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"With its more than 20-year history, ART+COM continues to play a central role in defining the international forefront of spatial media communication. The studio is setting the standard of excellence in the development of projects at the intersection of art, media, design, and technology. ART+COM is particularly skilled at presenting brands and content both effectively and playfully so that they resonate on an emotional level. A prime example here is the Kinetic Sculpture that the company created for BMW, for which the company has won an impressive range of awards including Clios, a Cannes Lions, Art Directors Club Awards, and a Gold German Design Award. In ART+COM: Media Spaces and Installations the group presents its quintessential work with new media as well as insights based on its perspectives and experience. The book features detailed documentation of projects for clients such as DaimlerChrysler, Esprit, and Deutsche Bank as well as the agencýs own work that has been exhibited at renowned museums including the Centre Pompidou and the Shanghai Art Museum, and at the Venice Biennale. The broad range of examples and comprehensive texts explain concepts, working methods, and implementation. Links to each project lead to specially created websites with additional film and image material. ART+COM: Media Spaces and Installations presents a range of versatile new possibilities offered by the strategic merging of communication, design, and technology and provides a compelling look into the future of new media. It is geared toward anyone who is interested in new media, interactivity, visualization, media art, and the digital world."--Publisher description.
digitale vormgeving --- Advertising. Public relations --- installatiekunst --- Art --- installations [visual works] --- Product strategy --- computer art [visual works] --- New media art. --- Installations (Art) --- Technology and the arts. --- Arts facilities. --- 766.07 --- Performing arts facilities --- Civic centers --- Arts and technology --- Arts --- Installation art --- Art, Modern --- Environment (Art) --- Arts, Modern --- Gebruiksgrafiek ; grafische designers, reclamekunstenaars, typografen, illustrators A-Z --- ART+COM (Firm) --- New media art --- Technology and the arts --- Arts facilities --- 766:659.12 --- 766:725.21 --- 749.07 --- 069.53 --- Communication Design --- Retail design ; winkelinrichtingen --- Present --- Gebruiksgrafiek ; ontwerp en vormgeving van reclame --- Gebruiksgrafiek ; reclame voor winkels, merken --- Meubelontwerpers ; designers ; interieurarchitecten --- Museologie ; collecties ; techniek van het tentoonstellen --- Communication Design ; 1988-2011 ; Art + Com Studios --- Visuele en auditieve communicatie --- Media sculpturen en installaties --- Art+COM (Firm) --- 766.12.07 --- Grafische industrie en ontwerp ; drager ; digitaal ; webdesigners, digitale designers & bedrijven --- 766.31.07 --- Grafische industrie en ontwerp ; beeld ; reclame ; reclamebureau's, copywriters, art directors, reclameschilders ; affichekunstenaars --- kunst en technologie --- kunst en wetenschap
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Iconography --- Art --- art [discipline] --- economics --- Wurm, Erwin --- Afif, Saâdane --- Arad, Ron --- Meese, Jonathan --- Bompas & Parr --- Campana Brothers --- Chadwick, Daniel --- Chalayan, Hussein --- Gerrard, John --- Lee, Tim --- Nendo --- Newson, Marc --- Richardson, Terry --- Sachs, Tom --- Studio Job --- Mendini, Alessandro --- Koons, Jeff --- Anselmo, Frank --- Gaultier, Jean-Paul --- Sherman, Cindy --- Eliasson, Olafur --- Gillick, Liam --- Hirst, Damien --- Kapoor, Anish --- Morris, Sarah --- Schnabel, Julian --- Shrigley, David --- Monk, Jonathan --- Rehberger, Tobias --- Miyake, Issey --- Lagerfeld, Karl --- Lynch, David --- ART+COM --- Byggstudio --- anno 1900-1999 --- anno 2000-2099
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Anderson, Laurie ; ART + COM ; Baumgarten, Lothar ; Byars, James Lee ; Dadson, Philip ; Delvoye, Wim ; Dibbets, Jan ; van Elk, Ger ; Grimonprez, Johan ; Intra, Giovanni ; Kaap, Gerald Van Der ; Killeen, Richard ; Kinoshita, Suchan ; Kleerebezem, Jouke ; McCahon, Colin ; Mullican, Matt ; Mirage, Merel ; Netband ; Paik, Nam June ; Parekowhai, Michael ; Scholte, Rob ; Schuil, Han ; Schum, Gerry ; Shanks, Janet ; Shaw, Jeffrey ; Simmons, Gary ; Smithson, Robert ; Struycken, Peter ; Tillers, Imants ; Tjapaltjarri, Clifford Possum ; Tremlett, David ; Viola, Bill ; Watson, Ruth
Painting --- photography [process] --- computer art [visual works] --- Photography --- Art --- Iconography --- multimedia works --- painting [image-making] --- Elk, van, Ger --- Van Manen, Floris --- Paik, Nam June --- Baumgarten, Lothar --- Mirage, Merel --- van der Kaap, Gerald --- Schuil, Han --- Byars, James L. --- Smithson, Robert --- Watson, Ruth --- Delvoye, Wim --- Viola, Bill --- Shanks, Janet --- Scholte, Rob --- Dadson, Phil --- Intra, Giovanni --- Parekowhai, Michael --- Schum, Gerry --- Tillers, Imants --- Anderson, Laurie --- Tjapaltjarri, Clifford Possum --- Struycken, Peter --- Hurell, Johan --- Kleerebezem, Jouke --- Tremlett, David --- McCahon, Colin --- Kinoshita, Suchan --- Killeen, Richard --- Grimonprez, Johan --- Shaw, Jeffrey --- Mullican, Matt --- Simmons, Gary --- Dibbets, Jan --- Netband --- ART+COM --- anno 1900-1999 --- New Zealand --- Europe --- Netherlands --- Australia --- Kaap, van der, Gerald --- culturele diversiteit (kunst) --- kunst en technologie
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Digital technology now mediates much of our interaction with the world, and a vast majority of the images that we absorb daily come through a screen. The digital comes with its own aesthetic framework that cannot help but colour our experience of the world, and change our expectations of the objects that surround us. As the digital becomes ever more pervasive however, there is also a return to physical experiences that technology cannot satisfy. This is true across sectors, from immersive theatre to vinyl records, and although digital will undoubtedly dominate our future, there are pockets of resistance. This book will look at contemporary artisans who are deeply influenced by the digital world in which we live, but who reject processes such as 3D printing as a final output. Inspired by the internet and a screen-based aesthetic, they choose to craft things by hand, rendering a postdigital mindset in tactile materials, such as metal, glass and wood. It represents a return to the physical in the digital age.
7.039 --- Beeldende kunst ; artisanaal ; 2010-2015 --- Ambachtelijke producten en hun makers ; 21ste eeuw --- Post-digitale kunst ; met gebruik van digitale ontwerptechnieken --- 705.9 --- Lichaam (Menselijk lichaam) --- van der Wiel, Jolan --- Shotz, Alyson --- Berrada, Hicham --- Carnovsky --- Mann, Geoffrey --- Henze, Eno --- Kahn, Ned --- Sungfeel, Yun --- Nakanishi, Nobuhiro --- The Unseen --- Krisar, Anders --- Hess, Bart --- Demetz, Gehard --- Piensa, Jaume --- Recht, Sruli --- Ball, Barry X --- Takeda, Maiko --- Oliver, Marilene --- Hongbo, Li --- Dupont, Richard --- Zawada, Jonathan --- Brener, Amy --- Tolino, Aldo --- Crabtree and Evans --- Novitskova, Katja --- Staniak, Michael --- de Joode, Rachel --- Seidel, Robert --- Libertiny, Tomas --- Jerram, Luke --- ArandaLasch --- Morgan, Claire --- Ahmed, Faig --- Ghi Bahk, Seon --- Nawa, Kohei --- Miebach, Nathalie --- Nucleo --- Stearns, Phillip --- Wolfe, Thaddeus --- Choi, Jeongmoon --- DiMichele, David --- Art+Com Studios --- Ho Suh, Do --- Shiota, Chiharu --- Loop.pH --- Numen/For Use --- Roxy Pain --- Zimoun --- Kempinas, Zilvinas --- Oliveira, Henrique --- Arsham, Daniel --- Audi, Flavie --- Yoshioka, Tokujin --- Verhoeven, Jeroen --- Mori, Junko --- Matter Design --- Walsh, Joseph --- Brown, Rogan --- Wang, Zhan --- Kunstgeschiedenis ; 2000 - 2050 --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- ArandaLasch
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Oliver Grau ; translated by Gloria Custance --- kunst --- illusionisme --- eenentwintigste eeuw --- twintigste eeuw --- computerkunst --- kunst en technologie --- nieuwe media --- cultuurfilosofie --- film --- virtual reality --- virtuele realiteit --- perspectief --- trompe-l'oeil --- panorama's --- von Werner Anton --- cinerama --- sensorama --- expanded cinema --- 3D --- Ominimax --- IMAX --- ART+COM --- Benayoun Maurice --- Davies Charlotte --- Fleischmann Monika --- Goldberg Ken --- Hegedues Agnes --- Kac Eduardo --- Knowbotic Research --- Mignonneau Laurent --- Naimark Michael --- Penny Simon --- Plewe Daniela --- Sermon Paul --- Shaw Jeffrey --- Sims Karl --- Sommerer Christa --- Strauss Wolfgang --- ruimte --- ruimtelijkheid --- immersive art --- oudheid --- Avignon --- Chambre du Cerf --- Peruzzi Baldassare --- Ferrari Gaudenzia --- Barker Robert --- von Helmholtz Hermann --- Monet Claude --- Prampolini Enrico --- 791.5 --- 7.03 --- 7.01 --- Art and electronics. --- Computer art. --- Panoramas. --- Virtual reality in art. --- Art and electronics --- Art et électronique --- Art par ordinateur --- Computer art --- Computerkunst --- Electronics and art --- Electronique et art --- Elektronica en kunst --- Kunst en elektronica --- Panorama's --- Panoramas --- Réalité virtuelle dans l'art --- Virtual reality in art --- Virtuele werkelijkheid in de kunst --- Cosmoramas --- Cycloramas --- Diorama --- Art, Computer --- Computer craft --- Digital art --- New media art --- Electronics
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Art --- audiovisual materials --- video recordings [physical artifacts] --- multimedia works --- community art --- computer art [visual works] --- new media art --- kunst en technologie --- Davies, Char --- Horn, Rebecca --- Paterson, Nancy --- Ascott, Roy --- Boyle, Mark --- Oppenheim, Dennis --- Paik, Nam June --- Gabo, Naum --- Hiller, Susan --- Flanagan, Mary --- Takis --- Adrian X --- Allen, Rebecca --- Back, Douglas --- Batchen, Geoffrey --- Béar, Liza --- Benayoun, Maurice --- Haacke, Hans --- Bookchin, Natalie --- Braey, Shawn --- Bunting, Heath --- Burnham, Jack --- Chu-Yin Chen --- Claus, Jürgen --- Munari, Bruno --- Fontana, Lucio --- Couchot, Edmond --- Courchesne, Luc --- Cox, Donna --- Crandall, Jordan --- Csuri, Charles --- Agostino, d', Peter --- Davis, Douglas --- Dean, Max --- Deck, Andy --- Demarins, Paul --- Dietz, Steve --- Dove, Toni --- Dunning, Alan --- Dupuy, Jean --- Edmondson, Bill --- Fleischmann, Monika --- Franke, Herbert W. --- Fujihata, Masaki --- Gabriel, Ulrike --- Gees, Johannes --- Gillette, Frank --- Granular=Synthesis --- Grey, Michael Joaquin --- Hansen, Mark --- Harmon, Leon D. --- Harris, Jonathan --- Hills, Joan --- Ikeda, Ryoji --- Lucier, Mary --- Miller, Paul D. --- Woodrow, Paul --- Cage, John --- Artaud, Antonin --- Brecht, Bertolt --- Merz, Mario --- Viola, Bill --- Rauschenberg, Robert --- Pevsner, Antoine --- Piene, Otto --- Sonnier, Keith --- Schöffer, Nicolas --- Cohen, Harold --- Graham, Dan --- Holzer, Jenny --- Eliasson, Olafur --- Turrell, James --- Flavin, Dan --- Mori, Mariko --- Mullican, Matt --- Nauman, Bruce --- Huyghe, Pierre --- Burden, Chris --- Burson, Nancy --- Campbell, Jim --- Levine, Les --- Oursler, Tony --- Gordon, Douglas --- Vostell, Wolf --- Weibel, Peter --- Stelarc --- Anderson, Laurie --- Campus, Peter --- ART+COM --- c a l c --- Groupe de recherche d'art visuel [Paris] --- Architecture Machine Group --- Arterial Group --- Asociacion Arte Concreto Invención --- Barbie Liberation Organization --- Blast Theory [Brighton] --- Chaos Computer Club --- Critical Art Ensemble --- Diller Scofidio + Renfro [New York, N.Y.] --- Dumb Type [Kyoto] --- EAT --- Chen, Chu-Yin
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This book investigates the state of panoptic art at a time when issues of security and civil liberties are on many people's minds. Traditional imaging and tracking systems have given way to infinitely more powerful "dataveillance" technologies, as an ever-evolving arsenal of surrogate eyes and ears in our society shifts its focus from military to domestic space. Taking as its point of departure an architectural drawing by Jeremy Bentham that became the model for an entire social regime, CTRL [SPACE] looks lat the shifting relationships between design and power, representation and subjectivity, imaging and oppression from the eight-teenth to twenty-first centuries. From the photographs taken with hidden cameras by Walker Evans and Paul Strand in the early twentieth century to the appropriation of military satellite technology by Marko Peljhan a hundred years later, the works of a wide range of artists have explored the dynamics of watching and being watched. Andy Warhol, Bruce Nauman, Dan Graham, Rem Koolhaas, Michel Klier, Thomas Ruff, Pierre Huyghe, Sophie Calle, Julia Scher, Diller + Scofidio, Peter Weibel, and Yoko Ono are among the artists whose panoptical preoccupations are featured here. This is the first state-of-the-art survey of the full range of panopticism - in digital culture, architecture, video, painting, photography, conceptual art, cinema, installation work, television, robotics, and satellite imaging.
Art --- Mass communications --- Thema's in de kunst ; controle ; observatie ; Big Brother --- Real Time film ; video ; reality TV --- Panoptische kunst --- Elektronische informatietechnologie ; databanken --- Beeldcultuur ; audio-visuele media --- International Media Art Award --- Tentoonstellingscatalogi ; Karlsruhe ; Center for Art and Media ; ZKM --- 7.049 --- 7.01 --- (069) --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- (Musea. Collecties) --- ed. by Thomas Y. Levin, Ursula Frohne, and Peter Weibel --- kunst --- twintigste eeuw --- bewaking --- satelliettechnologie --- politiek --- kunst en politiek --- dataveillance --- waarneming --- Big Brother --- Nauman Bruce --- Graham Dan --- Weibel Peter --- Schneider Ira --- Gillette Frank --- Klier Michael --- Luhmann Niklas --- Ruff Thomas --- Stein Lewis --- straf --- bestraffing --- Farocki Harun --- Virilio Paul --- Bentham Jeremy --- Koolhaas Rem --- Dahlberg Jonas --- Langlands & Bell --- Thiel Frank --- Colomer Henry --- bewakingssystemen --- Todorovic Zoran --- veiligheid --- staatsveiligheid --- Echelon --- Stasi --- Leccia Ange --- Schleime Cornelia --- Korpys/Löffler --- Stih & Schnock --- Klauke Jürgen --- Chip Lord --- Lord Chip --- Mélian Michaela --- panopticum --- Burgin Victor --- Warhol Andy --- narcisme --- Huyghe Pierre --- Scher Julia --- Crandall Jordan --- Alpern Merry --- Haagsma Harco --- Marketou Jenny --- Lundin Ulf --- Mayer H. Jürgen --- Deleuze Gilles --- architectuur --- kunst en architectuur --- 3D --- Deutsch David --- Naldi Pat --- Kirkup Wendy --- Diller+Scofidio --- Roth Daniel --- Mihaltianu Dan --- GRAFT --- NYCLU --- New York Civil Liberties Union --- visomat --- visomat inc. --- Baltz Lewis --- Acconci Vito --- Lennon John --- Ono Yoko --- Calle Sophie --- Kurgan LAura --- Bush Paul --- Art+Com --- Peljhan MArko --- Lowenberg Richard --- cybernetica --- panopticisme --- Baudrillard Jean --- Wagg jamie --- Froese Dieter --- Petit Chris --- Dijkman Bart --- Caviezel Kurt --- Komen A.P. --- Murphy Karen --- G.R.A.M. --- Bonde Niels --- Siden Ann-Sofi --- reality tv --- videobewaking --- reclame --- reclamevormgeving --- film --- narratologie --- Cornwell Peter --- Bureau of Inverse Technology --- Institute for Applied Autonomy --- I.A.A. --- Beaubois Denis --- Guess Jeff --- Mühlenbrock Heiner --- Surveillance Camera Players --- Bacher Luiz --- Haddock Jon --- Ra'ad Walid --- design --- cultuurfilosofie --- gevangenissen --- 7.038 --- 130.2 --- 791.5 --- visomat inc --- Komen A.P --- G.R.A.M --- I.A.A --- Multimedia (Art) --- Electronic surveillance --- Multimedia (Art) - Exhibitions --- Electronic surveillance - Art
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Iconography --- Art --- installations [visual works] --- interactive art --- kunst en technologie --- kunst en wetenschap --- Kitchen Budapest --- KMA --- Les éditions volumiques --- Lummo --- Mediaarchitecture --- Meso Digital Interiors --- mischer'traxler studio --- Neustart Corporate Medialab --- Office for Metropolitan Architecture --- Oriko --- Oscar Diaz Studio --- Rotem Studio --- Sifteo --- Signal to Noise --- Silent Studios --- Sonic Development --- Sosolimited --- Strukt Design Studio --- studio klv --- Swamp --- TacTable --- Trikoton --- Ahn, Keehyun --- Baecker, Ralf --- Bartholl, Aram --- Bassi, Andrea --- Beesley, Philip --- Berk, Jed --- Bertran, Ishac --- Bircher, Martin --- bitsbeauty --- Boeck, Andrea --- Bowen, David --- Brevet, Thibault --- Casalegno, Mattia --- Cod.Act --- Comkee --- Boeck, De, Christoph --- De Rosso, Luco --- Design I/O --- Dierichs, Tillmann --- Elsholz, Stefanie --- Everyoneelse --- Fiedler, Steffen --- Fietzek, Frank --- Flückiger, Michael --- Friedemann Heuer, Jonas --- Gergwerk --- Gomez de Llarena, Carlos J. --- Goods, Dan --- Graef, Jürgen --- Griffiths, Joseph L. --- Habbyshaw, Ryan --- Hafermaas, Nikolaus --- Hardmood Beck, Felix --- Hilsing, Silke --- Hoang, Phu --- Hoang, Rachely --- Hojmose, Anders --- Iannicelli, Marco --- Kaufman, Gregory --- Keller, Christiane --- Kim, Jihyun --- Kison, Markus --- Koblin, Aaron --- Kunz, Nicolas --- Kuzaj, Stefan --- Lee, Minsoo --- Lerner, Markus --- Light Surgeons, The --- Lloret, Javier --- Loesslein, Roland --- Lozano-Hemmer, Rafael --- Luge, Martin Kim --- Lui, Justin --- Marxen, Simon --- Mathy, Robert --- Maus, Benjamin --- Meindertsma, Christien --- Meister, Boris --- Moura, Leonel --- Notzold, Paul --- Orellana, Fernando --- Pearlman, Dan --- Popp, Julius --- Posselt, Torsten --- Precisely, Envis --- Rallo, Gerard --- Ronde Thielke, Sebastian --- Rorke, Tiago --- Roy, Niklas --- Rozin, Daniel --- Schiessl, Simon --- Schissler, Martin --- Stubbe, Andre --- Stumreich, Kathrin --- Suominen, Jari --- Suzuki, Yuri --- Telhan, Orkan --- Unheilbar Architektur --- Vanderlin, Todd --- Völker, Nils --- Bismarck, von, Julius --- Vorreiter, Felix --- Waldemeyer, Moritz --- Wilhelmer, Richard --- Wilhelmsen, Siren Elise --- Wilshen, Oliver --- Winker, Jochen --- Winters, Uli --- Yavuz, Mahir --- Zananiri, Elie --- Zimoun --- Electroland --- Flong --- Jenhui Liao --- Campbell, Jim --- Studio Roosegaarde [Rotterdam] --- LAb[au] --- ART+COM --- Aether Architecture --- AnLstudio --- Ars Electronica Futurelab [Linz] --- Atelier Markgraph --- Bureau des Mésarchitectures --- Cinimod Studio --- Copenhagen Institute of Interactive Design --- Graffiti Research Lab --- Greyworld --- Informationlab --- TROIKA --- TheGreenEyl --- United States of Design --- United Visual Artists [London] --- VR/Urban --- Whitevoid --- YesYesNo --- rAndom International --- B-human --- Congaz --- Field --- Fishing for Compliments --- Flying Saucer --- Found Electronics --- Immediate Remote Interaction Systems
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Thanks to the omnipresence of computers, cell phones, gaming systems, and the internet, a broad audience has traded its past reservations against technology for an almost insatiable curiosity for all things technical. Against this background, unprecedented new tools and possibilities are opening up for the world of design. In addition to sketchbooks and computers, young designers are increasingly using programming languages, soldering irons,sensors, and microprocessors as well as 3D milling or rapid prototyping machines in their work. The innovative use of powerful hardware and software has become affordable and, most of all, much easier to use. Today, the sky is the limit when it comes to ideas for experimental media, unconventional interfaces, and interactive spatial experiences. A Touch of Code shows how information becomes experience. The book examines how surprising personal experiences are created where virtual realms meet the real world and where dataflow confronts the human
Art --- installatiekunst --- anno 2000-2099 --- Installations (Art) --- Interactive art --- Art and technology --- Multimedia (Art) --- Computer art --- Video art --- Sound in art --- Technologie et art --- Installation-art --- Art vidéo --- Multimédia --- Art contemporain --- Rapport art-architecture --- kunst --- twintigste eeuw --- eenentwintigste eeuw --- technologie --- kunst en technologie --- interactiviteit --- interactieve kunst --- interactieve media --- installaties --- computerkunst --- computers --- design --- kunst en design --- Aether architecture --- Boeck Andrea --- Jihyun Kim --- Lui Justin --- Bartholl Aram --- Ars electronica futurelab --- art+com --- Atelier Markgraph --- Meso digital interiors --- interieurvormgeving --- B-human --- bitsbeauty --- Bureau des mésarchitectures --- architectuur --- kunst en architectuur --- Gomez Carlos J. --- Keller Christiane --- De Boeck Christoph --- Cinimod studio --- Cod.act --- Congaz --- Copenhagen institute of interactive design --- interactief design --- Rozin Daniel --- Pearlman Dan --- Bowen David --- Design I/O --- Electroland --- Zananiri Elie --- Envis precisely --- Everyoneelse --- Hojmose Anders --- Ronde Thielke Sebastian --- Vorreiter felix --- Orellana Fernando --- The light surgeons --- Field --- Fishing for compliments --- Flong --- Flying saucer --- Found electronics --- Fietzek Frank --- Winters Uli --- Rallo Gerard --- Gergwerk --- Kaufman Gregory --- Graffiti research lab --- Greyworld --- Id3d-Berlin-Themengestaltung --- Immediate remote interaction systems --- Informationlab --- Betran Ishac --- Berk jed --- Liao Jenhui --- Campbell Jim --- Friedemann Heuer Jonas --- Graef Jürgen --- Griffiths Joseph L. --- Popp Julius --- von Bismarck Julius --- Maus Benjamin --- Stumreich Kathrin --- Ahn Keehyun --- Lee Minsoo --- AnLstudio --- Kitchen Budapest --- KMAst --- LAb[au] --- Moura Leonel --- Les éditions volumiques --- De Rosso Lucca --- Lummo --- Yavuz Mahir --- LLoret Javier --- Iannicelli Marco --- Kison Markus --- Lerner Markus --- Stubbe André --- Bircher Martin --- Kim Luge Martin --- Casalegno Mattia --- Mediaarchitecture --- mischer'traxler --- Waldemeyer Moritz --- Hafermaas Nikolaus --- Goods Dan --- Koblin Aaron --- Roy Niklas --- Suominen Jari --- Völker Nils --- Meindertsma Christien --- Neustart corporate medialab --- Kunz Nicolas --- Flückiger Michael --- Wilshen Oliver --- OMA international --- Oriko --- Telhan Orkan --- Oscar Diaz studio --- Suzuki Yuri --- Beesley Philip --- Hoang Phu --- Rachely Rotem studio --- Notzold Paul --- Lozano-Hemmer Rafael --- Baecker Ralf --- rAndom international --- Wilhelmer Richard --- Mathy Robert --- Loesslein Roland --- We ain't plastic --- Habbyshaw Ryan --- Vanderlin Todd --- Sifteo --- Signal to noise --- Silent sudios --- Hilsing Silke --- Marxen Simon --- Schiessl simon --- Hardmood Beck Felix --- Bassi Andrea --- Wilhelmsen Siren Elise --- Sonice development --- Sosolimited --- Kuzaj Stefan --- Winker Jochen --- Fiedler Steffen --- Comkee --- Strukt design studio --- Unheilbar Architektur --- kunst en wetenschap --- studio klv --- Studio Roosegaarde --- Swampe --- Rorke Tiago --- Tac table --- ThegreenEyl --- Brevet Thibault --- Meister Boris --- Dierichs Tillmann --- Elsholz Stefanie --- Schissler Martin --- Posselt Torsten --- Trikoton --- Troika --- United states of design --- United visual artists --- Vr/urban --- Wandern im Wissen --- Whitevoid --- YesYesNo --- Zimoun --- 745.039 --- 7.039 --- 791.5 --- Gomez Carlos J --- Griffiths Joseph L --- Electronic art --- Experimental television --- Art, Modern --- Performance art --- Television --- Experimental films --- Multi media (Art) --- Arts --- Participatory art --- Social practice (Art) --- Installation art --- Environment (Art) --- Art, Computer --- Computer craft --- Digital art --- New media art --- Technology and art --- Technology --- Time-based art --- Installations (Art) - 21st century. --- Interactive art - 21st century. --- Art and technology - 21st century. --- Multimedia (Art) - 21st century. --- Computer art - 21st century. --- Video art - 21st century. --- Sound in art - 21st century.
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hedendaagse kunst --- Contemporary [style of art] --- Art --- anno 1900-1999 --- anno 2000-2009 --- Computer art. --- Art and technology. --- Digital media. --- 7.039 --- 778.5 --- Beeldende kunst ; 20ste en 21ste eeuw --- Communication Art --- Computerkunst ; technologie in de kunst --- Digitale kunsten ; vrije --- Elektronische media --- Elektronische muziek --- Kunst en communicatie --- Kunst en elektronica --- Laserkunst ; holografie --- Media Art --- Multimedia --- Robots --- Simulation Art --- Videokunst ; installaties --- Virtual reality --- Web Art ; webkunst ; internetkunst ; Net Art --- 791.5 --- Adrian Robert --- Allen Rebecca --- Anderson Laurie --- Architecture machine group --- Art + Com --- Artaud Antonin --- Arterial Group --- Ascott Roy --- Asociacion arte concreto invencion --- Auzina Ieva --- Back Doug --- Barbie Liberation Organization --- Batchen Geoffrey --- Bear Liza --- Benayoun Maurice --- Blast theory --- Bonacic Vladimir --- Bookchin Natalie --- Boyle Mark --- Brecht Bertolt --- Brixey Shawn --- Bunting Heath --- Burden Chris --- Burnham Jack --- Burson Nancy --- Cage John --- Campbell Jim --- Campus Peter --- Chaos computer club --- Chu-yin Chen --- Claus Jürgen --- Cohen Harold --- Couchot Edmond --- Courchesne Luc --- Cox Donna J. --- Crandall Jordan --- Critical art ensemble --- Csuri Charles --- D'Agostino Peter --- DJ Spooky --- Davies Char --- Davis Douglas --- Dean Max --- Deck Andy --- Demarins Paul --- Dietz Steve --- Diller + Scofidio --- Dove Tony --- Dumb Type --- Dunning Alan --- Dupuy Jean --- E.A.T. --- Edmondson Bill --- Eliasson Olafur --- Fernandez Maria --- Flanagan Mary --- Flavin Dan --- Fleischmann Monika --- Fléri Louis --- Fontana Lucio --- Franke Herbert W. --- Fujihata Masaki --- Gabo Naum --- Gabriel Ulrike --- Gees Johannes --- Gillette Frank --- Gordon Douglas --- Graham Dan --- Granular Synthesis --- Grav --- Grey Michael Joaquin --- Haacke Hans --- Hansen Mark --- Harmon Leon --- Harris Jonathan --- Harwood Graham --- Hawkinson Tim --- Hayles N. Katherine --- Hegedüs Agnes --- Hershman Leeson Lynn --- Higgins Dick --- Hill Gary --- Hiller Susan --- Hills Joan --- Hinterding Joyce --- Hocking Ralph --- Holzer Jenny --- Horn Rebecca --- Huhtamo Erkki --- Huyghe Pierre --- I/O/D --- IAA --- Ihnatowicz Edward --- Ikam Catherine --- Ikeda Ryoji --- Iwai Toshio --- Jeremijenko Natalie --- Jonas Joan --- Kac Eduardo --- Kamvar Sep --- Kawaguchi Yoichiro --- Kepes Gyorgy --- Klüver Billy --- Knowbotic Research --- Knowlton Kenneth --- Kosice Gyula --- Kowalski Piotr --- Krebs Rockne --- Krueger Myron --- La pocha nostra --- Laposky Ben --- Laurel Brenda --- Lazzarini Robert --- Le Corbusier --- Legrady George --- Levin Golan --- Levine Les --- Livingston Jane --- Lozano-Hemmer Rafael --- Lucier Mary --- Lyotard Jean-François --- MIT media lab --- Macmurtrie Chico --- Malina Frank --- Mallary Robert --- Mann Steve --- Manovich Lev --- Marclay Christian --- Maris Bastiaan --- McCray Marilyn --- Memmott Talan --- Merz Mario --- Mignonneau Laurent --- Mikami Seiko --- Miller Paul --- Minujin Marta --- Miyajima Tatsuo --- Moholy-Nagy Laszlo --- Mori Mariko --- Mullican Matt --- Munari Bruno --- Muntadas Antonio --- Naimark Michael --- Nake Frieder --- Napier Mark --- Nauman Bruce --- Nechvatal Joseph --- Necro Enema Amalgamated --- Negroponte Nicholas --- Nideffer Rob --- Novak Marcos --- Openended Group --- Oppenheim Dennis --- Oursler Tony --- Packer Randall --- Paik Nam June --- Palatnik Abraham --- Paterson nancy --- Pauline Mark --- Penny Simon --- Pevsner Anton --- Piene Otto --- Piper Keith --- Polak Esther --- Ponton European Media Arts Lab --- Popper Frank --- Prophet Jane --- Pulsa --- Rajah Niranjan --- Ramiro Mario --- Rath Alan --- Rauschenberg Robert --- Rees Michael --- Reichardt Jasia --- Richards Catherine --- Rinaldo Ken --- Rogala Miroslaw --- Rokeby David --- Rubin Ben --- SKB Prometei --- Sandin Dan --- Sayre Rick --- Scher Julia --- Schneemann Carolee --- Schneider Ira --- Schwartz Barry --- Schwartz Lillian --- Schöffer Nicolas --- Scott Jill --- Seaman Bill --- Seawright James --- Selley Gordon --- Sermon Paul --- Shannon Thomas --- Sharp Willoughby --- Shaw Jeffrey --- Sheridan Sonia Landy --- Sherman Tom --- Shulgin Alexei --- Sims Karl --- Siña Alejandro & Moira --- Sommerer Christa --- Sonnier Keith --- Sponge & Foam --- Stelarc --- Strachan Tavares --- Strauss Wolfgang --- Strickland Rachel --- Studio Azzurro --- Subrosa --- Symbiotica --- Takis --- Tanaka Atsuko --- Tenhaaf Nell --- Tsai Wen-Ying --- Turrell James --- Van Gogh TV --- Vanderbeel Stan --- Varèse Edgar --- Vasulka Steina --- Vasulka Woody --- Vesna Victoria --- Viola Bill --- Vorn Bill --- Vostell Wolf --- Ward Adrian --- Weibel Peter --- White Norman --- Whitney James --- Wilfred Thomas --- Wise Howard --- Wohlgemuth Eva --- Woodrow Paul --- Xenakis Iannis --- Yalkut Jud --- Youngblood Gene --- computerkunst --- digitale kunst --- eenentwintigste eeuw --- elektronische kunst --- kunst en technologie --- kunst --- muziek --- nieuwe media --- twintigste eeuw --- 705.81 --- 705.9 --- conceptuele kunst --- videokunst --- Kunstgeschiedenis ; 2000 - 2050 --- Kunst nieuwe technieken ; video, laser, computer, klank, ... --- kunstgeschiedenis, videokunst --- kunst; algemeen ; beeldende kunst; algemeen ; 21e eeuw --- Digital art. --- Elektronische Medien --- Kunst --- Medienkunst --- Netzkunst --- Elektronische Medien. --- Kunst. --- Medienkunst. --- Netzkunst. --- Art and technology --- Digital art --- Digital media --- Cox Donna J --- E.A.T --- Franke Herbert W --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Art, Computer --- Computer craft --- New media art --- Technology and art --- Technology --- Kunst nieuwe technieken ; video, laser, computer, klank, .. --- Kunst nieuwe technieken ; video, laser, computer, klank, . --- Kunst nieuwe technieken ; video, laser, computer, klank,
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