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How should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.
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How should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.
Neue Medien --- Soziale Software --- Archiv --- Gedenken --- Kollektives Gedächtnis --- Identity (Psychology) and mass media. --- Digital media --- Collective memory. --- Archives. --- Social aspects. --- Archive theory, social memory studies, digital technologies, media archaeology, media ecology.
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'Art + Archive' provides an in-depth analysis of the connection between art and the archive at the turn of the 21st century. The book examines how the archive emerged in art writing in the mid-1990s and how its subsequent ubiquity can be understood in light of wider social, technological, philosophical and art-historical conditions and concerns. Deftly combining writing on archives from different disciplines with artistic practices, the book clarifies the function and meaning of one of the most persistent artworld buzzwords of recent years, shedding light on the conceptual and historical implications of the so-called archival turn in contemporary art.
Archives in art. --- Art, Modern --- Archival turn. --- Archive fever. --- Archive theory. --- Arthur Danto. --- Contemporary artworld. --- Institutional theory of art. --- Jacques Derrida. --- Michel Foucault. --- Presentism. --- The long 1960s. --- 1900-2099 --- Archives dans l'art. --- Art --- Art, Modern.
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"Literary archives are proliferating, and these essays examine the process of archiving such materials -- their materialization, their preservation, and the research that is being produced about them. Archives, are, according to volume editor Morra, involved in an emotionally engaged and charged process, one that acts on archival subjects and the people engaged with them. "--
Archives --- Processing. --- Archives. --- affective economies. --- affective investments. --- archival practices. --- archival preservation. --- archive and science. --- archive of feelings. --- archive theory. --- digital cultures. --- digitization. --- gender and sexuality studies. --- moving archives. --- queer theory. --- race theory. --- theories of affect. --- transnational/diasp.
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How should we understand social memory in the age of new media? Classic sociology described the ways in which social memory was enacted through ritual, language art, architecture and institution - phenomena whose persistence over time and whose capacity for a shared storing of the past was contrasted with fleeting individual memory. Society is memory, Émile Durkheim stated. However, today's new time technologies compel us to rethink this concept of memory and its emphasis on a shared past. For in the age of digital computing, instant updating and transfer functions and interconnection through real time networks give an unprecedented priority to the present and the future, while challenging the very distinction between individual and collective memory. New media technologies raise the question of the temporalities of memory to a principle, challenging not just the classic description of social memory, but also the social ontology that it presupposes. 'Memory in Motion: Archives, Technology and the Social' discusses the new technologies of memory from perspectives that explicitly investigate their impact on the very conceptualization of the social.
Neue Medien --- Soziale Software --- Archiv --- Gedenken --- Kollektives Gedächtnis --- Identity (Psychology) and mass media. --- Digital media --- Collective memory. --- Archives. --- Archive theory, social memory studies, digital technologies, media archaeology, media ecology. --- Social aspects.
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Welche Rolle spielen Material und Materialprozess, Materialität und Immaterialität in der zeitgenössischen Kunst? Wie werden Materialien durch Künstlerinnen und Künstler in Räumen verortet und durch welche Ausstellungsdisplays exponiert? Was passiert, wenn in der Kunst der Gegenwart traditionelle, ewige, klassische und analoge Materialien um ephemere, instabile, arme, triviale, alltägliche oder digitale Materialien erweitert werden? In Auseinandersetzung mit diesen Fragen vereint der Band Beiträge aus den Perspektiven der Kunst, Kunstpädagogik und Kunstwissenschaft. Sie zeigen, wie künstlerisches Handeln durch die Auseinandersetzung mit spezifischer Materialität angeregt wird, und ermöglichen auf diese Weise zugleich Einblicke in verschiedene Materialdiskurse. Mit Beiträgen von Kunibert Bering, Lisa Gotto, Armin Hartenstein, Petra Kathke, Julia Kröpelin, Roland Nachtigäller, Bea Otto, Guido Reuter, Judith Samen, Gunnar Schmidt, Johanna Schwarz und einem Interview mit Karsten Bott. »Inspirierend sind [...] die Vielfalt an vorgestellten künstlerischen Positionen und Arbeitsweisen sowie die Beispiele aus Schule und Hochschule.« Sara Burkhardt, Kunst und Unterricht, 417-418 (2017) Besprochen in: Bauhaus, 9 (2017) Kunstbulletin, 6 (2018), Brita Polzer
Art. --- Art, Occidental --- Art, Visual --- Art, Western (Western countries) --- Arts, Fine --- Arts, Visual --- Fine arts --- Iconography --- Occidental art --- Visual arts --- Western art (Western countries) --- Arts --- Aesthetics --- Kunst; Material; Materialität; Skulptur; Installation; Museum; Ausstellung; Archiv; Kunsttheorie; Kunstgeschichte des 21. Jahrhunderts; Kunstgeschichte; Kunstwissenschaft; Art; Materiality; Sculpture; Exhibition; Archive; Theory of Art; Art History of the 21st Century; Art History; Fine Arts --- Archive. --- Art History of the 21st Century. --- Art History. --- Exhibition. --- Fine Arts. --- Installation. --- Material. --- Materiality. --- Museum. --- Sculpture. --- Theory of Art.
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Bis dato existierte keine Monographie, die Goethes Wanderjahre in ihrer Struktur erfassen konnte. Die Studie definiert den Terminus ,Archivroman'; mit dem ,Archivalischen Erzählen' und dem ,Archivalischen Schreiben' entwickelt sie Untersuchungseinheiten am Text, die fortan zum Basisvokabular der Romananalyse gezählt werden dürfen. Sie geht von einer formkonstitutiven Interdependenz von Unordnung, Ordnung und Hilfsmitteln zur Ordnungsgenerierung in den Wanderjahren aus und zeigt, dass man dort auf Thematisierungen einer Pluralität stößt, deren Tragfähigkeit als literarisches Konstruktionsprinzip ausgelotet wird. Als den Garanten einer größtmöglichen Freiheit in der Anordnung bei minimaler Ordnung etabliert sie Goethes Idee des Aggregats. Als ob der Text diesem oft als defizitär apostrophierten Instrument zur Beziehungsvermeidung nicht traute, greift er zur Absicherung gegen eine potentielle Verselbständigung der Pluralität aufs Archiv zurück. Er experimentiert sogar mit einer Anthropomorphisierung von Sammlungen: Das Archiv fungiert als "ordentlich eine mitspielende Person" (Schiller).
Archivroman. --- Archivtheorie. --- Goethe. --- Wanderjahre. --- archival novel. --- archive theory. --- LITERARY CRITICISM / European / German. --- Goethe, Johann Wolfgang von, --- Goethe, Johann Wolfgang --- Goethe --- Goethe, Johann Wolfgang von --- Von Goethe, Johann Wolfgang --- von Goethe, Johann Wolfgang --- Hete, Johann Vol'fhanh --- Gete, Iogann Vol'fgang --- ゲーテ --- Gete, Volʹfgang --- Ko-tê --- Gede --- Gete, Jogann --- Gette --- Gʹote, Ĭokhan Volʹfgang --- Jūtah, Yūhān Fūlfjānj --- Goethe, J. W. --- Jītī --- Gete, V. --- Koetʻe --- Goetʻe --- Getė, --- Gkaite --- Gitah, Y. Ṿ. --- Goethe, Jan Wolfgan, --- Gëte, Iogann Volʹfgang --- Göte --- Gyoete --- Goethe, W. v. --- Fon-Geteh, Ṿ. --- Geteh, Yohan Ṿolfgang Fon --- -Giteh, Yohan Ṿolfgang Fon --- -Gete, Johan Volfgang --- Hete, Ĭ. V. --- Kēōtʻē, Volfkank --- Katē --- Katē, Yōkān̲ Vulpkēṅk Vān̲ --- Гете, Иоганн Вольфганг --- Qöte, Y. V. --- Qöte, Yohan Volfqanq --- גטה --- גטה, יוהאן וולפגנג פון, --- גטה, י.ו --- גיתה --- גיתה, יוהאן וולפאנג פון --- גיתה, יוהאן וולפגנג פון, --- גיתה, יוהן וולפגאנג וון, --- גיתה, יוהן וולפגנג פון, --- גיתה, יוהן וולפגנג, --- געטהע --- געטהע, יאהאן וואלפגאנג --- געטהע, יאהאן וואלפגאנג פון, --- געטהע, יאהאן װאלפגאנג, --- געטהע, י. וו --- געטהע, י. וו. פאן --- געטהע, י. װ., --- געטהע, י.װ --- געטע, װ.פ --- גתה, וו --- גתה, יוהן וולפגאנג ון, --- גתה, יוהן וולפגנג --- י. וו. געטהע --- جوته --- گوته، يوهان ولفگانگ ون --- 歌德, --- Criticism and interpretation. --- ゲエテ
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