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Architectural design --- History --- Architectural design, history
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Small buildings --- Architecture and children --- Architecture --- Petites constructions --- Architecture et enfants --- Competitions --- Concours --- Architectural design --- Design --- History --- Architecture minimale --- Meubles en carton --- Constructions scolaires --- Enfants --- Constructions scolaires. --- Architecture et enfants. --- Architecture minimale. --- Meubles en carton. --- Design. --- Architectural design - History - 21st century - Exhibitions --- Small buildings - Designs and plans - Exhibitions --- Design - History - 21st century - Exhibitions --- Architecture - Competitions - France - Exhibitions --- Design - Competitions - France - Exhibitions
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Draw In Order to See' is the first book to survey the history of architectural design using the latest research in neuroscience and embodied cognition.0At present, among the dozens of books on architectural drawing, design theory, methodologies, model making, CAAD, and planning, there is no book that specifically looks at the history of representation as a reflection of cognitive habits among individuals and groups of architects. As a historian and a practicing architect, Mark Hewitt has a unique point of view, that has enabled him to study the design practices of many architects during various eras, beginning in the Renaissance and stretching into the late 20th century. Hewitt has dedicated more than 30 years to writing about the process of conception (or visualisation) of buildings in the brain. Researchers on that subject now consistently cite one of his earliest studies on drawings and modes of conception.0This book pursues that line of inquiry with the new discoveries about visual perception, cognition and embodiment that have revolutionised brain science. Hewitt believes that looking historically at how architects have designed, a brain-based practice developed during and after the Renaissance, once drawings became sophisticated enough to provide feedback for perception and memory in the cortex. His contention is that disegno, as invented in Italy during the time of Leonardo and Michelangelo, initiated that system, and that it was translated into a curriculum during the rise of Beaux Arts institutions prior to the 1920s, after which the Bauhaus system replaced it completely with what we have today.
72.012/013 --- 72.02 --- 741 --- Architectonisch ontwerp --- Architectuurontwerp --- Architectuurtekenen --- Architectuurtekeningen --- Tekenkunst --- Architectural design --- Architectural drawing --- Drawing --- Perspective --- Architecture --- History --- Psychological aspects --- Technique --- architectural drawings [visual works] --- architectural education --- architectural theory --- Architectural design - History --- Architectural design - Psychological aspects --- Drawing - Technique --- Architecture - History --- Ontwerp (architectuur) --- Dessin d'architecture --- Architectural design. --- Architectural drawing. --- Architecture. --- Perspective. --- History. --- Psychological aspects. --- Technique.
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“Co-creative meetings” foster invention and innovation, and therefore enable innovative developmental processes in an organizational and inter-organizational context, including strategy development, product development, human resource development, R&D, and trans-organizational projects. This book illustrates the difference between productive and innovative organizations and what that difference means for meetings taking place in such organizations, both from a conceptual and practical point of view. It provides managers, coaches, consultants and other professionals whose job it is to organize meetings with clear and action-oriented guidelines for the design of “co-creative meetings”, and also shows how to incorporate them through experiential learning.
Architects -- Biography. --- Architects and engineers -- Biography. --- Architectural design -- History. --- Communities of practice --- Organizational learning --- Creative ability in business --- Management --- Business & Economics --- Management Theory --- Management Styles & Communication --- Business meetings. --- Meetings. --- Conferences --- Business. --- Entrepreneurship. --- Leadership. --- Management. --- Industrial management. --- Business ethics. --- Business and Management. --- Business Strategy/Leadership. --- Innovation/Technology Management. --- Business Ethics. --- Congresses and conventions --- Discussion --- Meetings --- Business --- Businesspeople --- Commercial ethics --- Corporate ethics --- Corporation ethics --- Professional ethics --- Wealth --- Entrepreneur --- Intrapreneur --- Capitalism --- Business incubators --- Administration --- Industrial relations --- Organization --- Ability --- Command of troops --- Followership --- Moral and ethical aspects --- Business administration --- Business enterprises --- Business management --- Corporate management --- Corporations --- Industrial administration --- Management, Industrial --- Rationalization of industry --- Scientific management --- Industrial organization
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Les fondements, les formes et les motifs géométriques de l'architecture, du design et des arts décoratifs actuels permettent de retracer leurs origines dans les cultures du passé. Le livre raconte l’histoire de la relation intime existant entre la géométrie, les mathématiques et le design tout au long de l’histoire. The geometric foundations, forms, and patterns in today's architecture, design and, decorative arts can trace their origins in past cultures. From humankind's first path-like doodles on cave walls through to the higher abstractions developed to make accurate measurements and predictions, the three-dimensional forms we design and build have always been dependent on available materials, human needs, and the limits of our imaginations. '3D Thinking in Design and Architecture' tells the story of the intimate relationship between geometry, mathematics and man-made design throughout human history, from the Neolithic period through the Indian, Egyptian, Babylonian, Chinese, Greek, Celtic, Islamic and Renaissance cultures, to the present and the possible future. Presenting key principles that can be applied across all design disciplines, design expert Roger Burrows relates how geometry as a visual language has evolved to meet our needs, initiated new technologies, and changed the way we think about the world around us. With a wealth of original artwork by the author to explain his ideas, this book will be an essential reference and source of inspiration for students and design professionals.
Architectural design --- Three-dimensional imaging --- Architecture --- Decoration and ornament --- Design architectural --- Imagerie tridimensionnelle --- Décoration architecturale --- History --- Mathematics --- Histoire --- Mathématiques --- Imagerie tridimensionnelle. --- Histoire. --- Mathématiques. --- Building design --- Aesthetics of art --- History of civilization --- architecture [discipline] --- graphic design --- three-dimensional --- Geometry in architecture --- Decoration and ornament, Architectural --- Architecture, Ancient --- Civilization, Ancient --- Three-dimensional imaging in architecture --- Géométrie --- Motif décoratif --- Histoire de l'architecture --- Histoire des arts décoratifs --- Influence --- Dessin assisté par ordinateur (DAO) --- Geometry in architecture - History --- Architecture - Mathematics --- Architectural design - History --- Decoration and ornament, Architectural - History --- Architecture, Ancient - Influence --- Civilization, Ancient - Influence --- Décoration architecturale --- Mathématiques.
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Structural analysis (Engineering) --- Structural design --- Architectural design --- Stereotomy --- History --- 624.04 --- 72.01 --- -Stereotomy --- -Structural analysis (Engineering) --- -Structural design --- -Engineering design --- Strains and stresses --- Architectural engineering --- Engineering, Architectural --- Structural mechanics --- Structures, Theory of --- Structural engineering --- Geometry, Descriptive --- Design --- Structural design. Graphical and analytical statics for investigation and calculation of structures --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- History. --- -624.04 Structural design. Graphical and analytical statics for investigation and calculation of structures --- Engineering design --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- -Structural design. Graphical and analytical statics for investigation and calculation of structures --- -Architectural engineering --- 624.04 Structural design. Graphical and analytical statics for investigation and calculation of structures --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Structural analysis (Engineering) - History --- Structural design - History --- Architectural design - History --- Stereotomy - History
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