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Opera --- Music and anthropology. --- Anthropology and music --- Anthropology --- Anthropological aspects.
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Among the channels of human expression, perhaps the richest of all is music, through which people can express their emotions – in a continuum ranging from joy to grief, from excitement to depression – in a manner that is socially and culturally accessible and acceptable. This book addresses the aspects involved in both producing and listening to music from the point of view of cognitive science. Arguments that might appear hard for non-specialists to understand are addressed in a clear and accessible language. An enthralling itinerary through the various aspects of the human relationship with music that underscores how the long path from the first sounds that man has produced and identified in nature through to the most modern compositions are the result of a process of rationalisation gravitating around the multiform relationship between man, the environment and musical creation.
Music and anthropology. --- Anthropology and music --- Anthropology --- Scienze cognitive --- Antropologia --- Musica
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Ethnomusicology --- Music and anthropology --- Anthropology and music --- Anthropology --- Comparative musicology --- Ethnology --- Musicology --- 78.30
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Histoire du développement de la musique en Amérique latine, de la fin du XVe siècle au début du XXe. L'auteure montre que la musique latino-américaine naît du croisement de trois traditions : l'ibérique qui mêle formes savantes et populaires, l'amérindienne très ritualisée, l'africaine et sa rythmique. D'où une créativité qui aboutit à la samba, au tango, à la rumba et autres styles de danses.
Music --- Musique --- History and criticism --- Histoire et critique --- Music and anthropology --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Anthropology and music --- Anthropology --- History and criticism.
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This welcome addition to the literature explores the connection between music and the social production of remote places. In a series of case studies from around the world, the book succinctly lays out the challenges of peripheral locales, but we also learn how musical activities emerge because they take place in the periphery, not just in spite of relative isolation. In a timely fashion, Christina Ballico and her co-authors effectively communicate these ideas in the context of a contemporary, inter-connected world. Ola Johansson, University of Pittsburgh at Johnstown, USA. An important contribution to the growing body of music cities literature, this excellent collection is a welcome introduction to how music scenes thrive in cities isolated geographically or in small communities far away from metropolitan regions. From Australia's urbanized, yet isolated music hotspot, Perth, to the farthest reaches of rugged, northwest Canada, to a village on the Faroe Islands, the reader will learn how participants in these music scenes leverage their challenges for success. Michael Seman, Colorado State University, USA. Most histories and geographies of popular music have focused on artists and scenes in big famous cities: London, New York, Liverpool, Seattle, Nashville. Yet the most interesting stories come far from the global centres, in the margins. After all, popular music has always had an anti-establishment streak. From Papua New Guinea to Chile, Thunder Bay to the Faroe Islands, authors in this innovative and important collection show how music flourishes in unlikely places, overcoming tyrannies of distance but also seizing opportunities that accompany isolation. As the book renders clear, true inspiration and ingenuity emerges not in the spotlight, but from the shadows. Chris Gibson, University of Wollongong, Australia. This book explores the influence of geographical isolation and peripherality on the functioning of music industries and scenes which operate within and from such locales. As is explored, these sites engage dynamic practices to offset challenges resulting from geographical isolation and peripherality. Dr Christina Ballico is an Adjunct Research Fellow at the Queensland Conservatorium Research Centre, Griffith University, Australia, and the co-editor of Music Cities: Evaluating a Global Policy Concept (2020).
Music --- Music and anthropology. --- Music trade. --- Human geography. --- Social aspects. --- Anthropo-geography --- Anthropogeography --- Geographical distribution of humans --- Social geography --- Anthropology --- Geography --- Human ecology --- Music business --- Music industry --- Cultural industries --- Anthropology and music --- Music and society
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Bennett Zon's Representing Non-Western Music in Nineteenth-Century Britain is the first book to situate non-Western music within the intellectual culture of nineteenth-century Britain. It covers many crucial issues -- race, orientalism, otherness, evolution -- and explores the influence of important anthropological theories on the perception of non-Western music. The book also considers a wide range of other writings of the period, from psychology and travel literature to musicology and theories of musical transcription, and it reflects on the historically problematic term "ethnomusicology." Representing Non-Western Music discusses such theories as noble simplicity, monogenism and polygenism, the comparative method, degenerationism, and developmentalism. Zon looks at the effect of evolutionism on the musical press, general music histories, and histories of national music. He also treats the work of Charles Samuel Myers, the first Britain to record non-Western music in the field, and explores how A. H. Fox Strangways used contemporary translation theory as an analogy for transcription in The Music of Hindostan (1914) to show that individuality can be retained by embracing foreign elements rather than adapting them to Western musical style. Bennett Zon is Reader in Music and Fellow of the Institute of Advanced Study, Durham University UK and author of Music and Metaphor in Nineteenth-Century British Musicology (Ashgate, 2000).
Ethnomusicology --- Music and anthropology --- 78.03 --- 78.03 Muziekstijlen --- Muziekstijlen --- Anthropology and music --- Anthropology --- Comparative musicology --- Ethnology --- Musicology --- History --- 78.34.1 --- 78.31 --- Music and anthropology. --- History. --- Great Britain.
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Directly relevant to the needs of teachers and researchers in music, musicology, ethnomusicology and social anthropology.This book examines the significance of music in the construction of identities and ethnicities, and suggests ways to understand music as social practice. The authors focus on the role of music in the construction of national and regional identities; the media and 'postmodern identity'; concepts of authenticity; aesthetics; meaning; performance; 'world music'; and the use of music as a focus for discursive evocations of 'place'. The chapters tackle a wide range of subjects including 16th century etiquette, Celtic music and Chopin. The volume will be of interest to social anthropologists, and those working in the fields of cultural studies, politics, gender studies, musicology and folklore
Ethnomusicologie --- Ethnomusicology --- Music and anthropology --- Music and society --- Musique et anthropologie --- Musique et société --- Muziek en antropologie --- Muziek en maatschappij --- Ethnicity in music. --- Ethnomusicology. --- Identity (Philosophical concept) --- Music and anthropology. --- Identity (Philosophical concept). --- Ethnicity in music --- Anthropology and music --- Anthropology --- Identity --- Philosophy --- Comparison (Philosophy) --- Resemblance (Philosophy) --- Music --- Comparative musicology --- Ethnology --- Musicology --- History of civilization --- Ethnicity. --- Ethnicité --- Identité --- 78.19
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History of civilization --- Music --- Anthropologie socio-culturelle --- Histoire de la musique --- Music and anthropology --- Music and society --- Musique --- Musique et anthropologie --- Musique et société --- Muziek --- Muziek en antropologie --- Muziek en maatschappij --- Muziekgeschiedenis --- Socio-culturele antropologie --- 78 --- -Music and anthropology --- -#GSDBP --- #VCV monografie 2000 --- Muziek ; 20ste eeuw ; antropologie --- 78.01 --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Anthropology and music --- Anthropology --- Philosophy and aesthetics --- Social aspects --- Muziek ; theorie, filosofie, esthetica --- Music and anthropology. --- Lerarenopleiding --- Philosophy and aesthetics. --- Social aspects. --- (vak)didactiek menswetenschappen --- (vak)didactiek menswetenschappen. --- 78 Muziek --- #GSDBP --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy --- muziek - muziekbeleid --- 78.21 --- 78.87.1 --- 78.29.1 --- muziekcultuur --- muziek --- culturele antropologie --- Muziekfilosofie --- Esthetica --- Antropologie --- Sociologie --- Religie --- Economie --- Media --- Citaatmuziek --- Akoestiek
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