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A century after the founding of the Bauhaus, probably the most popular and yet controversial art school in Weimar, its name has become a byword, as well as a myth. Entire generations have been confronted with, and socialized by, the factual, down-to-earth, and functional Bauhaus architecture. Trailblazers, allies, and heirs to modernism are united by an architectural language generally described as 'Bauhaus'. The Bauhaus legacy, which the photographer Jean Molitor has been tracking around the world since 2009, is presented here in this catalogue. Einhundert Jahre nach Gründung des Bauhauses, der wohl populärsten und gleichzeitig umstrittensten Kunstschule in Weimar, ist sein Name sowohl Schlagwort als auch Mythos. Ganze Generationen sind mit der sachlich-nüchternen und funktionalen Bauhaus-Architektur konfrontiert und sozialisiert worden. Wegbereiter, Wegbegleiter und Erben der Moderne vereint eine Architektursprache, die mit dem Begriff Bauhaus allgemein verständlich wird. Die Erben des Bauhauses, die der Fotograf Jean Molitor seit 2009 auf der ganzen Welt aufspürt, werden in dem hier vorliegenden Katalog gemeinsam präsentiert. In seinem Kunstprojekt bau1haus nimmt er die Ästhetik der Bauten in den Fokus: Er sieht sie als zentrales Element einer epochemachenden Bewegung in Architektur, Kunst und Design, die aus dem Jugendstil in die Moderne führt, und macht durch seine Bilder globale Verbindungen des Bauhauses deutlich.

Architecture, Modern --- Architecture --- Exhibitions. --- Expositions --- Molitor, Jean --- Bauhaus --- Photographie d'architecture --- Molitor, Johannes --- Molitor, Jean, --- Architectural photography --- Photographie --- Influence --- Architectural photography - Exhibitions --- Architecture, Modern - 20th century - Pictorial works - Exhibitions --- Molitor, Jean - Exhibitions

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240 cm is the standard distance between floor and ceiling in residential buildings: the height of the void we inhabit. In its precision, and its emptiness, the number reflects contemporary interior architecture's condition. In a series of essays, 'House Tour' explores an interior that is both familiar and seemingly uninhabited, critically celebrating a peculiar genre of representation, the architectural photography of an unfurnished interior. The authors - including anthropologists, architecture theorists and art historians - consider the ubiquitous contemporary apartment from an eye-level view, foregrounding the appearance and material presence of the architectural shell. They start out from photographs of unfurnished interiors found on the websites of leading Swiss architecture firms. They have a blank, labyrinthine appearance, with walls intersecting at oblique angles and exits seemingly leading nowhere, and show featureless rooms with seamless transitions between surfaces. Exhibition: Swiss Pavilion, 16th Architecture Biennale, Venice, Italy (26.05. - 24.11.2018).

Architecture intérieure --- Photographie d'architecture --- Architecture --- Interior architecture --- Architectural photography --- Architecture, Modern --- 728.037 --- 728.2 --- 72.02 --- Zwitserland --- Biennale di Venezia --- Architectural interiors --- Architecture, Interior --- Interior space (Architecture) --- Interiors --- Space (Architecture) --- 21ste eeuw (woningbouw) --- Appartementen (architectuur) --- Presentatietechnieken (architectuur) --- Exhibitions --- Architecture intérieure. --- Interior architecture - Exhibitions --- Architectural photography - Exhibitions --- Architecture, Modern - 21st century - Exhibitions --- Image de l'architecture --- Photographie --- Perception de l'espace --- Architecture intérieure

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Architectural drawing --- Architectural photography --- Architecture in art --- Dessin d'architecture --- Photographie d'architecture --- Architecture dans l'art --- Exhibitions. --- Expositions --- Centre canadien d'architecture --- Architecture --- Bibliography --- -Architectural photography --- -Architecture --- -72.02 --- 72.02 --- 77.046 --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Photography, Architectural --- Photography of architecture --- Photography of buildings --- Photography --- Drawing, Architectural --- Plans --- Architectural design --- Communication in architectural design --- Drawing --- Mechanical drawing --- Exhibitions --- -Exhibitions --- Architectuurtekeningen --- Presentatietechnieken (architectuur) --- Architectuurfotografie --- Design and construction --- -Canadian Centre for Architecture --- CCA --- Canadian Center for Architecture --- Centro canadese di architettura --- Bibliography&delete& --- Canadian Centre for Architecture --- Centre canadien d'architecture. --- Architecture, Primitive --- Architectural drawing - Exhibitions. --- Architectural photography - Exhibitions. --- Architecture - Bibliography - Exhibitions.

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Brasilia, Chandigarh, Le Havre... Ces trois grandes villes du XXe siècle, construites par trois architectes majeurs, Oscar Niemeyer, Le Corbusier et Auguste Perret, sur trois continents différents, ont en commun d'avoir été de grands chantiers mettant en oeuvre les convictions de leurs concepteurs. Réalisations majeures de l'histoire mondiale de l'architecture et de l'urbanisme, elles ont également en commun d'avoir été photographiées entre 1955 et 1961 par l'un des meilleurs "interprètes" de l'architecture qui soient : Lucien Hervé. Le dialogue entre son oeuvre et celles, plus récentes, d'artistes contemporains (Louidgi Beltrame, Emmanuelle Blanc, Jordi Colomer, Stéphane Couturier, George Dupin, Véronique Ellena, Diwan Manna, Arthur Monteiro, Emmanuel Pinard, Caio Reisewitz et Nancy Wilson-Pajic), invite à la (redécouverte de ces photographies devenues mythiques et ayant largement contribué à faire connaître en Europe la physionomie des nouvelles capitales du Brésil et du Penjab occidental et en France, celle du Havre. http://www.eyrolles.com/BTP/Livre/9782757200933/livre-brasilia-chandigarh-le-havre.php

Architectural photography --- Photography, Artistic --- Photographie d'architecture --- Photographie artistique --- Exhibitions. --- Expositions --- Brasília (Brazil) --- Chandigarh (India) --- Le Havre (France) --- Brasilia (Brésil) --- Chandigarh (Inde) --- Pictorial works --- Exhibitions --- Ouvrages illustrés --- Histoire de l'architecture --- Histoire de l'urbanisme --- Mouvement moderne --- Photographie --- Ville nouvelle --- Beltrame, Louidgi --- Blanc, Emmanuelle --- Colomer, Jordi --- Couturier, Stéphane --- Dupin, George --- Ellena, Véronique --- Herve, Lucien --- Le Corbusier, Charles-Edouard Jeanneret, --- Manna, Diwan --- Monteiro, Arthur --- Niemeyer, Oscar, 1907-2012 --- Perret, Auguste, --- Pinard, Emmanuel --- Reisewitz, Caio --- Wilson-pajic, Nancy --- Brasilia --- Chandigarh --- Havre --- Brasília (Distrito Federal, Brazil) --- Chandīgarh (India) --- Brasília (Distrito Federal, Brazil) --- Brasília (Distrito Federal, Brésil) --- Brasília (Distrito Federal, Brésil) --- Ouvrages illustrés --- Hervé, Lucien --- Architectural photography - Exhibitions --- Photography, Artistic - Exhibitions --- Le Corbusier, Charles-Edouard Jeanneret, 1887-1965 --- Perret, Auguste, 1874-1954 --- Brasília (Distrito Federal, Brazil) - Pictorial works - Exhibitions --- Chandīgarh (India) - Pictorial works - Exhibitions --- Le Havre (France) - Pictorial works - Exhibitions