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Architecture --- History --- Histoire --- Jersey Devil (Firm) --- Architecture - United States - 20th century.

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Architecture - United States - 20th century --- Wright, Frank Lloyd, - 1867-1959 - Criticism and interpretation --- Architecture --- Wright, Frank Lloyd, --- Wright, Frank Lloyd, - 1867-1959

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Architecture --- History --- Histoire --- Pei, I. M., --- Architecte --- Architecture contemporaine --- Détail d'architecture --- Espace public --- Rénovation urbaine --- Structure --- Critique et interprétation --- Paris (France) --- Pyramide du Louvre --- Criticism and interpretation. --- Pei, Ieoh Ming --- Critique et interprétation. --- Pyramide du Louvre. --- Architecture - United States - 20th century. --- Critique et interprétation.

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architectuurtheorie --- Architecture --- architectural theory --- Wright, Frank Lloyd --- Architecte --- Dessin d'architecture --- Ecrit d'architecte --- Théorie de l'architecture --- Wright, Frank Lloyd, --- Philosophy --- Criticism and interpretation --- -Wright, Frank Lloyd --- 72.01 --- Essays by Frank Lloyd Wright for Architectural Record 1908-1952; with a symposium on architecture with and without Wright by eight who knew him: Andrew Devane, Victor Hornbein, Elizabeth Wright Ingraham, Karl Kamrath, Elizabeth Kassler, Edgar Kaufmann Jr., Henry Klumb, Bruno Zevi --- architectuur --- twintigste eeuw --- Verenigde Staten --- Wright Frank Lloyd --- 72.071 WRIGHT --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Architectuur (theorie) --- Architectuurtheorie --- Design and construction --- -Criticism and interpretation --- Architecture, Modern --- History --- Criticism and interpretation. --- Philosophy. --- Architecture - United States - 20th century --- Wright, Frank Lloyd, - 1867-1959 - Philosophy --- Wright, Frank Lloyd, - 1867-1959 - Criticism and interpretation --- Wright, Frank Lloyd, - 1867-1959 --- architecture [discipline] --- anno 1900-1909 --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- anno 1950-1959 --- United States of America

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Parmi les nombreux spectacles présentés dans la légendaire galerie 112 Greene Street - un épicentre artistique de la scène du centre-ville de New York dans les années 1970 - le spectacle du groupe Anarchitecture de mars 1974 a fait l'objet des discussions les plus persistantes, en dépit d'un manque total de documentation à ce sujet. L'anarchitecture est devenue un mythe fondateur, mais il reste à le comprendre correctement. Issue d'une série de réunions organisées par Gordon Matta-Clark et reflétant son intérêt de longue date pour l'architecture, l'exposition Anarchitecture a été conçue comme une déclaration de groupe anonyme composée de photographies sur l'intersection de l'art et du bâtiment. Mais est-ce vraiment arrivé? Il n'existe que par le biais de traces archivistiques obliques et de la mémoire des participants. Cutting Matta-Clark enquête sur le groupe Anarchitecture en tant que sorte de séminaire de recherche collectif, à travers des entretiens approfondis avec les protagonistes et un dossier de toutes les preuves disponibles. Le dossier comprend une collection de "cartes artistiques" aphoristiques de Matta-Clark, les 96 photographies produites par les différents participants pour une éventuelle inclusion dans l'exposition, ainsi que des images d'une vidéo récemment découverte du voyage en bus de Matta-Clark, désormais célèbre, pour voir Splitting à Englewood, New Jersey Of the many shows at the fabled 112 Greene Street gallery - an artistic epicenter of New York's downtown scene in the 1970s - the Anarchitecture group show of March 1974 has been the subject of the most enduring discussion, despite a complete lack of documentation about it. Anarchitecture has become a foundational myth, but one that remains to be properly understood. Stemming from a series of meetings organized by Gordon Matta-Clark and reflecting his long-standing interest in architecture, the Anarchitecture exhibition was conceived as an anonymous group statement in photographs about the intersection of art and building. But did it actually happen? It exists only through oblique archival traces and the memories of the participants. Cutting Matta-Clark investigates the Anarchitecture group as a kind of collective research seminar, through extensive interviews with the protagonists and a dossierof all the available evidence. The dossier includes a collection of Matta-Clark's aphoristic 'art cards', the 96 photographs that were produced by the various participants for possible inclusion in the exhibition, and images from a recently unearthed video of Matta-Clark's now famous bus trip to see Splitting in Englewood, New Jersey

investigation --- architectural criticism --- Matta-Clark, Gordon --- Anarchitecture Group [New York, N.Y.] --- Art and architecture --- 7.07 --- Architecture and art --- Architecture --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Matta-Clark, Gordon, --- Clark, Gordon Matta-, --- Criticism and interpretation. --- 7.038 --- Anarchitectuur --- Kunst en architectuur ; ingrepen ; G. Matta-Clark --- Architectuur-sculpturen ; insnijdingen --- Situationisme --- Process Art --- Matta-Clark, Gordon 1945-1978 (°New York, Verenigde Staten). Gestorven te Antwerpen --- Kunstgeschiedenis ; 1950 - 2000 --- 112 Greene Street (Gallery) --- History. --- Matta-Clark, Gorden --- Matta-Clark, G. --- Group work in art --- Art et architecture --- Art --- History --- Histoire --- Travail en équipe --- Architecture et arts --- Matta-Clark, Gordon (1943-1978) --- Art and architecture - United States - 20th century --- Artists - United States - 20th century - Interviews --- Déconstructivisme --- Rapport art-architecture --- Situationnisme --- An-esthetisme --- An-architecture --- Matta-Clark, Gordon, - 1943-1978 - Criticism and interpretation --- Matta-clark, Gordon