, artists in northern Europe pioneered the category of pictures now known as genre, portrayals of people in ostensibly quotidian situations. Critical approaches to genre images have moved past the antiquated notion that they portray uncomplicated 'slices of life,' describing them instead as heavily encoded pictorial essays, laden with symbols that only the most erudite contemporary viewers and modern iconographers could fully comprehend. These essays challenge that limiting binary, revealing a more expansive array of accessible meanings in genre's deft grafting of everyday scenarios with a rich complex of experiential, cultural, political, and religious references. Authors deploy a variety of approaches to detail genre's multivalent relations to older, more established pictorial and literary categories, the interplay between the meaning of the everyday and its translation into images, and the multifaceted concerns genre addressed for its rapidly expanding, unprecedentedly diverse audience.

Painting --- Symbolist --- genre painters --- Art styles --- anno 1800-1899 --- Europe: North --- anno 1400-1499 --- anno 1600-1699 --- anno 1500-1599 --- Genre painting, European --- Symbolism in art --- Art and society --- Art and society - Europe, Northern

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Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Peinture --- Schilderkunst --- Maniérisme --- Primitifs flamands --- Renaissance --- Painting, European --- Painting, Renaissance --- Art and society --- History --- Bruegel L'ancien, Peter --- Bruegel, Pieter, --- Painting, European - 16th century --- Art and society - Europe - History - 16th century --- Bruegel, Pieter, - approximately 1525-1569

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Art --- anno 1400-1499 --- anno 1300-1399 --- Art [Medieval ] --- Art médiéval --- Creatie (Literaire, artistieke, enz.) --- Creation (Literary, artistic, etc.) --- Creative ability in art --- Création (esthétique) --- Création artistique --- Création littéraire, artistique, etc. --- Kunst [Middeleeuwse ] --- Medieval art --- Middeleeuwse kunst --- Schepping (Literaire, artistieke, enz.) --- Art, Late Gothic --- Artists, Medieval --- Art and society --- Art and society - Europe --- CREATION LITTERAIRE, ARTISTIQUE, ETC. --- MECENAT --- CIVILISATION MEDIEVALE --- FRANCE --- 14E-15E SIECLES --- HISTOIRE --- DISCOURS, ESSAIS, CONFERENCES

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An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics.

Information theory in aesthetics --- Art and technology --- Art and society --- History --- Nouvelle tendance (Exhibition) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Technology and art --- Technology --- Aesthetics --- Cybernetics --- Perception --- Psychology --- Social aspects --- Neue Tendenz (Exhibition) --- New tendencies (Exhibition) --- Nieuwe tendenzen (Exhibition) --- Nouva tendenza (Exhibition) --- Nove tendencije (Exhibition) --- Nueva tendencia (Exhibition) --- Art and society - Europe - History - 20th century --- Art and technology - Europe - History - 20th century --- Information theory in aesthetics.