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Portraits, American - 19th century --- Architects - United States - Portraits --- Art and society - United States - History - 19th century --- Portraits, American --- Architects --- Art and society --- History

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Cet ouvrage est publié à l'occasion de l'exposition du même nom présentée au musée national de l'Orangerie, Paris, du 12 octobre 2016 au 30 janvier 2017. Les années 1930 voient s'affirmer aux Etats-Unis des artistes considérés parmi les plus grands noms de l'art du XXe siècle, comme Georgia O'Keeffe, Grant Wood ou Edward Hopper.A travers des univers esthétiques différents tels que le régionalisme, le réalisme "social", l'abstraction ou le surréalisme, les artistes américains manifestent les mêmes doutes et les mêmes interrogations suscités par le contexte de la Grande Dépression. Ce catalogue montre comment l'expression de ces questionnements sur l'histoire et l'identité a donné lieu à des formes stylistiques dans lesquelles l'art moderne américain a pris racine et comment s'est construite ce qu'artistes et critiques appellent la "Scène américaine"

Peinture --- Caractère national américain --- Art --- Painting, American --- National characteristics, American, in art --- Art and society --- Peinture américaine --- Art et société --- Catalogues d'exposition. --- Dans l'art --- Aspect social --- Exhibitions. --- History --- Expositions --- Histoire --- Exhibitions --- Painting, American -- 20th century --- --Painting, American -- 20th century --- --Painting, American --- Art, Modern --- Américains dans l'art --- Art moderne --- Social aspects --- Peinture américaine --- Américains dans l'art --- Art et société --- Painting, American - 20th century - Exhibitions --- Art and society - United States - History - 20th century - Exhibitions --- --Painting, American -- 20th century --

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Mural painting and decoration --- Mural painting and decoration, American. --- Community art projects --- Art and society --- Peinture et décoration murales --- Peinture et décoration murales américaines --- Art et société --- Mural painting and decoration, American --- -Street art --- -Art and society --- -Community art projects --- -Mural painting and decoration, American --- -Mural painting and decoration --- Community arts projects --- Peinture et décoration murales --- Peinture et décoration murales américaines --- Art et société --- Mural painting and decoration - - 20th century - - United States --- Street art - - United States --- Art and society - - United States --- Community art projects - - United States

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This is the final volume in a series of four books about art and its interpretation from the midnineteenth century to the end of the twentieth. The books seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. They present a range of approaches characteristic of current art-historical debates. This fourth volume focuses on art since the 1930s, the main emphasis being on the period since the Second World War.

Modernist --- art theory --- Pop [fine arts styles] --- Minimal --- Abstract Expressionist --- Rosenquist, James --- Caro, Anthony --- Johns, Jasper --- Kosuth, Joseph --- Stella, Frank --- Andre, Carl --- Warhol, Andy --- Noland, Kenneth --- Gorky, Arshile --- Weiner, Lawrence --- Picasso, Pablo --- Olitski, Jules --- Rivera, Diego --- Rauschenberg, Robert --- Burgin, Victor --- Buren, Daniel --- Still, Clyfford --- Long, Richard --- Lichtenstein, Roy --- Smithson, Robert --- Richter, Gerhard --- Rothko, Mark --- Newman, Barnett --- Schnabel, Julian --- Judd, Donald --- Soulages, Pierre --- Kienholz, Edward --- Morris, Robert --- Miró, Joan --- Smith, David --- Léger, Fernand --- Haacke, Hans --- Kiefer, Anselm --- Moore, Henry --- LeWitt, Sol --- Pollock, Jackson --- Kline, Franz --- Guerrilla Girls --- Modernisme (Art) --- Art et société --- Modernisme --- Expressionnisme abstrait --- Paul Wood, Francis Frascina, Jonathan Harris, Charles Harrison --- modernisme --- postmodernisme --- abstract expressionisme --- Land Art --- minimalisme --- Art et société --- Modernism (Art) --- Art and society --- Art, American --- Art --- Art américain --- History --- Political aspects --- Histoire --- Aspect politique --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- 7.01 --- 7.038 --- conceptuele kunst --- cultuur --- ideologie --- kunst --- kunstkritiek --- kunsttheorie --- twintigste eeuw --- Verenigde Staten --- Art styles --- anno 1900-1999 --- Conceptual --- art history --- Salle, David --- Serra, Richard --- Braque, Georges --- Kahlo, Frida --- Koons, Jeff --- Beuys, Joseph --- Sherman, Cindy --- Spero, Nancy --- Rosler, Martha --- Krasner, Lee --- Hesse, Eva --- Art & Language --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- anno 1940-1949 --- Histoire de l'art --- 20e siècle --- Panorama mondial --- Guerrilla Girls [New York, N.Y.] --- Mouvement moderne --- Art, Primitive --- Modernism (Art) - United States --- Art, American - 20th century --- Art - Political aspects - United States --- Art and society - United States - History - 20th century --- kunstsociologie