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This lecture premiered at The Louvre auditorium as part of FIAC?s public programs in October, 2017. To give it, I loaded the talk into a teleprompter program on my laptop. The line breaks in the piece are a result of the way the teleprompter program broke them up in order to facilitate the reading of the work. Although I have never written lineated verse, I love the idea that a computer lineated the verse for me. This lecture, then, reads an awful lot like the way I talk, but it is truly nothing like the way I talk.? - Kenneth Goldsmith.
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Ever innovative and predictably diverse in their physical formats, artists' books occupy a creative space between the familiar four-cornered object and challenging works of art that effectively question every preconception of what a book can be. Many artists specialize in producing self-contained art projects in the form of books, like Ken Campbell and Susan King, or they establish small presses, like Simon Cutts and Erica Van Horn's Coracle Press or Harry and Sandra Reese's Turkey Press. Countless others who are primarily known as sculptors, painters, or performance artists carry on a parallel practice in artists' books, including Anselm Kiefer, Annette Messager, Ed Ruscha, and Richard Tuttle. Artists and Their Books / Books and Their Artists includes eighty important examples selected from the Getty Research Institute's Special Collections of more than six thousand editions and unique artists' books. This elegant catalogue also presents precursors to the artist's book, such as Joris Hoefnagel's sixteenth-century calligraphy masterpiece; single-sheet episodes from Albrecht DuIA rer's Life of Mary, designed to be either broadsides or a book; early illustrated scientific works; and avant-garde publications. Twentieth-century works reveal the impact of artists' books on Pop art, Fluxus, Conceptual, feminist art, and postmodernism. The selection of books by an international range of artists who have chosen to work with texts and images on paper provokes new inquiry into the nature of art and books in contemporary culture.
Artists' books --- Conceptual art --- Book history --- conceptuele kunst --- artists' books [books] --- book objects --- bookworks --- Boekgeschiedenis --- kunstenaarsboeken --- boekwerken --- boekobjecten --- Artists' books. --- Conceptual art. --- Getty Research Institute (Los Angeles) --- Antin, David --- 19de eeuw --- 20ste eeuw --- 21ste eeuw --- Kunstenaars --- Boek --- Vormgeving --- Kunstenaar --- Getty Research Institute (Los Angeles). --- kunstenaarsboeken. --- Antin, David. --- 19de eeuw. --- 20ste eeuw. --- 21ste eeuw.
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avant-garde --- Surrealist --- Politics --- Art styles --- Situationist --- Breton, André --- Antin, David --- Nougé, Paul --- Magritte, René --- Vaneigem, Raoul --- Cage, John --- anno 1900-1999 --- Belgium --- Avant garde (Aesthetics) --- Modernism (Art) --- Modernism (Literature) --- Surrealism --- Surrealism (Literature) --- Political aspects. --- Internationale situationniste. --- kunst en politiek
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Edited by John Hanhardt --- film --- videokunst --- video --- filmtheorie --- kunst en technologie --- media --- nieuwe media --- televisie --- Baudrillard Jean --- Benjamin Walter --- Althusser Louis --- Enzensberger Hans Magnus --- Antin David --- Ross David --- Krauss Rosalind --- Cavell Stanley --- Paik Nam June --- Youngblood Gene --- Burnham Jack --- Ellis John --- Davis Douglas --- 791.45 --- Televisie-uitzending --- Télédiffusion --- Video art --- Mass media
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What is the fate of art in an age of publicity? How has the role of traditional public (i.e., government-owned) art changed in contemporary culture, and how have changing conditions of public space and mass communications altered the whole relationship between art and its potential audiences? With contributions from the arts, philosophy, criticism, and the law, the thirteen essays in this volume explore the aesthetic, social, and political dynamics that make contemporary public art so controversial, and that that have placed recent art work at the center of public debates. Contributors include Vito Acconci, "Public Space in a Private Time"Agnes Denes, "The Dream"W. J. T. Mitchell, "The Violence of Public Art: 'Do the Right Thing'"Ben Nicholson, "Urban Poises"Michael North, "The Public as Sculpture: From Heavenly City to Mass Ornament"Barbara Kruger, in an interview with W. J. T. MitchellBarbara Hoffman, "Law for Art's Sake in the Public Realm"Richard Serra, "Art and Censorship"James E. Young, "The Counter-Monument: Memory Against Itself in Germany Today": Charles Griswold, "The Vietnam Veterans Memorial and the Washington Mall: Philosophical Thoughts on Political Iconography"John Hallmark Neff, "Daring to Dream"and David Antin and Virginia Maksymowicz. Presenting a balance of theoretical and performative essays by both critics and artists, this book will provide deep and discordant analyses of contemporary public art for general readers, as well as students and scholars of art, architecture, and public policy related to the arts. Most of these articles originally appeared in the journal 'Critical Inquiry'.
Industrial and intellectual property --- copyright --- sculpting --- Art --- war memorials --- Sculpture --- public art --- art [fine art] --- monuments --- Hoheisel, Horst --- Serra, Richard --- Nicholson, Ben --- Kruger, Barbara --- Armajani, Siah --- Ewing, Lauren --- Denes, Agnes --- Gerz, Jochen --- Antin, David --- Acconci, Vito --- Haacke, Hans --- LeWitt, Sol --- Lin, Maya --- anno 1900-1999 --- 7.01 --- Public art --- Civic art --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Public opinion. --- 7.01 Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst --- Public opinion --- art [discipline]
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