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Alternately lauded as the future of architecture or dismissed as pure folly, revolving buildings are a fascinating missing chapter in architectural history with surprising relevance to issues in contemporary architectural design. Rotating structures have been employed to solve problems and create effects that stationary buildings can't achieve. Rotating buildings offered ever-changing vistas and made interior spaces more flexible and adaptable. They were used to impress visitors, treat patients, and improve the green qualities of a structure by keeping particular rooms in or out of the sun. The follow-up to his critically acclaimed book A-frame, Chad Randl's Revolving Architecture: A History of Buildings that Rotate, Swivel, and Pivot explores the history of this unique building type, investigating the cultural forces that have driven people to design and inhabit them. Revolving Architecture is packed with a variety of fantastic revolving structures such as a jail that kept inmates under a warden's constant surveillance, glamorous revolving restaurants, tuberculosis treatment wards, houses, theaters, and even a contemporary residential building whose full-floor apartments circle independently of each other. International examples from the late 1800s though the present demonstrate the variety and innovation of these dynamic structures.
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Building sites. --- City planning. --- 72.049 --- Architectuur ; constructie --- Architectuur ; bouwwerven --- Architectuur ; verschillende onderwerpen
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Architectuur en muziek --- Thema's in de architectuur ; muziek --- 72.049 --- Architectuur ; verschillende onderwerpen --- Vibrations --- Architecture --- Music --- Music and architecture. --- Philosophy. --- Research.
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"This unique volume showcases the best illustrated architecture books ever published. The author, John Hill, is the founder of the hugely influential architecture blog A Daily Dose of Architecture, which recently shifted course to focus entirely on architecture books of all kinds. His selection for this volume spans centuries, continents, and genres to include Le Corbusier's Towards a New Architecture, Project Japan by Rem Koolhaas, Atlas of Another America: An Architectural Fiction by Keith Krumwiede, X-Ray Architecture by Beatriz Colomina and Thomas Wolfe's From Bauhaus to Our House. The books selected are organized into the categories of Manifestos, Histories, Education, Housing, Monographs, Buildings, Exhibitions, Building Cities, and Critiques, and each one has a reproduction of the book's cover along with selected spreads which are accompanied by Hill's informed, personal, and engaging take on what makes the title unique and indispensable. In addition, sidebar "Top 10" lists from many of today's leading critics and architects are scattered throughout. Capturing the best of Hill's insightful and curious mind, this invaluable resource will broaden the world of anyone interested in the field of architecture- and provide irrefutable arguments for these works' continued relevance"--Publisher's description.
Architecture --- 72.049 --- Architectuurboeken --- Architecture, Primitive --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuur ; verschillende onderwerpen --- Design and construction
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Impe, Van, Hedwig --- Adrià, Ferran --- 72.07 --- 72.049 --- 7.049 --- 72 --- 7 --- Koken --- Avant-garde cuisine --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; verschillende onderwerpen --- Iconografie ; verschillende onderwerpen --- Architectuur --- Kunst
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Lettering on buildings and in the public realm affects our environment. The core of this manual is formed by archigraphy projects that represent a strategy of how architecture can be enriched by graphic elements. The structural, material or visual methods can thus be used as inspiration for the reader's own designs. A compilation of lettering techniques, advice on project management, make this manual a tool for architects and graphic designers.
Architectural inscriptions. --- Architectural lettering --- Building inscriptions --- House inscriptions --- Inscriptions, Architectural --- Inscriptions --- Lettering --- Architectural inscriptions --- Inscriptions architecturales --- Lettrage --- Architecture --- History. --- 72.049 --- 766:625.24 --- Archigrafie --- Architectuur ; opschriften ; inscripties ; belettering --- Architectuur ; verschillende onderwerpen --- Gebruiksgrafiek ; signalisatie --- Inscriptions architecturales. --- Lettrage.
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Mart(inus Adrianus) Stam 1899-1986 (°Purmerend, Nederland) --- Architectuur ; architectuurtheorie ; 20ste eeuw ; Mart Stam --- Nieuwe Zakelijkheid --- Architecten ; monografieën --- 72.07 --- 72.01 --- 72.049 --- Architecten. Stedenbouwkundigen A - Z --- Architectuur ; theorie, filosofie, esthetica --- Architectuur ; verschillende onderwerpen --- Architecture --- History
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Domes --- by E. Baldwin Smith --- koepelconstructies --- Architectuur ; verschillende onderwerpen --- architectuur --- architectuurgeschiedenis --- koepels --- draagconstructies --- kerken --- oudheid --- middeleeuwen --- bouw --- 69.07 --- 72.03 --- 72.049 --- churches [buildings] --- Religious architecture --- Private houses --- Religious studies --- Architecture --- religieuze architectuur
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The term 'social distance' was once only a vague metaphor to describe the relationship between different social groups. Yet it has acquired a precise meaning as the mandatory minimum distance for face-to-face interactions: 1, 1.5, or 2 metres (or 6 feet), depending on the jurisdiction. But what is the appropriate distance from which to interpret a pandemic? Rather than asserting a diagnosis of the contemporary emergency, the issue Social Distance offers perspectives from architectural history and theory. From the great plague of Venice to cholera in the industrializing city, from the human placenta to the 1960s bubble or the office of today, the fifth gta papers provides a broad range of reflections on contagion, disease, and health.
Social distance --- Architecture - Health aspects --- Epidemics --- Ventilation --- Santé --- Perception de l'espace --- Architectuurtheorie ; sociologie --- Stadssanering ; sociologische studie --- Stadsplanning ; impact op openbare gezondheid --- Architectuur en hygiëne --- 72.049 --- Architectuur ; verschillende onderwerpen --- Architecture
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In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing-- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact present ed a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. White Walls, Designer Dresses shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
colors [hues or tints] --- kleuren --- Architecture --- hedendaagse architectuur --- White in architecture. --- Architecture, Modern --- Blanc en architecture --- 72.049 --- Architectuur verschillende onderwerpen --- History --- Architectuur en mode parallellen in ontwerpmetodiek --- Kleur in de architectuur 20ste eeuw witte wanden --- white [color] --- color theory --- Blanc dans l'architecture --- White in architecture --- Wit in de architectuur --- -White in architecture --- CDL --- 72.036 --- Modern architecture --- Architectuur en mode ; parallellen in ontwerpmetodiek --- Kleur in de architectuur ; 20ste eeuw ; witte wanden --- Architectuur ; verschillende onderwerpen --- Modern [style or period] --- architectural theory --- architecture [discipline] --- Art --- anno 1900-1999 --- anno 2000-2099 --- architecture [object genre] --- Architecture [Modern ] --- 20th century --- Architecture, Modern - 20th century
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