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This book examines the conflicting performances that take place at the Holocaust Memorial in Berlin and the Memorial to the Victims of State Terror in Buenos Aires. Sion offers an interdisciplinary model for analyzing sites of memory, their purpose, failure and success, and their part in a transnational circuit of remembrance practices.
Holocaust memorials --- Holocaust, Jewish (1939-1945), and architecture. --- Architecture and tourism --- Tourism and architecture --- Tourism --- Architecture and the Holocaust --- Architecture --- Holocaust, Jewish (1939-1945) --- Memorials --- Berlin (Germany) --- Buenos Aires (Argentina) --- Trinidad del Puerto de Santa María de Buenos Aires (Argentina) --- Buenos Ayres (Argentina) --- Capital Federal (Argentina) --- Trinidad y Puerto de Santa María de los Buenos Aires (Argentina) --- Capital (Argentina) --- Ciudad Autónoma de Buenos Aires (Argentina) --- La Trinidad (Argentina) --- Trinidad (Argentina) --- gobBsAs (Argentina) --- Gobierno de la Ciudad Autónoma de Buenos Aires (Argentina) --- Buenos Aires (Federal Capital) --- CABA (Argentina) --- Autonomous City of Buenos Aires (Argentina) --- Buenos Ajres (Argentina) --- Buildings, structures, etc.
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Holocaust memorials and museums face a difficult task as their staffs strive to commemorate and document horror. On the one hand, the events museums represent are beyond most people's experiences. At the same time they are often portrayed by theologians, artists, and philosophers in ways that are already known by the public. Museum administrators and curators have the challenging role of finding a creative way to present Holocaust exhibits to avoid clichéd or dehumanizing portrayals of victims and their suffering. In Holocaust Memory Reframed, Jennifer Hansen-Glucklich examines representations in three museums: Israel's Yad Vashem in Jerusalem, Germany's Jewish Museum in Berlin, and the United States Holocaust Memorial Museum in Washington, D.C. She describes a variety of visually striking media, including architecture, photography exhibits, artifact displays, and video installations in order to explain the aesthetic techniques that the museums employ. As she interprets the exhibits, Hansen-Glucklich clarifies how museums communicate Holocaust narratives within the historical and cultural contexts specific to Germany, Israel, and the United States. In Yad Vashem, architect Moshe Safdie developed a narrative suited for Israel, rooted in a redemptive, Zionist story of homecoming to a place of mythic geography and renewal, in contrast to death and suffering in exile. In the Jewish Museum in Berlin, Daniel Libeskind's architecture, broken lines, and voids emphasize absence. Here exhibits communicate a conflicted ideology, torn between the loss of a Jewish past and the country's current multicultural ethos. The United States Holocaust Memorial Museum presents yet another lens, conveying through its exhibits a sense of sacrifice that is part of the civil values of American democracy, and trying to overcome geographic and temporal distance. One well-know example, the pile of thousands of shoes plundered from concentration camp victims encourages the visitor to bridge the gap between viewer and victim. Hansen-Glucklich explores how each museum's concept of the sacred shapes the design and choreography of visitors' experiences within museum spaces. These spaces are sites of pilgrimage that can in turn lead to rites of passage.
Museum architecture. --- Holocaust, Jewish (1939-1945) --- Holocaust, Jewish (1939-1945), and architecture. --- Memorialization. --- Symbolism in architecture. --- Museum techniques. --- Architecture des musées --- Holocauste, 1939-1945 --- Holocauste (1939-1945), et architecture --- Commémorations --- Symbolisme en architecture --- Muséologie --- Museums. --- Study and teaching. --- Musées --- Etude et enseignement --- Jüdisches Museum Berlin (1999- ) --- Yad va-shem, rashut ha-zikaron la-Sho'ah vela-gevurah. --- United States Holocaust Memorial Museum. --- Architecture des musées --- Commémorations --- Muséologie --- Musées --- Jüdisches Museum Berlin (1999- ) --- Yad ṿa-shem, rashut ha-zikaron la-Shoʼah ṿela-gevurah. --- Holocaust, Jewish (1939-1945), and architecture --- Memorialization --- Museum architecture --- Museum techniques --- Symbolism in architecture --- Architectural symbolism --- Signs and symbols in architecture --- Architecture --- Museology --- Museums --- Catastrophe, Jewish (1939-1945) --- Destruction of the Jews (1939-1945) --- Extermination, Jewish (1939-1945) --- Holocaust, Nazi --- Ḥurban (1939-1945) --- Ḥurbn (1939-1945) --- Jewish Catastrophe (1939-1945) --- Jewish Holocaust (1939-1945) --- Jews --- Nazi Holocaust --- Nazi persecution of Jews --- Shoʾah (1939-1945) --- Genocide --- World War, 1939-1945 --- Kindertransports (Rescue operations) --- Memorialisation --- Memorials --- Architecture and the Holocaust --- Study and teaching --- Technique --- Nazi persecution --- Persecutions --- Atrocities --- Jewish resistance --- U.S. Holocaust Memorial Museum --- US Holocaust Memorial Museum --- Holocaust Museum (United States) --- USHMM --- Мемориальный музей Холокоста США --- Memorialʹnyĭ muzeĭ Kholokosta SShA --- Jewish Museum Berlin (1999- ) --- Stiftung Jüdisches Museum Berlin (1999- ) --- Jüdisches Museum im Berlin Museum --- יד ושם, רשות הזיכרון לשואה ולגבורה. --- Yad Vashem Holocaust History Museum --- Holocaust History Museum at Yad Vashem --- Applied museology --- Museography --- Museum practices --- Museum studies --- Holocaust, Nazi (Jewish Holocaust) --- Nazi Holocaust (Jewish Holocaust) --- Nazi persecution (1939-1945) --- Holocaust museum exhibits.
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