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Geschiedenis van de nieuwe tijden --- Histoire des temps modernes --- Peinture --- Schilderkunst --- Maniérisme --- Primitifs flamands --- Renaissance --- Painting, European --- Painting, Renaissance --- Art and society --- History --- Bruegel L'ancien, Peter --- Bruegel, Pieter, --- Painting, European - 16th century --- Art and society - Europe - History - 16th century --- Bruegel, Pieter, - approximately 1525-1569
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Drawing on recent research by established and emerging scholars of sixteenth- and seventeenth-century art, this volume reconsiders the art and architecture produced after 1563 across the conventional geographic borders. Rather than considering this period a degraded afterword to Renaissance classicism or an inchoate proto-Baroque, the book seeks to understand the art on its own terms. By considering artists such as Federico Barocci and Stefano Maderno in Italy, Hendrick Goltzius in the Netherlands, Antoine Caron in France, Francisco Ribalta in Spain, and Bartolomeo Bitti in Peru, the contributors highlight lesser known "reforms" of art from outside the conventional centers. As the first text to cover this formative period from an international perspective, this volume casts new light on the aftermath of the Renaissance and the beginnings of "Baroque."
Christian church history --- Art --- Counter-Reformation --- Council of Trent --- anno 1500-1599 --- anno 1600-1699 --- Art, Late Renaissance. --- Counter-Reformation and art. --- Art and society --- History --- Art, Late Renaissance --- Counter-Reformation and art --- Influence. --- Contre-Réforme et art --- Aspect social --- Art and society - Europe - History - 16th century --- Art and society - Europe - History - 17th century --- Contre-Réforme et art. --- Christelijke kunst
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Jan van Eyck's Arnolfini portrait and copies after his Woman and her toilette : recollections of the Alhambra's constellation halls, the hamman, and alchemy / Barbara von Barghahn -- Not just copies but variations, suggestions, interpretations and critical reception : Joos van Cleve and the lost Madonna of the cherries by Leonardo da Vinci / Mari Pietrogiovanna -- Pictorial copies in Granada during the early modern age / David García Cueto
Painting, Renaissance --- Pictures - Copying --- Art and society - Europe - History - To 1500 --- Art and society - Europe - History - 16th century --- Painting, Renaissance. --- Peinture de la Renaissance. --- Pictures --- Illustrations, images, etc. --- Art and society --- Art --- Copying. --- Reproduction --- Reproduction. --- History --- Aspect social --- Copying --- Influence --- Art and sociology --- Society and art --- Sociology and art --- Paintings, Renaissance --- Renaissance painting --- Social aspects --- History of civilization --- art [discipline] --- cultuurgeschiedenis --- copies [derivative objects] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Europe
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