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book (14)


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Book
Art populaire Yougoslave : 9-27 février 1952, Palais des beaux-arts, Bruxelles
Authors: --- ---
Year: 1952 Publisher: Bruxelles : Ministère de l'instruction publique,

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Keywords

Art, Yugoslav


Book
Hedendaagse tendensen in de Joegoslavische kunst in de Koninklijke Musea voor schone kunsten van België : Brussel, 22 februari-26 maart 1979
Authors: ---
Year: 1979 Publisher: Brussels : s.n.,

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Art, Yugoslav


Book
Peintres et sculpteurs naïfs de Yougoslavie.
Year: 1971 Publisher: Charleroi : Palais des beaux-arts,

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Book
Peintres et sculpteurs naïfs de Yougoslavie.
Year: 1971 Publisher: Charleroi : Palais des beaux-arts,

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Book
Die Kunst der Naiven in Jugoslawien
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Year: 1966 Publisher: Belgrado : Jugoslavija,

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Book
Die Kunst der Naiven in Jugoslawien
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Year: 1963 Publisher: Leipzig : Seemann-Verlag,

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Book
L'Art en Yougoslavie de la préhistoire à nos jours
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Year: 1971 Publisher: Paris : Presses artistiques,

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Book
The art treasures of bosnia and herzegovina
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ISBN: 8601011217 Year: 1987 Publisher: Sarajevo : Svjetlost,

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Book
Oto Logo, Miroslav Šutej, Ivan Tabaković : [XXXIV Biennale Internazionale d'arte, Venezia, 1968, Jugoslavia, Venezia, 22 giugno - 20 ottobre 1968, padiglione jugoslavo
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Year: 1968 Publisher: Belgrade : Commissione per i rapporti culturali con l'estero della R.S.F. di Jugoslavia,

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Book
Art work : invisible labour and the legacy of Yugoslav socialism
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ISBN: 9781487508418 Year: 2021 Publisher: Toronto ; Buffalo ; London : University of Toronto Press,

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"In Art Work, Katja Praznik counters the Western understanding of art--as an activity done out of love, a passion for self-expression, and without any concern for financial aspects--and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik helps elucidate the contradiction at the heart of artistic production and the origins of the mystification of art as labour. This profoundly interdisciplinary book highlights the Yugoslav socialist model of culture as the blueprint for uncovering the interconnected aesthetic and economic mechanisms at work in the exploitation of artistic labour. It also shows the historical trajectory of how policies toward art and artistic labour changed by the end of the 1980s. Calling for a fundamental rethinking of the assumptions of Western art and exploitative labour practices across the world, Art Work will be of interest to scholars in East European studies, art theory, and cultural policy, as well as to practicing artists."--

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