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The production of this book stems from two of the editors’ longstanding research interests: the representation of architecture in print media, and the complex identity of the second phase of modernism in architecture given the role it played in postwar reconstruction in Europe.While the history of postwar reconstruction has been increasingly well covered for most European countries, research investigating postwar architectural magazines and journals across Europe – their role in the discourse and production of the built environment and particularly their inter-relationship and differing conceptions of postwar architecture – is relatively undeveloped. Modernism and the Professional Architecture Journal sounds out this territory in a new collection of essays concerning the second phase of the reception and assimilation of modernism in architecture, as it was represented in professional architecture journals during the period of postwar reconstruction (1945–1968).Professional architecture journals are often seen as conduits of established facts and knowledge. The role mainstream publications play, however, in establishing ‘movements’, ‘trends’ or ‘debates’ tends to be undervalued. In the context of the complex undertaking of postwar reconstruction, the shortage of resources, political uncertainty and the biographical complexities of individual architects, the chapters on key European architecture journals collected here reveal how modernist architecture, and its discourse, was perceived and disseminated in different European countries.

Architecture, Modern --- Architecture --- Architectural criticism --- Periodicals. --- Historiography. --- History --- 72.01 --- Architectuur ; modernisme --- Architectuurtijdschriften --- Criticism --- Periodicals --- Historiography --- Architectuur ; theorie, filosofie, esthetica --- Critique d'architecture --- Périodiques --- Historiographie --- Histoire

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Cette publication relève d'une analyse de la revue "Die Architektur des XX Jahrhunderts", revue d'architecture moderne 1901-1914. Elle reprend une analyse historique de l'architecture de cette période dans les pays France, Allemagne, Autriche et Angleterre avec un relevé du patrimoine architectural de cette période à chacun des pays.

architectuur --- Architecture --- hedendaagse architectuur --- anno 1910-1919 --- anno 1900-1909 --- Bouwkunst --- Architecture, Modern --- Art nouveau (Architecture) --- Decoration and ornament --- Décoration et ornement --- Periodicals --- Art nouveau. --- Périodiques --- Art nouveau --- Patrimoine architectural --- Histoire de l'architecture --- Critique architecturale --- Critique d'art --- Écrit sur l'art --- Revue d'art --- Histoire. --- 20e siècle --- Allemagne --- Royaume-Uni --- France --- Autriche --- 72.036 --- Architectuurtijdschriften --- twintigste eeuw --- architectuurtijdschriften --- Architecture du twintigste eeuwième siècle --- Groot-Brittannie --- Oostenrijk --- Frankrijk --- Duitsland --- art nouveau --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Décoration et ornement --- Périodiques --- Architecture - 20e siècle - Histoire. --- Architecture moderne --- 20° siecle --- architecture [discipline] --- twentieth century [dates CE]

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Architecture --- Art publishing --- Art --- Periodicals --- Exhibitions. --- Exhibitions --- Périodiques --- Expositions --- Edition --- 72.01 --- Publishers and publishing --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Building --- Architectuur ; theorie, filosofie, esthetica --- Publishing --- Design and construction --- 766:655.534 --- Architectuurtijdschriften ; alternatieve en onafhankelijke tijdschriften --- Gebruiksgrafiek ; tijdschriftenbanden, omslagen --- Périodiques --- Architecture, Primitive

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One hundred years after the founding of Bauhaus, it's time to revisit Bauhaus journal as a significant written testimony of this iconic movement of modern art. In this journal, published periodically from 1926 to 1931, the most important voices of the movement are heard: masters of the Bauhaus, among others, Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Oskar Schlemmer, as well as Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld and many more. They address the developments in and around the Bauhaus, the methods and focal points of their own teaching, and current projects of students and masters. At the time primarily addressed to the members of the"circle of friends of the Bauhaus," the journal published by Gropius and Moholy-Nagy makes tangible the authentic voice of this mouthpiece of the avant-garde. The facsimile reprint is intended to give new impetus to international discussion and research on the Bauhaus, its theories and designs.

Architecture, Modern --- Art, Modern --- kunst --- architectuur --- kunsttheorie --- architectuurtijdschriften --- kunsttijdschriften --- kunstonderwijs --- 7.037 --- interbellum --- Duitsland --- Bauhaus --- kunst en architectuur --- Bauhaus ; tijdschrift ; facsimile-editie --- Beeldende kunst ; architectuur ; 1ste helft 20ste eeuw ; Bauhaus --- Kunstgeschiedenis ; 1900 - 1950 --- Bauhaus. --- Staatliches Bauhaus --- Baohaosi --- Bauhaus Dessau --- Presse --- 20e siècle

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open spaces --- architecture [discipline] --- transparency [optical property] --- Architecture --- architectural theory --- Space (Architecture) --- Espace (Architecture) --- Espace (architecture) --- 72.01 --- transparantie --- Architectuurtheorie ; 20ste eeuw ; over transparantie --- Architectuur ; 20ste eeuw ; Le Corbusier --- Architectuurtijdschriften ; Perspecta 8, The Yale Architectural Journal --- Architectuurtheorie --- Architectuur (theorie) --- Architectuuresthetica --- Architectuur (esthetica) --- Architectuur ; theorie, filosofie, esthetica --- Architectural writing. --- Space (Architecture). --- Architecture and space --- Space and architectural mass --- Space in architecture --- City planning --- Composition, proportion, etc. --- Negative space (Architecture)