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Modernism (Aesthetics) --- Homosexuality and art. --- Art and homosexuality --- Art --- Aesthetics --- History --- Gray, Eileen, --- Gray, Kathleen Eileen Moray, --- Criticism and interpretation. --- Homosexuality and art

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"Pink labor on golden streets: queer art practices is particularly concerned with combining, juxtaposing, or playing off various artistic strategies where form and politics intervene. Two artistic attitudes, often perceived as divergent, are described here: the choice of form attributed to political issues versus political stances dictating the question of form. This book sheds light on contradictory standpoints of queer art practices, conceptions of the body, and ideas of 'queer abstraction, ' a term coined by Jack Judith Halberstam that raises questions to do with (visual) representations in the context of gender, sexuality, and desire"--Page 4 of cover.

Queer theory --- Gender identity in art --- Homosexuality and art --- Gay artists --- Lesbian artists --- Transgender artists --- 7.039 --- 7.01 --- film --- kunst en politiek --- gender studies --- homoseksualiteit --- kunsttheorie --- kunst --- Artists --- Art and homosexuality --- Art --- Gender identity

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Today it is widely recognized that gay men played a prominent role in defining the culture of mid-twentieth-century America, with such icons as Tennessee Williams, Edward Albee, Aaron Copland, Samuel Barber, Montgomery Clift, and Rock Hudson defining much of what seemed distinctly ""American"" on the stage and screen. Even though few gay artists were ""out,"" their sexuality caused significant anxiety during a time of rampant antihomosexual attitudes. Michael Sherry offers a sophisticated analysis of the tension between the nation's simultaneous dependence on and fear of the cultural influence

Arts, American. --- Arts, American - 20th century. --- History. --- Homosexuality. --- Homosexuality - United States. --- Homosexuality and art - United States - History - 20th century. --- Homosexuality and art. --- Homosexuality and art --- Arts, American --- Homosexuality --- Fine Arts - General --- Art, Architecture & Applied Arts --- Same-sex attraction --- Sexual orientation --- Bisexuality --- American arts --- Art and homosexuality --- Art --- History

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Mages of Manhood asks the question: How have gay/queer men in Southeast Asia used images of paradise to construct homes for themselves and for the different ideas of manhood they represent? The book examines how three gay men in Bali, Bangkok, and Singapore have deployed different ideas of "paradise" over the past century to create a sense of refuge and to dissent from typical notions of manhood and masculinity. For the disciplines of queer studies, gender studies, communication, and Southeast Asian studies, it provides (1) a "queer reading" of Walter Spies, a gay German painter who in the 1930s helped turned Bali into an island imagined as an ideal male aesthetic state; (2) a historical account of the absorption of Western notions of romantic heterosexual monogamy in Thailand during the reign of King Rama VI, providing an analysis of his plays, and the subsequent resistance to those notions expressed through an erotic, architectural paradise called Babylon created by a post-World War II Thai named Khun Toc; and (3) an account and analysis of the "cyber-paradise" created by a young Singaporean named Stuart Koe. The book examines their pursuit of sexual justice, the ideologies of manhood they challenged, the different types of gay spaces they created (geographic, architectural, online), and the political obstacles they have encountered. Because of its historical sweep and its focus on the relationship between gay men and ideas of Edenic space, it makes an important contribution to understanding gay/queer life in Southeast Asia.

Web sites for sexual minorities --- Paradise in art. --- Homosexuality and art. --- Gay men --- Paradise (Islam) in art --- Art and homosexuality --- Art --- Gays, Male --- Homosexuals, Male --- Male gays --- Male homosexuals --- Urnings --- Gays --- Men --- Sexual minority Web sites --- Sexual minorities --- Social conditions. --- Khun Toc --- Koe, Stuart --- Spies, Walter --- Influence. --- Thailand --- Bali Island (Indonesia) --- Lesser Sunda Islands --- Civilization --- Western influences. --- In art. --- Bali (Indonesia : Province) --- Provinsi Bali (Indonesia) --- Propinsi Bali (Indonesia)

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"Covering artworks from 2002 to 2017, A Time of One's Own maps a revival of feminism in contemporary art that takes up the creative and political implications of disrupted temporalities to activate "a time of one's own." Catherine Grant shifts Virginia Woolf's spatial metaphor of a "room of one's own" into a temporal register in order to bring together different historical moments of feminist thinking. In doing so, Grant positions reenactments of past feminist projects not just as an art practice, but as a model for a queered feminist art history in which discussions of queer temporalities, feminist histories, and definitions of "the contemporary" and "contemporary art" are refined and politicized. Joining political theorizing and creative imagining from Bertolt Brecht, Walter Benjamin, and Virginia Woolf with theories of queer temporalities, feminist time and 'the contemporary' in art, this book narrates an intentionally incomplete feminist art history that joins real and imagined feminist communities across time and place"--

Feminism and art --- Feminism in art --- Homosexuality and art --- Art --- Feminist theory --- Queer theory --- Gender identity --- Feminism --- Feminist philosophy --- Feminist sociology --- Theory of feminism --- Art and politics --- Politics and art --- Art and homosexuality --- Art and feminism --- Political aspects --- Philosophy --- Feminist criticism --- Feminist art --- History --- Homosexuality --- Queer --- Artists --- Art history --- Sexuality --- Book --- Sociology of the family. Sociology of sexuality --- art history --- feminism --- feminists [people] --- Contemporary [style of art]