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Drawing extensively on black newspapers and commentary of the period, Karen Sotiropoulos shows how black performers and composers participated in a politically charged debate about the role of the expressive arts in the struggle for equality. Despite the racial violence, disenfranchisement, and the segregation of virtually all public space, they used America's new businesses of popular entertainment as vehicles for their own creativity and as spheres for political engagement.
Performing Arts. --- African Americans in the performing arts --- Performing arts --- Race discrimination --- Drama --- Music, Dance, Drama & Film --- Show business --- Arts --- Performance art --- History. --- Political aspects --- United States --- Race relations. --- Race question --- Racism against Black people --- Blackface --- Impersonation --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people --- African Americans in the performing arts.
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For over two centuries, America has celebrated the same African-American culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show appropriated black dialect, music, and dance; at once applauded and lampooned black culture; and, ironically, contributed to a ""blackening of America."" Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of t
Minstrel shows --- Working class --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- Blackface entertainers --- History. --- United States --- Southern States --- Confederate States of America --- Race relations. --- History --- Race question --- Lost Cause mythology --- Racism against Black people --- Blackface --- Impersonation --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people --- American minstrelsy --- Minstrelsy --- Minstrelsy, American
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This work examines the artworks, letters, sketchbooks, music collection, and biography of the painter William Sidney Mount (1807-1868) as a lens through which to see the multi-ethnic antebellum world that gave birth to blackface minstrelsy.
Blackface entertainers --- Minstrel shows --- Minstrel music --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- American minstrelsy --- Blackface minstrelsy --- Ethiopian operas (Minstrel music) --- Ethiopian songs (Minstrel music) --- Minstrel songs --- Minstrelsy, American --- Minstrelsy, Blackface --- Operas, Ethiopian (Minstrel music) --- Songs, Ethiopian (Minstrel music) --- Popular music --- Black-face entertainers --- Entertainers, Blackface --- Minstrels (Blackface entertainers) --- Entertainers --- History. --- History and criticism. --- Mount, William Sidney, --- Blackface --- Racism against Black people --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people --- Impersonation --- Blackfaced entertainers --- Blackface minstrel shows --- Minstrelsy --- American minstrel music --- Minstrel show songs
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"In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"--
HISTORY / United States / 19th Century. --- PERFORMING ARTS / Dance / General. --- SOCIAL SCIENCE / Ethnic Studies / African American Studies. --- Racism in popular culture --- Plantation life --- Slavery --- African American dance --- Theater and society --- Race in the theater --- Slaves --- Popular culture --- Country life --- Abolition of slavery --- Antislavery --- Enslavement --- Mui tsai --- Ownership of slaves --- Servitude --- Slave keeping --- Slave system --- Slaveholding --- Thralldom --- Crimes against humanity --- Serfdom --- Slaveholders --- Afro-American dance --- Dance, African American --- Dance --- Actors --- Society and theater --- Theater --- Enslaved persons --- Persons --- History. --- Justification. --- Social life and customs. --- Social status --- Social aspects --- History --- Justification --- Social life and customs --- Racism against Black people --- Blackface --- Impersonation --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people
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First published in 1952, Frantz Fanon's 'Black Skin, White Masks' is one of the most important anti-colonial works of the post-war period. It is both a profound critique of the conscious and unconcious ways in which colonialism brutalises the colonised and a passionate cry from deep within a black body alienated by the colonial system and in search of liberation from it. This volume is the first collection of essays specifically devoted to Fanon's text. It offers a wide range of interpretations of the text by leading scholars in a number of disciplines. Chapters deal with Fanon's Martinican heritage, Fanon and Creolism, ideas of race and racism and new humanism, Fanon and Sartre, representations of Blacks and Jews, and the psychoanalysis of race, gender and violence. Contributors offer new ways of reading the text and the volume as a whole constitutes an important contribution to the growing field of Fanon studies.
Black race --- Negro race --- Race --- Psychology. --- Social conditions. --- Blacks --- Race relations. --- Fanon, Frantz, --- Integration, Racial --- Race problems --- Race question --- Relations, Race --- Ethnology --- Social problems --- Sociology --- Ethnic relations --- Minorities --- Racism --- Fānūn, Frānz, --- פנון, פרנץ, --- فانون، فرانتس --- فانون، فرانز --- فانون، فرانس --- Black persons --- Negroes --- Black people --- Faanon, Faraanz, --- Fanon, Frantz (1925-1961). Peau noire, masques blancs --- Noirs --- Relations interethniques --- Conditions sociales --- Psychologie --- Caribbean culture. --- Caribbean history. --- Frantz Fanon. --- Orphée noir. --- Peau noire. --- Sartre. --- anti-Black racism. --- anti-Semitism. --- cultural significance. --- existential phenomenology. --- metropolitan France. --- political change. --- psychic change. --- racial ideology. --- racism. --- universalism. --- violent rupture.
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Spirituals performed by jubilee troupes became a sensation in post-Civil War America. First brought to the stage by choral ensembles like the Fisk Jubilee Singers, spirituals anchored a wide range of late 19th-century entertainments, including minstrelsy, variety, and plays by both black and white companies. In this work on postbellum spirituals in theatrical entertainments, Sandra Jean Graham mines a trove of resources to chart the spiritual's journey from the private lives of slaves to the concert stage. Graham navigates the conflicting agendas of those who, in adapting spirituals for their own ends, sold conceptions of racial identity to their patrons.
African Americans --- Jubilee singers. --- Minstrel shows --- Spirituals (Songs) --- Musicians --- Afro-Americans --- Black Americans --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Blacks --- African American spirituals --- Afro-American spirituals --- Negro spirituals --- Folk songs, English --- Hymns, English --- African American minstrel shows --- Blackfaced minstrel shows --- Negro minstrel shows --- African Americans in the performing arts --- Revues --- Vaudeville --- Blackface entertainers --- Music --- History anc criticism. --- History --- History and criticism. --- Blackface --- Racism against Black people --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Black people --- Impersonation --- American minstrelsy --- Minstrelsy --- Minstrelsy, American --- Blackface. --- Racism against Black people.
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"Blackface--instances in which non-Black persons temporarily darken their skin with make-up to impersonate Black people, usually for fun, and frequently in educational contexts--constitutes a postracialist pedagogy that propagates antiblack logics. In Performing Postracialism, Philip S.S. Howard examines instances of contemporary blackface in Canada and argues that it is more than a simple matter of racial (mis)representation. The book looks at the ostensible humour and dominant conversations around blackface, arguing that they are manifestations of the particular formations of antiblackness in the Canadian nation state and its educational institutions. It posits that the occurrence of blackface in universities is not incidental, and outlines how educational institutions’ responses to blackface in Canada rely upon a motivation to protect whiteness. Performing Postracialism draws from focus groups and individual interviews conducted with university students, faculty, administrators, and Black student associations, along with online articles about blackface, to provide the basis for a nuanced examination of the ways that blackface is experienced by Black persons. The book investigates the work done by Black students, faculty, and staff at universities to challenge blackface and the broader campus climate of antiblackness that generates it."--
Blackface --- College students, Black --- Racism against Black people --- Racism in higher education. --- SOCIAL SCIENCE / Ethnic Studies / General. --- Black studies. --- Canada. --- antiblackness/anti-Black racism. --- blackface. --- higher education. --- humour. --- minstrelsy. --- postracialism. --- racism. --- settler colonialism. --- Education, Higher --- Black people --- Black college students --- Black university students --- Students, Black --- Impersonation --- Canada --- Race relations. --- Relations raciales. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey
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How black Americans use digital networks to organize and cultivate solidarityUnrest gripped Ferguson, Missouri, after Mike Brown, an unarmed black teenager, was shot and killed by Officer Darren Wilson in August 2014. Many black Americans turned to their digital and social media networks to circulate information, cultivate solidarity, and organize during that tumultuous moment. While Ferguson and the subsequent protests made black digital networks visible to mainstream media, these networks did not coalesce overnight. They were built and maintained over years through common, everyday use.Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Beyond Hashtags tells the story of an influential subsection of these networks, an assemblage of podcasting, independent media, Instagram, Vine, Facebook, and the network of Twitter users that has come to be known as "Black Twitter." Florini looks at how black Americans use these technologies often simultaneously to create a space to reassert their racial identities, forge community, organize politically, and create alternative media representations and news sources. Beyond Hashtags demonstrates how much insight marginalized users have into technology.
African American mass media. --- African Americans and mass media. --- Race in mass media. --- SOCIAL SCIENCE / Black Studies (Global). --- 2016 US presidential election. --- Black Lives Matter. --- Black Twitter. --- Black cultural production. --- Black enclaves. --- Black innovation. --- Black social spaces. --- Ferguson. --- Martin Luther King Jr. --- Mike Brown. --- This Week in Blackness. --- Trayvon Martin. --- Zimmerman. --- affordances. --- alternative media production. --- anti-Black racism. --- citizen journalism. --- collective grieving. --- colorblindness. --- counterpublics. --- digital technology. --- historical narrative. --- independent media production. --- mainstream legacy media. --- media narratives. --- monetization. --- neoliberal. --- neoliberalism. --- oscillating networked publics. --- podcasts. --- police brutality. --- political engagement. --- political establishment. --- racial discourse. --- racial landscape. --- racial oppression. --- social justice. --- solidarity. --- transplatform. --- white supremacy.
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Unrest gripped Ferguson, Missouri, after Mike Brown, an unarmed black teenager, was shot and killed by Officer Darren Wilson in August 2014. Many black Americans turned to their digital and social media networks to circulate information, cultivate solidarity, and organize during that tumultuous moment. While Ferguson and the subsequent protests made black digital networks visible to mainstream media, these networks did not coalesce overnight. They were built and maintained over years through common, everyday use. Beyond Hashtags explores these everyday practices and their relationship to larger social issues through an in-depth analysis of a trans-platform network of black American digital and social media users and content creators. In the crucial years leading up to the emergence of the Movement for Black Lives, black Americans used digital networks not only to cope with day-to-day experiences of racism, but also as an incubator for the debates that have since exploded onto the national stage. Beyond Hashtags tells the story of an influential subsection of these networks, an assemblage of podcasting, independent media, Instagram, Vine, Facebook, and the network of Twitter users that has come to be known as "Black Twitter." Florini looks at how black Americans use these technologies often simultaneously to create a space to reassert their racial identities, forge community, organize politically, and create alternative media representations and news sources. Beyond Hashtags demonstrates how much insight marginalized users have into technology. --
African Americans and mass media. --- African American mass media. --- Race in mass media. --- Mass media --- Afro-American mass media --- Mass media, African American --- Ethnic mass media --- Afro-Americans and mass media --- Mass media and African Americans --- 2016 US presidential election. --- Black Lives Matter. --- Black Twitter. --- Black cultural production. --- Black enclaves. --- Black innovation. --- Black social spaces. --- Ferguson. --- Martin Luther King Jr. --- Mike Brown. --- This Week in Blackness. --- Trayvon Martin. --- Zimmerman. --- affordances. --- alternative media production. --- anti-Black racism. --- citizen journalism. --- collective grieving. --- colorblindness. --- counterpublics. --- digital technology. --- historical narrative. --- independent media production. --- mainstream legacy media. --- media narratives. --- monetization. --- neoliberal. --- neoliberalism. --- oscillating networked publics. --- podcasts. --- police brutality. --- political engagement. --- political establishment. --- racial discourse. --- racial landscape. --- racial oppression. --- social justice. --- solidarity. --- transplatform. --- white supremacy. --- Race dans les médias. --- Médias noirs américains. --- Noirs américains et médias.
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"The story of Christine Jorgensen, America's first prominent transsexual, famously narrated trans embodiment in the postwar era. Her celebrity, however, has obscured other mid-century trans narratives--ones lived by African Americans such as Lucy Hicks Anderson and James McHarris. Their erasure from trans history masks the profound ways race has figured prominently in the construction and representation of transgender subjects. In Black on Both Sides, C. Riley Snorton identifies multiple intersections between blackness and transness from the mid-nineteenth century to present-day anti-black and anti-trans legislation and violence. Drawing on a deep and varied archive of materials--early sexological texts, fugitive slave narratives, Afro-modernist literature, sensationalist journalism, Hollywood films--Snorton attends to how slavery and the production of racialized gender provided the foundations for an understanding of gender as mutable. In tracing the twinned genealogies of blackness and transness, Snorton follows multiple trajectories, from the medical experiments conducted on enslaved black women by J. Marion Sims, the "father of American gynecology," to the negation of blackness that makes transnormativity possible. Revealing instances of personal sovereignty among blacks living in the antebellum North that were mapped in terms of "cross dressing" and canonical black literary works that express black men's access to the "female within," Black on Both Sides concludes with a reading of the fate of Phillip DeVine, who was murdered alongside Brandon Teena in 1993, a fact omitted from the film Boys Don't Cry out of narrative convenience. Reconstructing these theoretical and historical trajectories furthers our imaginative capacities to conceive more livable black and trans worlds." --
Transgender people --- African American transgender people --- Racism against Black people --- African Americans --- Gender identity --- Transgender Persons --- Racism --- Gender Identity --- Sexual and Gender Minorities --- Bisexuals --- GLBT Persons --- GLBTQ Persons --- Gender Minorities --- Homosexuals --- LBG Persons --- LGBT Persons --- LGBTQ Persons --- Lesbians --- Lesbigay Persons --- Men Who Have Sex With Men --- Non-Heterosexual Persons --- Non-Heterosexuals --- Queers --- Sexual Dissidents --- Sexual Minorities --- Women Who Have Sex With Women --- Gays --- Bisexual --- Dissident, Sexual --- Dissidents, Sexual --- GLBT Person --- GLBTQ Person --- Gay --- Gender Minority --- Homosexual --- LBG Person --- LGBT Person --- LGBTQ Person --- Lesbian --- Lesbigay Person --- Minorities, Gender --- Minorities, Sexual --- Minority, Gender --- Minority, Sexual --- Non Heterosexual Persons --- Non Heterosexuals --- Non-Heterosexual --- Non-Heterosexual Person --- Person, GLBT --- Person, GLBTQ --- Person, LBG --- Person, LGBT --- Person, LGBTQ --- Person, Lesbigay --- Person, Non-Heterosexual --- Persons, GLBT --- Persons, GLBTQ --- Persons, LBG --- Persons, LGBT --- Persons, LGBTQ --- Persons, Lesbigay --- Queer --- Sexual Dissident --- Sexual Minority --- Bisexuality --- Homosexuality --- Homosexuality, Male --- Homosexuality, Female --- Gender --- Gender Identities --- Identity, Gender --- Covert Racism --- Racial Bias --- Racial Discrimination --- Racial Prejudice --- Everyday Racism --- Bias, Racial --- Discrimination, Racial --- Discriminations, Racial --- Prejudice, Racial --- Prejudices, Racial --- Racial Discriminations --- Racial Prejudices --- Racism, Covert --- Racism, Everyday --- Apartheid --- African-Americans --- African American --- African-American --- Afro-American --- Afro-Americans --- Black Americans --- Afro American --- Afro Americans --- American, African --- American, Black --- Americans, Black --- Black American --- Transexuals --- Transgenders --- Transsexual Persons --- Two-Spirit Persons --- Transgendered Persons --- Person, Transgender --- Person, Transgendered --- Person, Transsexual --- Person, Two-Spirit --- Persons, Transgender --- Persons, Transgendered --- Persons, Transsexual --- Persons, Two-Spirit --- Transexual --- Transgender --- Transgender Person --- Transgendered Person --- Transsexual Person --- Two Spirit Persons --- Two-Spirit Person --- Disorders of Sex Development --- Transsexualism --- Health Services for Transgender Persons --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Colored people (United States) --- Negroes --- Africans --- Ethnology --- Black people --- Anti-Black racism --- Antiblack racism --- Racism against Blacks --- Persons --- Transgender people, African American --- Identity --- African American transgender people. --- Identity. --- Antiracism --- Negro --- Blacks --- Gender dysphoria
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