Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art, Abstract --- Art, Modern --- Art abstrait --- Art --- History. --- Histoire --- -Art, Modern --- -Modern art --- Abstract art --- Art, Non-objective --- Non-objective art --- Modernism (Art) --- History --- -History

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Grace Crowley has been recognized as a product of European modernism and was one of the leading innovators of geometric abstraction in Australia. Having studied in Paris in the 1920's with one of the leading art teachers, writers and theorists, André Lhote, she returned to Australia having mastered the complex mathematics and geometry of the golden section and dynamic symmetry, that had become a framework for modernism. Through her teaching of these compositional techniques at the most progres...

Modernism (Art) --- Art, Abstract --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Art, Modernist --- Modern art --- Modernism in art --- Modernist art --- Aesthetic movement (Art) --- Crowley, Grace, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of the image from what it purports to represent; abstraction as a vehicle for signification; and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological

Art --- abstraction --- ornaments [object genre] --- Medieval [European] --- anno 500-1499 --- Art, Medieval --- Art, Abstract --- Symbolism in art --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Medieval art --- Allegory (Art) --- Signs and symbols in art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art styles --- anno 1910-1919 --- Art, Abstract --- Art, Abstract. --- Art, Modern --- Addresses, essays, lectures. --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Abstract art --- Art, Non-objective --- Non-objective art

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Art, Abstract. --- Art, Modern --- Art abstrait --- Art --- Art, Abstract --- Abstracte kunst ; 20ste eeuw ; ontwikkeling --- 7.038 --- Kunstgeschiedenis ; 1950 - 2000 --- Affichistes (Group of artists) --- Fluxus (Group of artists) --- Modernism (Art) --- Schule der Neuen Prächtigkeit (Group of artists) --- Zero (Group of artists) --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern - 20th century --- Peinture abstraite --- Peinture