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Architecture religieuse --- Églises. --- Architecture et religion
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This book, first published in 1891, was a milestone in the linking of mysticism (and transcendental experience) to the design process. William Lethaby, the first Professor of Design at the Royal College of Art, and a leader in the Arts and Crafts Movement in England, examined folk customs, myths, and tales of many ancient civilizations in presenting his view of architecture as not just a battle of styles, nor exclusively a matter of function, but rather an expression of secret meanings that lie deeply embedded in the human psyche and are linked to ancient and universal symbolism. A passionate advocate of craftsmanship and individual expression, William Lethaby's influence lay in the realm of ideas, where, in his pursuit of "architectural legend" and the "esoteric principles of architecture", the author did for architecture what Frazer had done for literary allusion in "The Golden Bough". Today's fascination with all aspects of the occult has gained for this book a growing underground reputation, quite apart from, and in addition to, its established importance as a historical document. The original edition, virtually unobtainable for many years, has now been reprinted with an introduction and bibliography by Godfrey Rubens, a Leon Fellow, who is presently at work on a full-length biography of William Lethaby and his circle.
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Églises. --- Architecture et religion --- Architecture religieuse --- Symbolisme en architecture
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Religious architecture --- Architecture and religion --- Architecture religieuse --- Architecture et religion --- History --- Histoire --- Art religieux
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Temples. --- Architecture, Ancient. --- Architecture and religion. --- Temples --- Architecture antique --- Architecture et religion
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Liturgy and architecture. --- Architecture and religion. --- Church architecture --- Art chrétien --- Liturgie et architecture. --- Architecture et religion.
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The architectural drawing might seem to be a quintessentially modern form, and indeed many histories of the genre begin in the early modern period with Italian Renaissance architects such as Alberti. Yet the Middle Ages also had a remarkably sophisticated way of drawing and writing about architecture. God's Own Language takes us to twelfth-century Paris, where a Scottish monk named Richard of Saint Victor, along with his mentor Hugh, developed an innovative visual and textual architectural language. In the process, he devised techniques and terms that we still use today, from sectional elevations to the word “plan.” Surprisingly, however, Richard's detailed drawings appeared not in an architectural treatise but in a widely circulated set of biblical commentaries. Seeing architecture as a way of communicating with the divine, Richard drew plans and elevations for such biblical constructions as Noah's ark and the temple envisioned by the prophet Ezekiel. Interpreting Richard and Hugh's drawings and writings within the context of the thriving theological and intellectual cultures of medieval Paris, Karl Kinsella argues that the popularity of these works suggests that, centuries before the Renaissance, there was a large circle of readers with a highly developed understanding of geometry and the visual language of architecture.
Architectural drawing --- Architecture and religion. --- Symbolism in architecture. --- History --- Richard, --- Dessin d'architecture --- Architecture et religion --- Symbolisme en architecture --- Histoire
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Temples --- Architecture and religion --- Temples --- Poséidon (Divinité grecque) --- Architecture et religion --- Culte --- Poseidon (Greek deity) --- Cult
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Church architecture --- Church buildings --- Architecture and religion --- Architecture chrétienne --- Eglises --- Architecture et religion --- Savoie (France) --- Church history --- Histoire religieuse --- Architecture chrétienne
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Archaeology has unearthed the glories of ancient Jewish buildings throughout the Mediterranean. But what has remained shrouded is what these buildings meant. Building Jewish first surveys the architecture of small rural villages in the Galilee in the early Roman period before examining the development of synagogues as "Jewish associations." Finally, Building Jewish explores Jerusalem's flurry of building activity under Herod the Great in the first century BCE. Richardson's careful work not only documents the culture that forms the background to any study of Second Temple Judaism and early Chri
Synagogue architecture --- Synagogues --- Architecture and religion. --- Architecture et religion --- Israel --- Rome --- Israël --- Antiquities. --- History --- Antiquités --- Histoire --- Jewish architecture --- Religion and architecture --- Religion --- Religious institutions --- Temples
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