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Se analizan en este libro, siguiendo un mismo método, el propuesto por José-Luis García Barrientos, sendas obras de siete dramaturgos argentinos contemporáneos (La pesca de Ricardo Bartís, Mujeres soñaron caballos de Daniel Veronese, ¿Estás ahí? de Javier Daulte, La estupidez de Rafael Spregelburd, Cachetazo de campo de Federico León, La Germania de Patricia Suárez, y Freak Show de Martín Giner) a la par que se esbozan las claves de la dramaturgia de cada uno de ellos. Firman los estudios seis investigadores argentinos y tres extranjeros, un uruguayo, un chileno y un español. Se trata del primer volumen de una serie que, como resultado de un proyecto de investigación del Plan Nacional de I+D+i, pretende analizar la dramaturgia actual en lengua española.
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Argentine drama --- -Argentine drama --- -History and criticism
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Argentine drama --- Theater --- History and criticism. --- History.
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"This book examines how violence was used as a spectacle in Cuban and Argentine theater in the late 1960s and early 1970s as a reflection of and a dialogue with the violence occurring in the public arena. Using the international affair of the Caso Padilla as a way to appreciate how the notion of revolutionary spectacle pertains to culture, Ford deftly examines the use of violence in four plays from Cuba and Argentina to understand how simulated violence was used as a tool to address the very real violence that was taking place offstage."--BOOK JACKET.
Cuban drama --- Argentine drama --- Violence in literature --- Politics and literature
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Argentine drama --- Politics and literature --- History and criticism.
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