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Art, Vietnamese. --- Vietnam --- Antiquities
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La production artistique qui a suivi l'instauration du Doi Moi au Vietnam (1986) est replacée dans la chronologie des événements politiques et des contextes idéologiques et analysée pour mettre en lumière sa singularité. L'étude montre qu'elle s'inscrit dans une sorte d'autochtonie internationaliste revendiquant l'influence des traditions et du colonialisme mais aussi des pensées contemporaines. ©Electre 2015
Art, Vietnamese --- Art, Vietnamese --- Art vietnamien --- Art vietnamien
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Art, Vietnamese --- Bronze sculpture --- Pottery
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Exhibitions --- Art [Vietnamese ] --- Pottery --- Vietnam --- Antiquities --- Dragons in art
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Vietnamese art --- Vietnamese --- Annamese --- Ethnology --- Social conditions. --- Art, Vietnamese.
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Catalogues d'expositions --- Tentoonstellingscatalogi --- Vietnam --- Art vietnamien --- Art, Vietnamese --- Art, Vietnamese. --- Politics and government. --- Religion. --- 1900-1999. --- History --- Politics and government --- Religion
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"The intention of this book is to reveal how the Vietnamese visual arts responded to the varying contexts of postwar trauma by using diverse metaphor methods, which show the revolutionary move away from conventional Tam Giao customs in order to adapt to social change and make political expression manifest. In doing so, this book marks a turning point in Vietnamese cultural development towards new ways of expressing political themes, reflecting the complex phenomena of postwar Vietnam between 1985 and 2015"--
Art, Vietnamese --- Art, Vietnamese --- Vietnam War, 1961-1975 --- Arts and society --- Arts and society --- Vietnam War, 1961-1975 --- Metaphor in art. --- Art and the war. --- History --- History --- Influence.
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