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Arnold, Martin

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Cinéma --- Cinéma expérimental --- Arnold, Martin --- Kels, Karl

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A Critical Cinema 3 continues Scott MacDonald's compilation of personal interviews and public discussions with major contributors to independent filmmaking and film awareness. An informative exchange with Amos Vogel, whose Cinema 16 Society drew American filmgoers into a broader sense of film history, is followed by interviews reflecting a wide range of approaches to filmmaking. Sally Potter discusses her popular feature, Orlando, in relation to the experimental work that preceded it, and Canadian independent John Porter argues compellingly for small-gauge, Super-8mm filmmaking. Ken Jacobs discusses the "Nervous System" apparatus with which he transforms old film footage into new forms of motion picture art; Jordan Belson describes his Vortex Concerts, ancestors of modern laser light shows; and Elias Merhige talks about going beneath the "rational structure of meaning" in Begotten.A Critical Cinema 3 presents independent cinema as an international and multiethnic phenomenon. MacDonald interviews filmmakers from Sweden, France, Italy, Austria, Armenia, India, the Philippines, and Japan and examines the work of African Americans, European Americans, Asian Americans, and Hispanics. He provides an introductory overview of each interviewee, as well as detailed film/videographies and selected bibliographies. With its predecessors, A Critical Cinema (California, 1988) and A Critical Cinema 2 (California, 1992), this is the most extensive, in-depth exploration of independent cinema available in English.

film --- filmgeschiedenis --- Verenigde Staten --- experimentele film --- Vogel Amos --- Greaves William --- Belson Jordan --- Peleshian Arthur --- Burnett Charles --- Kazuo Hara --- Watkins Peter --- Jacobs Ken --- Deocampo Nick --- Kaul Mani --- Baldwin Craig --- Nelson Gunvor --- Choy Christine --- Lowder Rose --- Hutton Peter --- Export Valie --- Bokanowski Patrick --- Gianikian Yervant --- Ricci Lucchi Angela --- Merhige Elias --- Mare Aline --- Smith Cauleen --- Porter John --- Montañez Ortiz Raphael --- Arnold Martin --- Potter Sally --- Jacobs Flo --- 791.43 --- Filmologie. Filmtheorie. Esthetica van de film --- Experimental films --- History and criticism.

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This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.

Experimental films --- Experimental films. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- 1900 - 1999 --- Avant-garde (Aesthetics) --- 791.43 --- Arnold Martin --- avant-gardefilm --- Brakhage Stan --- Buñuel Luis --- Chodorov Pip --- Conrad Tony --- Delvaux André --- Deren Maya --- Dulac Germaine --- Eggeling Viking --- experimentele film --- film --- filmgeschiedenis --- futurisme --- Kubelka Peter --- magisch realisme --- Man Ray --- Mayakovsky Vladimir --- McCall Anthony --- Moholy-Nagy Laszlo --- Morrison Bill --- paracinema --- Peixoto Mario --- performances --- Rey Nicolas --- Richter Hans --- Rosenbach Ulrike --- Ruttmann Walther --- Sharits Paul --- surrealisme --- twintigste eeuw --- Valie Export --- Vertov Dziga --- video --- videokunst --- Aesthetics --- Modernism (Art) --- History and criticism. --- Film --- anno 1900-1999 --- Avant-garde (Aesthetics).

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evolution --- psychology --- Kinetic [style] --- science --- avant-garde --- art theory --- technology --- cybernetics --- Bauhaus --- Art --- Constructivist --- art [fine art] --- Science --- mathematics --- Tomaschek, Gertrude --- Wagner, Otto Erich --- Greguss, Pál --- Reismayer-Fritsche, Johanna --- Gerö, György --- Karlinsky, Elisabeth --- Radax, Ferry --- Vasarely, Victor --- Scheugl, Hans --- Fleischmann, Trude --- Braun, Nikolaus --- Benirschke, Max --- Kren, Kurt --- Rochowansky, Leopold Wolfgang --- Kroó, Norbert --- Dienes, Valéria --- Téry-Adler, Margit --- Zeymer, Fritz --- Tubák, Csaba --- Weibel, Peter --- Arnold, Martin --- Greenham, Lily --- Tihanyi, Lajos --- Schilling, Alfons --- Mengyan, Andras --- Schule, Cizek --- Fischel, Gertrude --- Urbach, Franz --- Molnár, Farkas --- Painitz, Hermann Josef --- Wittgenstein, Ludwig --- Mattis-Teutsch, János --- Stadlmayer-Bieber, Maria Luzia --- Penther, Sylvia --- Weininger, Andor --- Moholy-Nagy, László --- Nemcsics, Antal --- Hausmann, Raoul --- Buchner, Wolfgang --- Béothy, Étienne --- Philipp, Helga --- Kirnig, Paul --- Bortnyik, Eva T. --- Bernheimer, Ilse --- Hoelzel, Adolf --- Hoffmann, Josef --- Stolba, Leopold --- Uitz, Bela --- Reichenfelser, Heinz --- Florey, Hans --- Beöthy-Steiner, Anna --- Fórbáth, Alfréd --- Neuwirth, Gertrude --- Alexander, László --- Jung, Georg --- Export, Valie --- Hofmann, Hans --- Breuer, Marcel --- Berzeviczy-Pallavicini, Friedrich v. --- Vesely, Herbert --- Lang, Irmgard --- Schmidt jr., Ernst --- Hofer, Anton --- Peintner, Max --- Loos, Adolf --- Kanizsa, Gaetano --- Moser, Koloman --- Kassak, Lajos --- Adrian, Marc --- Pitsch, Hans --- Kohn, Hans --- Csáji, Attila --- Nechansky, Friedericke --- Bortnyik, Sandor --- Schöffer, Nicolas --- Hammerschmied, Gerta --- Peri, Laszlo --- Pap, Gyula --- Stöhr, Ernst --- Donau, Oskar --- Kubelka, Peter --- Kepes, Gyorgy --- Kien, Erika Giovanna --- anno 1900-1999 --- Austria --- Hungary --- Kassák, Lajos --- science [modern discipline] --- technology [general associated concept] --- Forbát, Fred --- Béothy, Etienne --- Schmidt, Ernst [ jr.] --- Mattis-Teutsch, Hans --- Art and technology --- Avant-garde (Aesthetics) --- History --- Aesthetics --- Modernism (Art) --- Technology and art --- Technology --- art [discipline] --- Kinetic Art --- kunst en wetenschap --- Berzeviczy-Pallavicini, von, Friedrich --- Pál, Imre