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Rhetorics of belonging : nation, narration, and Israel/Palestine
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ISBN: 9781846319433 9781781385739 1781381046 1781385734 1781386080 1846319439 9781781386088 9781781381045 Year: 2013 Publisher: Liverpool : Liverpool University Press,

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Abstract

The crisis in Israel/Palestine has long been the world's most visible military conflict. Yet the region's cultural and intellectual life remains all but unknown to most foreign observers, which means that literary texts that make it into circulation abroad tend to be received as historical documents rather than aesthetic artefacts. Rhetorics of Belonging examines the diverse ways in which Palestinian and Israeli world writers have responded to the expectation that they will 'narrate' the nation, invigorating critical debates about the political and artistic value of national narration as a reading and writing practice. It considers writers whose work is rarely discussed together, offering new readings of the work of Edward Said, Amos Oz, Mourid Barghouti, Orly Castel-Bloom, Sahar Khalifeh, and Anton Shammas. This book helps to restore the category of the nation to contemporary literary criticism by attending to a context where the idea of the nation is so central a part of everyday experience that writers cannot not address it, and readers cannot help but read for it. It also points a way toward a relational literary history of Israel/Palestine, one that would situate Palestinian and Israeli writing in the context of a history of antagonistic interaction. The book's findings are relevant not only for scholars working in postcolonial studies and Israel/Palestine studies, but for anyone interested in the difficult and unpredictable intersections of literature and politics.

Keywords

History --- Politics. --- Auxiliary sciences of history --- Annals --- E-books --- Jewish-Arab relations in literature. --- Israeli literature --- Arabic literature -- 20th century -- History and criticism. --- Arab-Israeli conflict -- Literature and the conflict. --- Hebrew literature -- 20th century -- History and criticism. --- Israeli literature -- 20th century -- History and criticism. --- Palestine -- In literature. --- Jewish-Arab relations in literature --- Literature and the conflict. --- Literature and the conflict --- Palestine. --- Hebrew literature, Modern --- Israeli literature (Hebrew) --- Arab-Israeli conflict in literature --- Israel-Arab conflicts in literature --- Holy Land --- Arab-Israeli conflict --- Arabic literature --- Hebrew literature --- History and criticism. --- Palestine --- In literature. --- Languages & Literatures --- Middle Eastern Languages & Literatures --- Jews --- Jewish literature --- Israel-Arab conflicts --- Israel-Palestine conflict --- Israeli-Arab conflict --- Israeli-Palestinian conflict --- Jewish-Arab relations --- Palestine-Israel conflict --- Palestine problem (1948- ) --- Palestinian-Israeli conflict --- Palestinian Arabs --- History and criticism --- Literature --- Arab-Israeli conflict. --- Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Allegory --- Arabs --- Israeli–Palestinian conflict --- Israelis --- Palestinians --- Rhetoric --- State of Palestine --- Zionism


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War comics : a postcolonial perspective
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ISBN: 9781003081364 1003081363 9781000163438 1000163431 9781000163353 9781000162291 9781000163391 1000163393 1000163350 9780367533151 0367533154 Year: 2020 Publisher: New York: Routledge,

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Abstract

This book focuses on non-fictional, visual narratives (including comics; graphic narratives; animated documentaries and online, interactive documentaries) that attempt to represent violent experiences, primarily in the Levant. In doing so it explores, from a philosophical perspective, the problem of representing trauma when language seems inadequate to describe our experiences and how the visual narrative form may help us with this. The book uses the concept of the ineffable to expand the notion of representation beyond the confines of a western, individualist notion of trauma as event based. In so doing, it engages a postcolonial perspective of trauma, which treats violence as ongoing and connected to several incidents of violence across time and space. This book demonstrates how the formal qualities of visual, non-fiction may help close the gap between representation and experience through the process of ‘dark’ writing

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