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Art éphemère --- Goldsworthy, Andy, 1956-

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Andy Goldsworthy est un artiste mondialement reconnu pour son travail éphémère et permanent avec la nature, le land art. Il y a 16 ans, de sa rencontre avec le réalisateur Thomas Riedelsheimer est né le succès mondial Rivers and Tides. Entre 2013 et 2016, les deux hommes sont repartis à l'aventure. On découvre comment Andy Goldsworthy s'introduit lui même dans ses oeuvres, comment son travail devient à la fois plus fragile et plus personnel, plus sévère et plus difficile, incorporant des machineries massives et des équipes importantes sur de plus gros projets. Penché dans le vent est un voyage créatif qui nous mène d'Edimbourg à la réserve d'Ibitipoca au Brésil, du sud de la France à la Nouvelle-Angleterre.

Art éphemère --- Végétal --- Land art --- Goldsworthy, Andy, 1956-

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Au cœur de certains des plus importants jardins du XVIe siècle se dressaient des monticules artificiels représentant le Parnasse. L’artéfact de la fausse montagne sera par la suite décliné en de multiples occasions et sous des formes pour le moins inattendues, aussi bien dans le cadre des festivités baroques, avec leurs montagnes éphémères, que lors des cérémonies de la Grande Révolution qui réunirent d’immenses foules autour de fausses montagnes dédiées à l’Être Suprême. Volcan factice, pyramide initiatique, monticule pittoresque imitant la Nature, amas de déchets ou cime ultratechnique des parcs d’attractions contemporains, la montagne artificielle a traversé les siècles. En s’intéressant aux variations de cette construction hautement symbolique, Michael Jakob propose un parcours passionnant à travers un paysage où chaque éminence est autant une masse de matière architecturée que le réceptacle signifiant des enjeux majeurs de son époque.

Symbolism in architecture --- Mountains --- Ephemeral art --- Symbolic aspects --- Constructions de jardins. --- Monuments de jardins. --- Art éphémère. --- Symbolisme en architecture.

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OCEANS attends to the inextricable human and nonhuman agencies that affect and are affected by the sea and its running currents within contemporary art and visual culture. Oceans cover more than 70 percent of the Earth's surface, dividing and connecting humans, who carry saltwater in their blood, sweat and tears. They also represent a powerful nonhuman force, rising, flooding, heating and raging in unprecedented ways as the climate crisis unfolds. Artists have envisioned the sea as a sublime wilderness, home to mythical creatures and bizarre species, a source of life and death, a site of new beginnings and tragic endings, both wondrous and disastrous. From migration to melting ice caps, the sea is omnipresent in international news and politics, leaking into popular culture and proliferating in recent art and exhibitions. This anthology gathers artists and writers to address the ocean not only as a theme but as a major agent of artistic and curatorial methods.

Art --- art theory --- oceans --- Contemporary [style of art] --- climate change --- Sea in art --- kunst --- 7.01 --- kunsttheorie --- iconologie --- iconografie --- twintigste eeuw --- eenentwintigste eeuw --- zeeën --- oceanen --- ecologie --- kunst en ecologie --- 7.043 --- zeegezichten --- marineschilderkunst --- biologie --- natuur --- kunst en natuur --- Ocean in art --- oceans [marine bodies of water] --- narrative art --- curators --- Art, Modern --- Eau --- Art contemporain --- Changement climatique --- Risque naturel --- Collapsologie --- Climatologie --- Art éphémère

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Essays explore contemporary artists' engagement with destruction, and how it has disrupted the perceived integrity of built structures and institutions. The effects and meanings of destruction are central to the work of many of our most influential artists. Since the early 1960s, artists have employed destruction to creative ends. Here destruction changes from a negative state or passive condition to a highly productive category. The destructive subversion of media imagery aims to release us from its controlling effects. The self-destructing artwork extinguishes art's fixity as arrested form and ushers in the ephemeral and contingent "open work." This anthology explores artworks that convey the threat of destruction an how they have disrupted the perceived integrity of built structures and institutions. Artistic acts of iconoclasm or risk to the self have raised consciousness of authoritarian oppression. More understated works explore the theme of destruction in armed conflict, media violence, and threats to the environment. These text make up the first collection to be focused systematically on destruction in modern and contemporary art. Artists surveyed include Ai Weiwei, John Baldessari, Monica Bonvicini, Alexander Brener, Stuart Brisley, Douglas Gordon, Huang Yong Ping, Enrique Jezik, Milan Knizak, Paul McCarthy, Piero Manzoni, Gordon Matta-Clark, Gustav Metzger, Otto Mühl, Yoko Ono, Raphael Montañez Ortiz, Petr Pavlensky, William Pope.L, Walid Raad, Arnulf Rainer, Robert Rauschenberg, Carolee Schneemann, Song Dong, Jean Tinguely, Wolf Vostell. Writers include Alain Badiou, Walter Benjamin, Horst Bredekamp, Carolyn Christov-Bakargiev, Medina Cuauthémoc, Dario Gamboni, Richard Galpin, Caleb Kelly, Bruno Latour, Sven Lütticken, Antonio Negri, Sophie O'Brien, Kristine Stiles, Jennifer Walden.

Auto-destructive art --- destruction --- Art --- thema's in de kunst --- Contemporary [style of art] --- art theory --- Art, Modern. --- Cinematography --- Photography, Artistic --- Iconographie --- Art contemporain --- Processus de création --- Création artistique --- Cinéma --- Photographie --- Whitechapel Art Gallery --- destruction [process] --- Destruction art --- kunst --- 130.2 --- 7.039 --- 7.01 --- kunst en politiek --- 7.038/039 --- 7.038 --- cultuurfilosofie --- kunsttheorie --- twintigste eeuw --- eenentwintigste eeuw --- destructie --- geweld --- oorlog --- vernietiging --- destructiviteit --- Art, Modern --- Technique --- Beeldende kunst ; 20ste eeuw ; destructie en creatie --- Auto-Destructive Art, ADA --- Kunst ; theorie, filosofie, esthetica --- Art éphémère