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Art and anthropology --- Anthropology and art --- Anthropology
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Art and anthropology --- Anthropology and art --- Anthropology
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Art, Primitive --- Art and anthropology --- Popular culture --- Anthropology and art --- Anthropology --- Art.
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Art and anthropology. --- Art and anthropology --- Anthropology and art --- Anthropology --- Art et anthropologie --- Art primitif --- Art comparé --- Art --- Appréciation
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Ethnographic Experiments with Artists, Designers and Boundary Objects is a lively investigation into anthropological practice. Richly illustrated, it invites the reader to reflect on the skills of collaboration and experimentation in fieldwork and in gallery curation, thereby expanding our modes of knowledge production. At the heart of this study are the possibilities for transdisciplinary collaborations, the opportunity to use exhibitions as research devices, and the role of experimentation in the exhibition process.Francisco Martínez increases our understanding of the relationship between contemporary art, design and anthropology, imagining creative ways to engage with the contemporary world and developing research infrastructures across disciplines. He opens up a vast field of methodological explorations, providing a language to reconsider ethnography and objecthood while producing knowledge with people of different backgrounds.
Museum studies. --- Art and anthropology. --- Anthropology and art --- Anthropology --- Museology --- Museums --- Schools of museum studies --- Study and teaching
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Art and anthropology --- Art, Black --- -Black art --- Negro art --- Anthropology and art --- Anthropology --- Art and anthropology. --- -Art and anthropology --- Black art
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Art and anthropology. --- Art --- Political aspects. --- Art and anthropology --- Art and politics --- Politics and art --- Anthropology and art --- Anthropology --- Political aspects
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Art and anthropology. --- Art and society. --- Art and anthropology --- Art and society --- Art --- Art and sociology --- Society and art --- Sociology and art --- Anthropology and art --- Social aspects --- Anthropology
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Anthropology's engagement with art has a complex and uneven history. While material culture, 'decorative art', and art styles were of major significance for founding figures such as Alfred Haddon and Franz Boas, art became marginal as the discipline turned towards social analysis in the 1920s. This book addresses a major moment of renewal in the anthropology of art in the 1960s and 1970s. British anthropologist Anthony Forge (1929-1991), trained in Cambridge, undertook fieldwork among the Abelam of Papua New Guinea in the late 1950s and 1960s, and wrote influentially, especially about issues of style and meaning in art. His powerful, questioning-raising arguments addressed basic issues, asking why so much art was produced in some regions, and why was it so socially important?
Art and anthropology. --- Art and society. --- Art --- Art and sociology --- Society and art --- Sociology and art --- Anthropology and art --- Anthropology --- Social aspects --- Forge, Anthony, --- Anthony Forge.
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