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Grâce à sa position entre deux continents, la Géorgie constitue traditionnellement un pont entre l’Est et l’Ouest. Une histoire de rencontres reflète l'art, la culture et l'histoire exceptionnelles du pays, du néolithique au XVIIIe siècle. C'est notamment au cours de « l'âge d'or » de la Géorgie unifiée, entre le XIe et le XIIIe siècle, que le pays a connu un essor culturel et économique sans précédent.Cet ouvrage montre comment l'histoire mouvementée et les nombreux échanges le long des grandes routes commerciales et de la soie au carrefour de l'Europe et de l'Asie ont donné naissance à un patrimoine d'une richesse inimaginable, jusqu'à présent resté largement méconnu. Une orfèvrerie raffinée de l'âge du bronze, du vin comme bien culturel le plus ancien et des arts visuels originaux : la Géorgie offre de nombreux trésors inattendus, présentés en détail pour la première fois.Cet ouvrage est publié à l’occasion de l’exposition Géorgie : une histoire de rencontres, présentée du 27 octobre 2023 au 18 février 2024 au Musée Art et Histoire à Bruxelles, dans le cadre du festival d’art Europalia.
Art, Georgian (South Caucasian) --- Georgia (Republic) --- History --- Foreign relations --- Civilization --- Exhibitions
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Art, Georgian (South Caucasian). --- Art, Ancient --- Christian antiquities --- Art géorgien. --- Art --- Antiquités chrétiennes --- Antiquities. --- Art, Ancient. --- Art, Georgian (South Caucasian). --- Christian antiquities. --- Georgia (Republic) --- Géorgie (République) --- Georgia (Republic). --- Antiquities. --- Antiquités.
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"The introductory text of this book traces Georgia's long cultural history from its archaeological beginnings to the present. Twenty-three essays by scholars from all over the world give a vivid portrayal of Georgia's heritage in history, literature and manuscript production, archaeology and art throughout prehistoric, classical and Christian periods up to the Early Modern Era. Over 150 objects are presented and their range is vast: Neolithic ceramics, intricately worked Bronze and Iron Age gold and silver, Greek and Roman jewellery, richly illuminated manuscripts, medieval paintings, cloisonne enamel and gold repousse work, and embroidery are illustrated."--Jacket.
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Art and history --- Allegories. --- Art, Georgian (South Caucasian) --- Art, Medieval --- Art et histoire --- Allégories --- Art géorgien --- Art médiéval --- Bagratid dynasty.
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Art, Georgian (South Caucasian) --- Art, Ancient --- Art géorgien --- Art antique --- Georgian S.S.R. --- Géorgie (République socialiste soviétique) --- Antiquities --- Antiquités
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Art, Georgian (South Caucasian) --- Art géorgien --- Georgian S.S.R. --- Géorgie (République socialiste soviétique) --- Antiquities --- Antiquités
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Art, Ancient --- Art, Georgian (South Caucasian) --- Art, Medieval --- Art, Georgian (Georgian S.S.R.) --- Art, Georgian (Transcaucasia) --- Art, Georgian (Transcaucasian) --- Georgian art (South Caucasian) --- Medieval art --- Exhibitions --- Decorative arts
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In the turbulent global context following the fall of the Russian Empire and the October Revolution, Georgia declared its independence in 1918. Between then and the beginning of Soviet rule in 1921, an Avant-Garde creative scene burgeoned. Artists met, mainly in the many taverns and cafés in Kutaisi and the capital Tbilisi, to organise multidisciplinary events. Their frequent collaborations and interactions, which bore the imprint of Georgian tradition and Western and Eastern influences, took various forms: paintings, drawings, films, photos, performances and typographical experiments. Divergent movements such as Symbolism/Neo-Symbolism, Futurism, Dadaism, Zaum, Expressionism, Cubism and Cubo-Futurism existed side by side in unprecedented creative turbulence. This book tells the unknown story of a vibrant Avant-Garde in the Caucasus, born in the taverns of Tbilisi – artistic laboratories where anything was possible, but where Soviet censorship lurked.Extensively illustrated with works by Elene Akhvlediani, Gigo Gabashvili, Irakli Gamrekeli, Lado Gudiashvili, David Kakabadze, Petre Otskheli, Niko Pirosmanashvili, Ilia and Kirile Zdanevich, and many others.
Art, Modern --- Art, Georgian (South Caucasian) --- Painting, Georgian (South Caucasian) --- Photography --- Theaters --- Stage-setting and scenery --- Georgia (Republic) --- Intellectual life --- Art --- visual arts [discipline] --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- Georgia
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Art, Soviet. --- Art, Russian --- Art, Ukrainian --- Art, Georgian (South Caucasian) --- Art, Central Asian --- Communism and art. --- Communist aesthetics. --- Aesthetics, Communist --- Aesthetics, Marxist --- Marxist aesthetics --- Communism and art --- Art and communism --- Art --- Central Asian art --- Art, Georgian (Georgian S.S.R.) --- Art, Georgian (Transcaucasia) --- Art, Georgian (Transcaucasian) --- Georgian art (South Caucasian) --- Ukrainian art --- Russian art --- Krug khudozhnikov (Group of artists) --- NOMA (Group of artists) --- Trinadt︠s︡atʹ (Group of artists) --- Art of the Soviet Union --- Soviet art --- Soviet influences. --- Soviet influences
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