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Peterson, University of California, Berkeley * Richard M. Sommer, University of Toronto * Dell Upton, University of California, Los Angeles.
Monuments --- Memorialization --- Nationalism and collective memory --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Collective memory and nationalism --- Collective memory --- Memorialisation --- Memorials --- Historical monuments --- Architecture --- Sculpture --- Historic sites --- Public sculpture --- Statues --- Social aspects --- Monuments - United States --- Memorialization - United States --- Nationalism and collective memory - United States --- Art and society - United States
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Cet ouvrage est publié à l'occasion de l'exposition du même nom présentée au musée national de l'Orangerie, Paris, du 12 octobre 2016 au 30 janvier 2017. Les années 1930 voient s'affirmer aux Etats-Unis des artistes considérés parmi les plus grands noms de l'art du XXe siècle, comme Georgia O'Keeffe, Grant Wood ou Edward Hopper.A travers des univers esthétiques différents tels que le régionalisme, le réalisme "social", l'abstraction ou le surréalisme, les artistes américains manifestent les mêmes doutes et les mêmes interrogations suscités par le contexte de la Grande Dépression. Ce catalogue montre comment l'expression de ces questionnements sur l'histoire et l'identité a donné lieu à des formes stylistiques dans lesquelles l'art moderne américain a pris racine et comment s'est construite ce qu'artistes et critiques appellent la "Scène américaine"
Peinture --- Caractère national américain --- Art --- Painting, American --- National characteristics, American, in art --- Art and society --- Peinture américaine --- Art et société --- Catalogues d'exposition. --- Dans l'art --- Aspect social --- Exhibitions. --- History --- Expositions --- Histoire --- Exhibitions --- Painting, American -- 20th century --- --Painting, American -- 20th century --- --Painting, American --- Art, Modern --- Américains dans l'art --- Art moderne --- Social aspects --- Peinture américaine --- Américains dans l'art --- Art et société --- Painting, American - 20th century - Exhibitions --- Art and society - United States - History - 20th century - Exhibitions --- --Painting, American -- 20th century --
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Art and society --- Artists --- Psychology --- -Art and society --- -Artists --- -#SBIB:309H505 --- #SBIB:316.7C210 --- #SBIB:309H240 --- Kunsttheorie ; kunstbeschouwing ; schilderkunst --- Kunst en maatschappij --- 75.01 --- Persons --- Art --- Art and sociology --- Society and art --- Sociology and art --- Code en boodschap: psychologische, psycho-analytische benadering --- Cultuursociologie: kunst: algemeen --- Andere media (theater, plastische kunsten, strips, affiches, speelautomaten...) --- Schilderkunst ; theorie, filosofie, esthetica --- Social aspects --- Psychology. --- #SBIB:309H505 --- Art and society - Europe --- Artists - Europe - Psychology --- Art and society - United States --- Artists - United States - Psychology
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Mural painting and decoration --- Mural painting and decoration, American. --- Community art projects --- Art and society --- Peinture et décoration murales --- Peinture et décoration murales américaines --- Art et société --- Mural painting and decoration, American --- -Street art --- -Art and society --- -Community art projects --- -Mural painting and decoration, American --- -Mural painting and decoration --- Community arts projects --- Peinture et décoration murales --- Peinture et décoration murales américaines --- Art et société --- Mural painting and decoration - - 20th century - - United States --- Street art - - United States --- Art and society - - United States --- Community art projects - - United States
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Situating the theater as a site of broad cultural movements and conflicts, Lisa A. Freeman asserts that antitheatrical incidents from the English Renaissance to present-day America provide us with occasions to trace major struggles over the nature and balance of power and political authority. In studies of William Prynne's Histrio-mastix (1633), Jeremy Collier's A Short View of the Immorality and Profaneness of the English Stage (1698), John Home's Douglas (1757), the burning of the theater at Richmond (1811), and the U.S. Supreme Court's decision in National Endowment for the Arts v. Finley (1998) Freeman engages in a careful examination of the political, religious, philosophical, literary, and dramatic contexts in which challenges to theatricality unfold. In so doing, she demonstrates that however differently "the public" might be defined in each epoch, what lies at the heart of antitheatrical disputes is a struggle over the character of the body politic that governs a nation and the bodies public that could be said to represent that nation.
Theater and society --- Art and society --- Theater --- Art --- Censorship --- Culture conflict --- Social conflict --- History --- Moral and ethical aspects --- Prynne, William, --- Collier, Jeremy, --- Home, John, --- Finley, Karen. --- Miller, Tim, --- Richmond Theater (Richmond, Va.) --- National Endowment for the Arts. --- Fire, 1811. --- Theatrical science --- drama [literature] --- Theater and society - Great Britain - History - Case studies --- Theater and society - United States - History - Case studies --- Art and society - Great Britain - History - Case studies --- Art and society - United States - History - Case studies --- Theater - Moral and ethical aspects - Great Britain - History - Case studies --- Theater - Moral and ethical aspects - United States - History - Case studies --- Art - Moral and ethical aspects - Great Britain - History - Case studies --- Art - Moral and ethical aspects - United States - History - Case studies --- Censorship - Great Britain - History - Case studies --- Censorship - United States - History - Case studies --- Culture conflict - Great Britain - History - Case studies --- Culture conflict - United States - History - Case studies --- Social conflict - Great Britain - History - Case studies --- Social conflict - United States - History - Case studies --- Prynne, William, 1600-1669. Histrio-mastix --- Collier, Jeremy, 1650-1726. Short view of the immorality and profaneness of the English stage --- Home, John, 1722-1808. Douglas --- Finley, Karen --- Miller, Tim, 1958 --- -Theatrical science --- -Theater and society --- drama [discipline]
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This is the final volume in a series of four books about art and its interpretation from the midnineteenth century to the end of the twentieth. The books seek to explain the most important issues confronting any study of modern art, without attempting exhaustive coverage. They present a range of approaches characteristic of current art-historical debates. This fourth volume focuses on art since the 1930s, the main emphasis being on the period since the Second World War.
Modernist --- art theory --- Pop [fine arts styles] --- Minimal --- Abstract Expressionist --- Rosenquist, James --- Caro, Anthony --- Johns, Jasper --- Kosuth, Joseph --- Stella, Frank --- Andre, Carl --- Warhol, Andy --- Noland, Kenneth --- Gorky, Arshile --- Weiner, Lawrence --- Picasso, Pablo --- Olitski, Jules --- Rivera, Diego --- Rauschenberg, Robert --- Burgin, Victor --- Buren, Daniel --- Still, Clyfford --- Long, Richard --- Lichtenstein, Roy --- Smithson, Robert --- Richter, Gerhard --- Rothko, Mark --- Newman, Barnett --- Schnabel, Julian --- Judd, Donald --- Soulages, Pierre --- Kienholz, Edward --- Morris, Robert --- Miró, Joan --- Smith, David --- Léger, Fernand --- Haacke, Hans --- Kiefer, Anselm --- Moore, Henry --- LeWitt, Sol --- Pollock, Jackson --- Kline, Franz --- Guerrilla Girls --- Modernisme (Art) --- Art et société --- Modernisme --- Expressionnisme abstrait --- Paul Wood, Francis Frascina, Jonathan Harris, Charles Harrison --- modernisme --- postmodernisme --- abstract expressionisme --- Land Art --- minimalisme --- Art et société --- Modernism (Art) --- Art and society --- Art, American --- Art --- Art américain --- History --- Political aspects --- Histoire --- Aspect politique --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- 7.01 --- 7.038 --- conceptuele kunst --- cultuur --- ideologie --- kunst --- kunstkritiek --- kunsttheorie --- twintigste eeuw --- Verenigde Staten --- Art styles --- anno 1900-1999 --- Conceptual --- art history --- Salle, David --- Serra, Richard --- Braque, Georges --- Kahlo, Frida --- Koons, Jeff --- Beuys, Joseph --- Sherman, Cindy --- Spero, Nancy --- Rosler, Martha --- Krasner, Lee --- Hesse, Eva --- Art & Language --- anno 1960-1969 --- anno 2000-2099 --- anno 1950-1959 --- anno 1940-1949 --- Histoire de l'art --- 20e siècle --- Panorama mondial --- Guerrilla Girls [New York, N.Y.] --- Mouvement moderne --- Art, Primitive --- Modernism (Art) - United States --- Art, American - 20th century --- Art - Political aspects - United States --- Art and society - United States - History - 20th century --- kunstsociologie
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