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Art, Northern European --- -Northern European art --- -Art, Northern European --- Northern European art

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Le dessein de ce livre est triple : définir les différentes formes de discours tenus en Europe au XVIIe siècle sur l'art de l'Europe du Nord ; cerner l'émergence d'une prise de conscience d'une "école du Nord" ; mettre en évidence les particularités que les théoriciens flamands, hollandais, allemands, français, anglais, italiens reconnaissaient à cet art.

History --- art theory --- History of civilization --- Art --- Sandrart, von, Joachim I --- Mander, Karel van --- Hoogstraten, van, Samuel --- anno 1600-1699 --- Europe: North --- Art, Northern European --- Art nord-européen --- Art nord-européen --- Historiography --- 17th century --- Congresses --- Europe [Northern ] --- Painting --- Philosophy --- Mander, van, Karel --- Art, Northern European - 17th century --- Art criticism --- Art historians

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Commerce --- Geschiedenis --- Handel --- Histoire --- Art, Northern European --- Art nord-européen --- Europe, Northern --- Europe septentrionale --- Civilization --- Civilisation --- history [discipline] --- Medieval [European] --- cities --- History of Europe --- Economic relations. Trade --- anno 1400-1499 --- anno 1300-1399 --- Art nord-européen --- Civilization.

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"A wide-ranging introduction to the way that art was made, valued, and viewed in northern Europe in the age of the Renaissance, from the late fourteenth to the early years of the sixteenth century. Drawing on a rich range of sources, from inventories and guild regulations to poetry and chronicles, Northern Renaissance Art examines everything from panel paintings and prints to metalwork and manuscripts. While many little-known works are highlighted, the book also presents new ways of viewing and understanding the more familiar, such as the paintings of Jan van Eyck, Rogier van der Weyden, and Hans Memling, or the sculpture of Claus Sluter and Veit Stoss, by considering the physical and technical evidence of these works as objects, alongside the social and economic contexts of their creation and reception. Throughout, Susie Nash challenges the perception that Italy was the European leader in artistic innovation at this time, demonstrating forcefully that northern art, and particularly that of the Southern Netherlands, dominated visual culture throughout Europe in this crucial period."--Page 4 of cover.

History --- Renaissance --- Bourgondische Nederlanden --- Art --- Memling, Hans --- anno 1400-1499 --- anno 1500-1599 --- 7.034 --- Beeldende kunst ; Noord Europa ; 14de tot 16de eeuw --- Schilderkunst ; grafiek ; beeldhouwkunst ; Noordelijk Renaissance --- Vlaamse Primitieven --- Kunstgeschiedenis ; Renaissance. Barok. Rococo --- Art, Renaissance --- Art, Northern European. --- Art, Northern European --- Renaissance art --- Northern European art --- Art [Renaissance ] --- Europe [Northern ] --- Art, Renaissance. --- Konst --- art d'Europe du nord --- Historia --- Northern Europe. --- renaissance --- 15de eeuw --- Noord-Europa --- Art d'Europe du nord

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Esoteric sciences --- Iconography --- anno 1500-1799 --- anno 1400-1499 --- witches --- heksensabbat --- Hekserij in de kunst --- Sorcellerie dans l'art --- Witchcraft in art --- Witchcraft in art. --- Art, European. --- Art, Medieval --- Art, Renaissance --- Art européen --- Art médiéval --- Art de la Renaissance --- 291.33 --- Art, European --- Art, Modern --- European art --- Nouveaux réalistes (Group of artists) --- Zaj (Group of artists) --- Directe invloed op de goddelijke wil: hekserij; bezweringen; magie, toverij --- 291.33 Directe invloed op de goddelijke wil: hekserij; bezweringen; magie, toverij --- Art européen --- Art médiéval --- Art, Northern European --- Northern European art --- Art [European ] --- Europe [Northern ] --- Art [Medieval ] --- Art [Renaissance ] --- Art [Modern ] --- 17th-18th centuries --- Art, Northern European.