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Art --- Art, Mogul Empire. --- Islamic art
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Art, Mogul --- Art --- Islamic art --- Metal-work
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Art, Mogul --- Decorative arts --- Art moghol --- Arts décoratifs --- Art, Mogul Empire. --- Arts décoratifs --- Art, Mughal Empire.
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Art, Mogul --- Christian art and symbolism --- Miniature painting, Mogul --- European influences
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Art, Indic --- Art, British --- Art, Colonial --- Art, Mogul Empire --- Influence. --- Mogul Empire --- Civilization
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Jewelry --- Art, Mogul Empire --- Art objects --- Private collections --- Khalili, Nasser D. --- Art collections
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Art, Indic --- Art, Sri Lankan --- Hindu art --- Buddhist art --- Art, Mogul Empire. --- Art de l'Inde --- Art srilankais --- Art hindou --- Art bouddhique --- Art moghol --- Art, Mughal Empire.
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Late in Rembrandt's career, the celebrated Dutch artist took inspiration from Mughal paintings. The twenty-three surviving drawings, produced during the late 1650s, stand out among his oeuvre not only for their foreign subject matter but also for their meticulous style. This volume brings together these drawings with Mughal paintings for the first time and challenges the prevailing notion that Rembrandt "brought life" to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays demonstrate how Rembrandt's contact with Mughal paintings inspired him to draw in a refined style on Asian paper - an approach that was shaped by the Dutch trade in Surat and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt's engagement with India enriches our understanding of collecting in seventeenth-century Amsterdan, the Dutch global economy, and Rembrandt's artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Drawing --- Painting --- Mughal --- drawings [visual works] --- easel paintings [paintings by form] --- Rembrandt --- South Asia --- Art, Mogul Empire --- Influence --- Rembrandt Harmenszoon van Rijn, --- Art, Mogul --- Influences --- Exhibitions. --- Mogul Empire art --- Rembrandt Harmenszoon van Rijn --- Rāmbirānt, --- Rembrandt Garmens van Reĭn --- Rembrandt van Rijn --- Rembrandt van Reĭ --- Lun-po-lan --- Van Rijn, Rembrandt Harmenszoon --- Rijn, Rembrandt Harmenszoon van --- Rembrandt Harmensz van Rin, --- Reimbrand --- רמברנדט --- רמברנדט הרמנסזון ואן־ריין, --- رامبرانت --- Art, Mogul - Influences - Exhibitions --- Rembrandt Harmenszoon van Rijn, - 1606-1669 - Exhibitions --- invloed van Aziatische kunst --- cultural exchanges --- cultural diffusion --- Rembrandt Harmenszoon van Rijn, - 1606-1669 --- Art, Mughal Empire
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The Taj Mahal is the masterpiece of Mughal art and one of the most famous buildings in the world. Yet until now, there has been no full analysis of its architecture and meaning. The lost world of the Agra gardens and the greatest monument to love ever built, are recreated here through superb scholarship and evocative illustrations. Ebba Koch has been working on the palaces and gardens of Shah Jahan for thirty years, and on the Taj Mahal itself – the tomb of the emperor’s wife, Mumtaz Mahal – for a decade. Here, in hundreds of new photographs and drawings, she provides the first detailed documentation ever published on every building in the vast complex. She leads the reader on a walk that illuminates not only the white marble mausoleum but the mosque and guesthouse that flank it, through the entire complex of the Taj Mahal, with an explanation of each building, revealing not only the mausoleum but the mosque and guest house that flank it, the garden, the great gate, the forecourt, the quarters of the tomb attendants and the now almost completely lost bazaar and caravanserai complex. She gives special attention to the floral ornamentation – both the famous pietre dure inlay in white marble and the rich relief carving in marble and red sandstone. Reconstructions allow us to see the monument in the context of Shah Jahan’s Agra, and the author explains its design and construction, its symbolic meaning and its history up to the present day.
Art, Mogul --- Islamic art --- Taj Mahal (Agra, India) --- Art, Islamic --- Art, Saracenic --- Muslim art --- Saracenic art --- Art --- Art, Moghul Empire --- Art, Mughal Empire --- Art, Mughul Empire --- Moghul Empire art --- Mogul Empire art --- Mughal Empire art --- Mughul Empire art --- Taj Mahal --- Mausoleums --- Tombs --- Shahjahan, --- Jahan, Shah, --- Jehan, Shah, --- Śāhajahām̐, --- Shah Jahan, --- Shah Jehan, --- شاهجهاں، --- Art patronage --- Art, Mogul Empire --- Taj Mahal (Agra, India) - Exhibitions --- Art, Mogul Empire - Exhibitions --- Islamic art - India - Exhibitions --- Shahjahan, - Emperor of India, - approximately 1592-1666 - Art patronage - Exhibitions --- Shahjahan, - Emperor of India, - approximately 1592-1666
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