Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

A revolutionary, yet utterly practical blueprint for a wiser and better kind of capitalism.

Capitalism. --- Art and business.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"This interdisciplinary collection of case studies rethinks corporate patronage in the United States and reveals the central role corporations have played in shaping American culture. This volume offers new methodologies and models for the subject of corporate patronage, and contains an extensive bibliography on corporate patronage, art collections and exhibitions, sponsorship, and philanthropy in the United States. The case studies herein go beyond the usual focus on corporate sponsorship and collecting to explore the complex organizational networks and motivations behind corporate commissions. Featuring chapters on Margaret Bourke-White, Julie Mehretu, Maxfield Parrish, Pablo Picasso, Diego Rivera, Eugene Savage, Millard Sheets, and Kehinde Wiley, as well as studies on Andrew Carnegie, Andrew Mellon, John D. Rockefeller Sr. and Jr., and Dorothy Shaver, and companies such as Herman Miller and Lord and Taylor, this volume looks at a wide array of works, ranging from sculpture, photography, mosaics, and murals to advertisements, department store displays, sportswear, medical schools, and public libraries."--Bloomsbury Publishing.

Art and business --- Art patronage

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Des contributions dédiées à l'influence réciproque entre le monde de la culture et celui de l'entreprise. Dans la première partie, sont définies les particularités du secteur culturel à différents niveaux. Dans la seconde, les relations entre divers thèmes ou aspects de la création culturelle et le monde économique sont analysées. Avec des cas concrets et des témoignages. ©Electre 2022

Organizational change. --- Creative ability. --- Art and business.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

The relationship between the fine art and the business sphere has never been harmonious; it has been rejected, fought about, ignored, exploited, criticised and questioned, but it is still omnipresent. Commonly assumed to be antagonistic, situating art and the business organisation sphere in the discourses of new knowledge creation and learning, however, holds the potential of exploring new ways of relating the two spheres. This book investigates such potentialities, discussing the limits and challenges of these new forms of relating. It does so by first outlining the changing discourses of the art and business spheres, and how they produce different ways of relating to their respective worlds. Second, it brings into conversation an ethnographic study of an art-business-collaboration organised by two artists with a Deleuzian concept of dialogue. Dialogue, here, is understood as a non-hierarchical encounter developing between two spheres; a source of creation no longer belonging to anyone. In what is here termed "a machinic research framework" - accounting for composition and movement on all scales - the book shows how making connections is a discursive and material practice with expectations and imaginaries playing a central role. It also addresses the paradoxical interplays between losing control and maintaining control in collaborative attempts, between reaching out for the Other and carrying out identity work, and between positions in the centre and in the margins of the highly stratified and codified areas of business organisations and fine art. Eventually, this book examines small dialogical instances that escape the stratifying forces dividing the two worlds, thereby creating a temporary space. It closes with a reflection on the role of research in thinking (and making) new ways of relating the world of fine art and the business organisation sphere.

Art and business --- Business and art --- Business --- E-books --- Art and business.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

"Over the past two decades, the need for legal expertise in the art business has grown exponentially. In this book, Martin Wilson, an art lawyer with more than 20 years' experience in the field, provides a comprehensive and practical guide to the application of UK law to transactions and disputes in the art world. Written in a style that is accessible and informative for lawyers and non-lawyers alike, Art Law and the Business of Art not only outlines and explains the relevant law but also how the art business operates in practice. Chapters cover the full breadth of legal and commercial issues affecting the sale and purchase of art in various contexts such as in auction houses, by museums, and private sales both with and without agents. Other issues such as artists' rights in their work, import and export of artworks, taxation, art disputes, anti-money laundering and sanctions compliance, bribery, and confidentiality and data protection are all examined in detail. Wilson also offers an in-depth discussion of the most pressing ethical questions involving artworks, including Holocaust restitution, ancient art and cultural heritage, and freedom of expression. This book will prove invaluable to lawyers advising on all aspects of art law and many others in the art business, including artists themselves, art dealers, and those working in auction houses and museums. It will also be crucial reading for scholars and students with an interest in art law and business"--

Art and business. --- Art and business --- Law and art. --- Law and art --- Art auctions. --- Great Britain.