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Art markets in Europe, 1400-1800

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Abstract

This group of essays focuses on three main issues: the demand for art, including the range of art objects purchased by various social groups; the conditions of artistic creativity and communication between different producing centres and artistic milieux; and the emergence of art markets which served to link the first two phenomena. The work draws on new research by art historians and economic and social historians from Europe and the United States, and covers the period from the late Middle Ages to the early nineteenth century.

Keywords

kunstmarkten --- 1400 - 1800 --- 15de eeuw --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Europa --- 7.074 "14" --- 7.074 "15" --- 7.074 "16" --- 7.074 "17" --- 7.075 --- 7.078 --- Art --- -Art --- -Art, European --- -Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Kunstverzameling. Activiteiten van verzamelaars--15e eeuw. Periode 1400-1499 --- Kunstverzameling. Activiteiten van verzamelaars--16e eeuw. Periode 1500-1599 --- Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- Kunstverzameling. Activiteiten van verzamelaars--18e eeuw. Periode 1700-1799 --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors managers producers --- Kunstbescherming. Kunstbevordering --- Collectors and collecting --- -History --- -Marketing --- Art, European --- History --- Marketing. --- -Kunstverzameling. Activiteiten van verzamelaars--15e eeuw. Periode 1400-1499 --- 7.078 Kunstbescherming. Kunstbevordering --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors managers producers --- 7.074 "17" Kunstverzameling. Activiteiten van verzamelaars--18e eeuw. Periode 1700-1799 --- 7.074 "16" Kunstverzameling. Activiteiten van verzamelaars--17e eeuw. Periode 1600-1699 --- 7.074 "15" Kunstverzameling. Activiteiten van verzamelaars--16e eeuw. Periode 1500-1599 --- 7.074 "14" Kunstverzameling. Activiteiten van verzamelaars--15e eeuw. Periode 1400-1499 --- -Nouveaux réalistes (Group of artists) --- Art, Modern --- -7.078 Kunstbescherming. Kunstbevordering --- art market --- congres / 1997 --- Economic relations. Trade --- Art européen --- Commercialisation --- Collectionneurs et collections --- Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- 7.075 Kunsthandel. Kunstbemiddeling. Activiteiten van promotors; managers; producers --- Art européen --- Marketing --- History of civilization --- anno 1500-1799 --- anno 1400-1499 --- Europe --- 15th-18th centuries --- kunsthandel --- Art, Primitive --- Art - Europe - Marketing --- Art, European - 15th century --- Art, European - 16th century --- Art - Collectors and collecting - Europe - History - 15th century --- Art - Collectors and collecting - Europe - History - 16th century --- 1400 - 1800. --- 15de eeuw. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Europa.


Book
Unconcealed: the international network of conceptual artists, 1967-77: dealers, exhibitions and public collections
Authors: ---
ISBN: 1905464177 9781905464173 Year: 2009 Publisher: London Ridinghouse

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Abstract

"Unconcealed describes the emergence of Conceptual art in Europe through the growth of an international network of artists, dealers, museum curators, collectors and critics. The publication is a detailed account of the decade 1967-77. The relationships, support structures and strategies of dealer galleries such as Konrad Fischer, Wide White Space and Lisson Gallery to promote artists such as Marcel Broodthaers, Richard Long and Lawrence Weiner, are revealed. The central section of the book brings to life many of the important figures of the art world of this period with a selection of Jacques Charlier's Vernissage des Expositions photographs from 1974-75 that were first shown at the Palais des Beaux-Arts, Brussels in 1975. Previously unpublished data recording the exhibitions and sales of Conceptual artworks to galleries, public institutions and private collections is a major feature of the book. For example, Richard has gathered data from the archives of leading European museums, charting purchases of international artists from dealers to museums, highlighting the power of these relationships. Some of the databases reveal a correlation between temporary exhibitions and museum purchases, suggesting that we need to consider the role of 'dealer-curators' as prime protagonists of this period. Richard's also conducted interviews with dealers, curators, artists and collectors of the period which further highlights the importance of the relationships brought to light in Unconcealed"--Publisher's website.

Keywords

Conceptual art --- Art, European --- Art museums --- Art galleries, Commercial --- Art --- Collectors and collecting --- collecties --- verzamelaars --- Maenz Paul --- Fischer Konrad --- Darboven Hanne --- minimal art --- minimalisme --- Siegelaub Seth --- Lippard Lucy R. --- Sperone Gian Enzo --- Wide White Space --- König Walther --- Op losse schroeven --- When attitudes become form --- Kosuth Joseph --- Huebler Douglas --- Greenwood Nigel --- Wendler Jack --- Ludwig Peter --- Ströher Karl --- Speck Reiner --- Hahn Wolfgang --- Herbig Jost --- Hock Wolfgang --- Matthys Roger --- Peeters Hubert --- Goeminne André --- Perlstein Sylvain --- Fiszman I9si --- Daled herman --- Herbert Annick --- Becht Frits --- Becht Agnes --- van Eelen Herman --- van Eelen Henriëtte --- Visser Martin --- Visser Mia --- Palumbo Peter --- Gordon Max --- Power Ted --- Power Alan --- Rausmüller Urs --- Marzona Egidio --- Baldassare Angelo --- Panza Giuseppe --- Ammann Jean-Christophe --- Charlier Jacques --- De Decker Anny --- Fuchs Rudi --- Harrison Charles --- Honnef Klaus --- Logsdail Nicholas --- Preisig Rolf --- Serota Nicholas --- Szeemann Harald --- Tremlett David --- Daled Herman --- Conceptual art. --- Art museums. --- Art galleries, Commercial. --- Collectors and collecting. --- 7.038 --- Andre Carl --- Art & Language --- Broodthaers Marcel --- Buren Daniel --- concept art --- conceptuele kunst --- Dibbets Jan --- galeries --- Gilbert & George --- kunst --- LeWitt Sol --- Lippard Lucy R --- Long Richard --- Merz Mario --- twintigste eeuw --- Weiner Lawrence --- Art, Conceptual --- Concept art --- Language art (Fine arts) --- Possible art --- Post-object art --- Art, Modern --- Performance art --- Earthworks (Art) --- Sky art --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Commercial art galleries --- Print galleries --- Prints --- Galleries and museums --- Art styles --- anno 1970-1979 --- anno 1960-1969 --- Europe --- Art conceptuel --- Histoire --- Histoire. --- Art, European. --- Ausstellung. --- Concept-art. --- Kunstbetrieb. --- Kunstgalerie. --- Kunsthandel. --- Künstler. --- Soziales Netzwerk. --- Serota, Nicholas. --- 1900-1999. --- Geschichte 1967-1977. --- Europa. --- Europe. --- Art, Primitive --- Conceptual art - Europe --- Art, European - 20th century --- Conceptual art - Europe - Exhibitions --- Art museums - Europe --- Art galleries, Commercial - Europe --- Art - Collectors and collecting - Europe

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