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Architecture, Late Gothic --- Christian art and symbolism --- Church architecture
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Architecture, Late Gothic --- Art, Late Gothic --- Architecture gothique --- Art gothique --- Gothique flamboyant
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Im Laufe des 15. und 16. Jahrhunderts hat die Herausforderung, steinerne Deckenkonstruktionen zu entwickeln, zu immer komplexeren Lösungen geführt. Hinsichtlich ihrer Struktur und ihres Entwurfs äußerst anspruchsvoll, zählen diese ambitionierten, oft gewagten Konstruktionen zu den großen Meisterwerken der Architektur. Ausgehend von der Analyse der gebauten Objekte wird mit den Mitteln von "Reverse Engineering" und praktischen Experimenten, sowie anhand der Interpretation von Traktaten und zeitgenössischen Architekturzeichnungen untersucht, wie spätgotische Gewölbe entworfen und geplant wurden, wie der Informationsfluss vom Entwurf zum Bau bewerkstelligt wurde, und welche geometrischen Konzepte und Vorstellungen von der Mechanik zugrunde gelegen haben. Dies eröffnet Einblicke in Organisation und Kommunikationsprozesse auf den Baustellen, in die Wissenskultur und Wissensvermittlung, und in die Gestaltung der Architektur im späten Mittelalter und der Frühen Neuzeit. Das Buch stellt ein neues, vollständiges Bild der Planung spätgotischer Gewölbe vom Gesamtkonzept bis zum Anreißen und Fertigen der einzelnen Bauteile zur Diskussion. -- Source éditeur
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Les Chambiges, père et fils, sont les auteurs de quatre cathédrales françaises qui forment un groupe d'une cohérence unique en son genre : Sens, Beauvais, Troyes, Senlis. L'achèvement de ces géants de pierre à la fin du XVe siècle et au début du XVIe siècle offrit l'occasion d'un renouvellement extraordinaire du style gothique flamboyant et le développement d'une nouvelle génération d'architectes.
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The Monastery of Santa Maria da Vitoria in Batalha is without doubt one of the most important historic buildings in Portugal. It is also one of the few outstanding examples of a late gothic monastic complex in Europe. This study presents a comprehensive examination of the complex which is used as a basis to re-evaluate the chronology of its construction. The ground plan of the church and the major elements of the monastery have been newly measured to establish a high level of accuracy with regard to the construction work.
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Gothic [Medieval] --- gotische kunst --- Art, Late Gothic --- Art gothique --- Gothique flamboyant --- 7.033.5 --- Gotiek. Laat-Middeleeuwse kunst --- Art, Late Gothic. --- Architecture, Late Gothic --- Architecture, Late Gothic. --- 7.033.5 Gotiek. Laat-Middeleeuwse kunst --- History --- sculpting --- painting [image-making] --- architecture [discipline] --- Art --- anno 500-1499 --- anno 1200-1499 --- anno 1400-1499 --- kunstgeschiedenis --- art history --- anno 1300-1399 --- Histoire de l'art --- Europe --- Histoire
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À partir d'un corpus de vingt-cinq collégiales bâties entre 1450 et 1560, Julien Noblet étudie ces édifices mortuaires et les communautés qui les desservent. Nés de la volonté seigneuriale, ils reflètent les goûts de leurs commanditaires et témoignent de la réaction d'une partie de l'élite face à la démocratisation de l'enterrement. Étudiés sous un angle nouveau, ils s'intègrent au cœur des préoccupations de l'homme face à la mort, tentant à la fois de gagner le salut éternel et d'obtenir une sorte d'immortalité terrestre.
Sepulchral chapels --- Architecture, Late Gothic --- Architecture, Renaissance --- Collegiate churches --- Chapelles funéraires --- Architecture gothique --- Architecture de la Renaissance --- Collégiales --- Gothique flamboyant --- Chapelles funéraires --- Collégiales --- Conception et construction --- France --- Renaissance
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"In this book, Robert Bork offers a sweeping reassessment of late Gothic architecture and its fate in the Renaissance. In a chronologically organized narrative covering the whole of western and central Europe, he demonstrates that the Gothic design tradition remained inherently vital throughout the fourteenth and fifteenth centuries, creating spectacular monuments in a wide variety of national and regional styles. Bork argues that the displacement of this Gothic tradition from its long-standing position of artistic leadership in the years around 1500 reflected the impact of three main external forces: the rise of a rival architectural culture that championed the use of classical forms with a new theoretical sophistication; the appropriation of that architectural language by patrons who wished to associate themselves with papal and imperial Rome; and the chaos of the Reformation, which disrupted the circumstances of church construction on which the Gothic tradition had formerly depended. Bork further argues that art historians have much to gain from considering the character and fate of late Gothic architecture, not only because the monuments in question are intrinsically fascinating, but also because examination of the way their story has been told--and left untold, in many accounts of the "Northern Renaissance"--can reveal a great deal about schemes of categorization and prioritization that continue to shape the discipline even in the twenty-first century."--Page 4 of cover.
Architecture, Gothic --- Gothic architecture --- Christian antiquities --- Church architecture --- Architecture, Gothic. --- Architecture, Renaissance. --- History --- Architecture --- Gothic [Medieval] --- anno 1200-1499 --- Europe --- Architecture, Late Gothic. --- Architecture, Renaissance --- Church architecture - History - To 1500
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Church architecture --- Architecture, Late Gothic --- Église Notre-Dame (Alençon, France) --- Finance. --- Alençon (France) --- Medieval Economic History --- Religious Building --- Buildings, structures, etc. --- Church buildings --- Design and construction
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The theme of the book is the origin of Late Gothic architecture in Europe around the year 1300. It was then that Gothic ecclesiastical architecture graduated from a largely French into a wholly European phenomenon with new centres of art production (Cologne, Florence, York, Prague, Kraków) and newly-empowered institutions: kings, the higher nobility, towns and friars. Profound changes in spiritual and devotional life had a lasting effect on the relationship between architecture and liturgy. In short, architecture around 1300 became at once more cosmopolitan and more heterogeneous.The book addresses these radical changes on their own terms-as an international phenomenon. By bringing together specialists in art, architecture and liturgy from many parts of Europe and from the USA it aims to employ their separate expertise, and to integrate each into a broader European perspective.
Architecture --- anno 1300-1399 --- Europe --- Architecture, Gothic. --- Architecture gothique --- Church architecture --- Architecture, Late Gothic --- Gotiek. --- Kerkgebouwen. --- Middeleeuwen. --- Architectuurgeschiedenis (wetenschap) --- Art, Architecture & Applied Arts --- 72.033 --- Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Architectuurgeschiedenis (wetenschap). --- 72.033 Bouwstijlen van de Middeleeuwen (ca 476-1492) --- Ecclesiastical architecture --- Rood-lofts --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Church buildings --- Late Gothic architecture --- Architecture, Medieval --- Late Gothic --- Architecture religieuse --- Congresses --- Architecture [Late Gothic ]
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