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Art, Lebanese --- Lebanon --- Antiquities --- History
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Art, Lebanese --- Art libanais --- Exhibitions. --- Expositions --- Hatoum, Mona, --- Exhibitions
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"L'oeuvre de Mona Hatoum, artiste britannique d'origine palestinienne, est internationalement reconnue. La grande exposition que le Centre Pompidou lui consacre à Paris prend la forme d'un panorama. Elle explore les thèmes et les supports de ses créations - performances, vidéos, dessins, photographies, sculptures et installations. Premier musée en France à l'avoir accueillie en 1994, le Centre Pompidou permet aujourd'hui au public de prendre la mesure d'un extraordinaire travail mêlant abstraction et réalisme poétique, engagement et minimalisme, singularité et universalité."--P. [4] of cover.
Installations (Art) --- Art, Lebanese --- Hatoum, Mona, --- Installations (Art) - Lebanon - 20th century - Exhibitions --- Installations (Art) - Lebanon - 21st century - Exhibitions --- Art, Lebanese - 20th century - Exhibitions --- Art, Lebanese - 21st century - Exhibitions --- Hatoum, Mona, - 1952 --- -Hatoum, Mona, - 1952- - Exhibitions --- -Hatoum, Mona, - 1952 --- -Installations (Art) --- -Hatoum, Mona, - 1952-
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Lebanese artist Walid Raad is an influential voice in art from the Middle East. Published for his first comprehensive exhibition in the US, this catalogue surveys three decades of Raad's practice in photography, video and performance. Beginning with his groundbreaking project The Atlas Group (1989-2004), to his recent work on the history of art in the Arab world (2007-ongoing), it offers an overview of Raad's career and features his most momentous bodies of work. Raad explores the ways we represent war and history, casting doubt on the veracity of photographic and video documentation. Essays by scholars place Raad's art in the context of contemporary photography and video, as well as art made in Lebanon since the 1960s; provide an overview of Raad's performance lectures; and examine Raad's most recent bodies of work made in the Islamic galleries at the Louvre and Metropolitan Museum of Art, which explore the history, collecting and display of historical and modern art and artifacts from the Arab world and Iran. A special contribution by Raad presents a fictional interview with multiple artists, curators and writers
performance art --- inkjet prints --- video art --- photography [process] --- Islamic [culture or style] --- Art --- Raad, Walid --- Lebanon --- Raad, Walid, --- #breakthecanon --- Art libanais --- Art, Lebanese --- Art, Lebanese. --- Ra'ad, Walid, --- 1900-2099. --- Raad, Walid, - 1967 --- -Raad, Walid, - 1967- - Exhibitions --- -Raad, Walid, - 1967 --- -Raad, Walid --- -Raad, Walid, - 1967-
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Saloua Raouda Choucair, born in 1916 in Beirut, was the first abstract artist in Lebanon, and her exhibition in 1947 at the Arab Cultural Gallery in Beirut is considered to have been the Arab world's first abstract painting display. In 1948 she left Lebanon and went to Paris, where she studied at the Ecole nationale superieure des Beaux-Arts and attended Fernand Leger's studio. In 1950, she was one of the first Arab artists to participate in the Salon des Realites Nouvelles in Paris. By 1962 she began to concentrate completely on sculpture, and by 1963, she was awarded the National Council of Tourism Prize for the execution of a stone sculpture for a public site in Beirut. Choucair's work has been considered as one of the best examples of the spirit of abstraction characteristic of Arabic visual and geometric art, apparently disconnected from the observation of nature.
sculpting --- painting [image-making] --- Art --- Choucair, Saloua Raouda --- Art, Lebanese --- Sculpture --- Choucair, Saloua Raouda, --- Criticism and interpretation --- Liban --- Art, Lebanese - 20th century --- Choucair, Saloua Raouda, - 1916-2017 - Exhibitions --- Choucair, Saloua Raouda, - 1916-2017 - Criticism and interpretation --- Choucair, Saloua Raouda, - 1916-2017
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